Sokka Painting Kya And Zuko Is There (yes This Is Posted On TikTok Too) (OH MY GOD IM GENUINELY CONFUSED

Lowkey wanna write a fic where like Chishiya knows magic tricks and either uses them to flirt continuously with Arisu OR uses them to like trick people into giving him their cards (including hatter and or Aguni).  except I don't write so this shall forever stay a forgotten thought never expanded upon lmao 

Kuina and last bosses fight was like cool and all but imagine instead of they just rap battled. Or better yet power of friendship and they became like best friends.

Imagine just last boss being forced to come along and suddenly becoming the annoying dad of the group. All “no you can’t go try climb that 7 story building usagi that’s dangerous. I’ll do it instead”.

Also imagine Kuina like finding a wig for him and styling it and it’s like bright blue and he refuses to take it off cuss his bestie gave it to him.

Also I wrote this in a minuet at like 2am idek if it’s coherent

You know I do think it's interesting how strongly Fullmetal Alchemist (2003) makes the point that bringing someone back from the dead is inherently selfish.

I've seen it elsewhere but not nearly as unequivocally and plainly put. First, we have Majhal in episode 4 - an alchemist so obsessed with bringing back his dead love, he completely fails to notice that she survived and returned to him. And even once the truth is revealed... he rejects her, since she's not the ~perfect girl~ from his memories, but an old woman - an actual person, with an actual life.

And if you missed it there, we then meet Tucker, so obsessed with keeping his lifestyle and success as a State Alchemist he does, you know, that. And then he goes on to become obsessed with bringing her back - but not her, not really, as he straight-up tells Ed in the 5th laboratory - he wants the girl from his memories, the perfect, unchanging doll.

Both times, we see that those obsessed with bringing someone back from the dead aren't interested in bringing back a person, with thoughts and feelings and their own independent life to live - no, they want their idea of that person, the glowing angel who could never change, never grow, and never go wrong. And that also goes for Ed and Izumi too - Ed was so obsessed with bringing his mother back that he ignored Pinako, ignored the family that took him in, and selfishly put his brother's life at risk... for which he paid the price. Izumi lost her ability to have future children, any of them, stuck on a dream on the child she could have had. Both didn't want that mother/child - they wanted their loved ones, the ones they dreamed of, not the ones that were actually there.

Most times resurrection is brought up in media, it's with the lesson that "oh, the cost is too high", "oh, you're disturbing their rest", "oh, they don't come back right." It's rare to see it put so clearly, so obviously, so horrifically that actually, no, even the fact that you attempt it - even the fact that you want to - is an inherently selfish act, that turns your back on life and the living to chase a dream that may not have ever existed.

It's an interesting take on the whole idea, of death and life and memory and obsession. For all that 2003 dropped the ball on the ending, I do love the development they gave to the characters!

The removal of the sexism pisses me off not because it just affects Sokkas character but because it has ruined almost every woman in the show.

Suki takes off her make up often, as if it isn't a large part of her cultural identity and personality, as if her being a kyoshi warior and her destinctly femenine clothes are something to be ashamed off or that hinders her. Because its only her that gets this treat amongst the warriors, and shes the only main kyoshi warrior for the audience.

Yue's entire character is removed. It is replaced with what I think is meant to be a sympathetic princess to the people, she joins the nans in the kitchens and make deserts for the children. Like a disney princess whose quirky and silly and held back only by her title of a princess. Gone is the battle between her desire to help and her duty to be a water tribe ideal woman. Gone is her realising that the best way to help her people is to not be an ideal woman, but to take action and to do what no one else can, to become one with the moon so that she can forever help not just her tribe but the entire world. It is depressing, it is deep, it isn't fair to her but when has the world ever been fair?

Katara aswell. Her bending is forever unlocked by men (Aang and Jet), her defiance of authority is lessened and her naievety is also changed. A lot of her motherhood role is also completlty gone since they have changed Sokkas sexism into elder brother smothering. Her fight with Paku holds a lot less significance since she has no RAGE behind her. No rage that has built for YEARS as time and time again people have said no to her face for being a woman, for being weak, for not being enough simply because of who she is. that doesn't exist for her anymore because the water tribes are just...nice. We see one bad person in the water tribe and its Hadoka and he's mean to sokka! Kataras rage comes from Paku saying no to her, and whilst thats swell, it changes her entire "I'm a master now" moment into just...lame girlbossery. Thats kinda how the entire last 2 episodes felt like for her character. A common girlboss character without the emotional depth to make it femenism.

