babe. be real with me. if i were a plain little rock on a beach would you pick me up and turn me over in your hand and marvel over how wonderfully ordinary i am. like really take the time to ponder how there isn't necessarily anything special about me but that the very deed of choosing me out of countless other rocks raises me to a precious, almost sacred level of irreplaceability that is only accessible through the act of being seen and loved?
#whitewomantears
I just saw something that reminded me of this and I wanted to pass it along:
you do not have to stick to the plans you made years ago. those plans might only serve an older and different version of you and that’s okay. don’t limit yourself by decisions you made before you knew all of yourself.
For those of you who are into moths, here are all the types of moths you will see.
LIKE THE FUCKING SMELL
THE TEXTURE
THAT SLIMY SHIT IS SO PUNGENT
AND IT BUILD NAUSEA. I CAN FEEL IT DEEP IN MY STOAMCH. I CAN FEEL MY SALIVA IN MY MOUTH THAT MAKES ME JUST WANT TO GO HUEGUHGHHJKGUJ EVEN MORE, AND ITS ALL BECAUSE OF THE FUCKING SMELL AND THE TEXTURE OF DISH SOAP ON MY HANDS, ON MY FINGERS
AND WHEN YOU WASH YOUR HANDS
YOU CAN STILL FEEL THE FEELILNG OF DISH SOAP AGAINST THE SKIN
YOU CANT GET RID OF IT
I FUCKING HATE DISH SOAP
anyone else fucking hate dish soap?
When I was younger and more abled, I was so fucking on board with the fantasy genre’s subversion of traditional femininity. We weren’t just fainting maidens locked up in towers; we could do anything men could do, be as strong or as physical or as violent. I got into western martial arts and learned to fight with a rapier, fell in love with the longsword.
But since I’ve gotten too disabled to fight anymore, I… find myself coming back to that maiden in a tower. It’s that funny thing, where subverting femininity is powerful for the people who have always been forced into it… but for the people who have always been excluded, the powerful thing can be embracing it.
As I’m disabled, as I say to groups of friends, “I can’t walk that far,” as I’m in too much pain to keep partying, I find myself worrying: I’m boring, too quiet, too stationary, irrelevant. The message sent to the disabled is: You’re out of the narrative, you’re secondary, you’re a burden.
The remarkable thing about the maiden in her tower is not her immobility; it’s common for disabled people to be abandoned, set adrift, waiting at bus stops or watching out the windows, forgotten in institutions or stranded in our houses. The remarkable thing is that she’s like a beacon, turning her tower into a lighthouse; people want to come to her, she’s important, she inspires through her appearance and words and craftwork. In medieval romances she gives gifts, write letters, sends messengers, and summons lovers; she plays chess, commissions ballads, composes music, commands knights. She is her household’s moral centre in a castle under siege. She is a castle unto herself, and the integrity of her body matters.
That can be so revolutionary to those of us stuck in our towers who fall prey to thinking: Nobody would want to visit; nobody would want to listen; nobody would want to stay.
No that's okay I wasn't using my heart for anything today.
Me, person with chronic pain : I am in pain. My body is heavy.
My mom : maybe you should try boxing?
LOOK- I CAN'T EVEN BE MAD AT THIS.
how can anyone write so many paragraph in one sitting. I write two and am already dying