I think my main issue is that both shows set themselves up as being femenist by nature. The og show wanted to tackle issues with sexism, using book 1 as its main demonstration with it, but the theme still follows throughout the narative. netflix's show outright said they were removing the sexist elements. When you place youself onto that pedastal, any sexist writing you have becomes emphasised.

The og show undoubtably has sexist moments! Irohs comments to June are the most obvious to me, a long with a couple comments from Zuko later on. You can certainly argue that the extreme lack of GOOD mother figures is an issue (Kat and Sokkas mother is dead, Zukos is 'dead', and Toph is awful and rather quite compared to her father). Theres other examples, although currently my brain cannot think of any since I don't often write indepth critisms.

The live actions main point of sexism is its female main characters. we literally meet Yue in the kitchen! Women can be in kitchens but that is certainly a choice! Theres this strange hatred for make up aswell, yes with Suki but also with Sokka. His war paint is removed. Its like saying make up cannot be worn by strong fighters which is rather sexist. Speaking off: not putting Sokka in the kyoshi outfit is just...dumb? If you want to show him learning the style, having him wear the outfit. Its an aspect of the style and philosophy. A man wearing make up and a skirt doesn't emasculate him yet the show makes it feel that way with the refusal to do it. "Oh but then you'd have Sokka and Suki kiss in the kyoshi outfits" who cares. "it will look like lesbians" it won't. Even if it did, who cares? you can't be 'femenist' and anti-lesbian. Putting Sokka in the Kyoshi outfit, having him respect it, is just as important as having Aang learn the other elements, or Iroh creating lightning redirection. Why? because it shows a respect of culture, and how you can blend that into your own way of thinking. It's cultural extchanged based on respect.

When you name yourself femenist, yet have explicitly sexist writing, your GOING to get dogpiled with critism based on that 'femenist' msg.

Arisu: so uhh apparently asking your boyfriend to watch porn with you, create an excel sheet to collect data on things we liked about the videos and things we didn't, finally work out what creates the perfect video in our  eyes and then film it isn't a good date? News to me.  Arisu:anyway I'm now single someone bring me chocolate and a big hug 

the beach pools from what I rember are all REALLY clean. like suspiciously clean. no leaves in there, no off colours nothing. All this tells me is that someone assigned a beach pool cleaner/ team of cleaners that must clean the pool each night. From this I also assume they have beach life guards ( not because they care about their lives but their better off dead in a game then drowned in a pool).  Please now imagine life guard Usagi and pool cleaner Arisu 

Arisu: even at the age of near 19 I still find nothing more I’d enjoy than a crisp glass of apple juice. Well other than college tuition. I guess that’d be great

Usagi: you didn't even go to college? 

Arisu: I feel the debt in spirit 

chishiya: And I feel it for real now shh 

new drinking game: take a shot whenever they say the word "balance" in the new live action avatar.

will you keep posting ethan and benny content on your page?

Just because you asked, no. Never again. You’ve ruined it for everyone now.

Heavenly Tyrant is out today! It's a weird feeling after so many years of losing hair over it. It didn't feel like I was capable of finishing the book until I wrote the last word. The publication process was not a happy one. I'm not doing any events for it, not even a launch. I'm typing this while lying in bed and thinking about what a terrible year it's been. We joked about 2020 being the worst year ever, yet every year since has been progressively worse. And the coming years do not show any indication of being better.

But a big theme in Heavenly Tyrant is that wherever there is oppression, there WILL be resistance. I have had as much heartwarming support from peers, friends, and readers as I've faced heinous shenanigans this year. When a very, very famous author I met this summer asked me "Are you a controversial person?" after I told him about the stuff I was going through, I answered "To many who hold power? Yes. To regular people? I don't think so."

I want to thank all of you who gave me the faith to say something like that. Most people I know are on the right side of history. If you aren't - I don't want to know you.

Anyway, the book. Heavenly Tyrant is SO different from Iron Widow that I'm pretty nervous about whether people would like it. I want to ask you all to adjust your expectations going in. You're not going to get another breakneck-paced story about a Girlboss Going Smash. The smashing was the easy part. Rebuilding what she broke into something better is much, much harder. The story is a lot slower by necessity, and the problems she faces are way more complicated to deal with. I also ask that you read until the end before making a judgement because, well, developments you don't like might not be endgame! And there's a book 3 coming! (This was always supposed to be a trilogy; it's just that my publisher was only willing to buy 2 books from me at first. They changed their minds after seeing the preorder numbers for IW.)

Finally, I want to bring everyone's attention to the five songs the Bookish Songs Collective wrote specifically for Iron Widow! They're now available to stream whenever you get your music. It blows my mind that MY book would get such epic music?! I can't thank or praise them enough. Seriously, CHECK THE EP OUT.