Thoughts On The UNDEAD Climax?

[TL] BIOHAZARD/Prologue

[ This post uses Ois~su ♪ ]

Season: Winter

Time: Early March in the first year of ES’s establishment

Location: In a underground livehouse, one of UNDEAD’s haunts

Keito: (What is that?)

(What the hell is happening…?)

Rei: 『♪~♪~♪』

Kaoru: 『♪♪♪♪♪』

Koga: 『H！E！L！L！』

Adonis: 『S！I！N！G！』

Koga + Adonis: 『We are 『HELLSING』 ...☆』

Keito: I have no idea what’s going on—

HELLSING…? No matter how I look at it, that’s UNDEAD!

Rei: 『♪~♪~♪』

Kaoru: 『♪♪♪♪♪』

Keito: Oi! Listen up!

I know this isn’t a great time but I need to ask you guys something!

Adonis: —Hey. Oogami, Oogami, Hasumi-senpai is in the stage wings making a racket.

I am not sure how our senpais will react to this, so I think we should deal with him before something bad happens.

Koga: Nah, if somethin’ was gonna happen, it woulda happened by now.

Actually, I don’t want this important live t’be interrupted. Guess we’ll have t’see what he wants.

Oi, shitty glasses— Whaddya want?

Can’t you see we’re in the middle of rehearsal?

Keito: Let me make this clear first of all - I have no intention of interrupting your activities. I’m no longer the vice-president of the Student Council so I have no reason to be supervising the activities of problem children like you.

Koga: God, you fuckin’ know how t’waffle on and on. So why are you here if it’s got nothin’ t’do with us? Random person who looks good in glasses, whaddya want, hmmmm?

Keito: Well I don’t see how that’s relevant. We once donned the same costumes and participated in the same activities, and now we share an agency.

And that is precisely why I, as a representative of RhythmLink, have gone out of my way to come ask you this.

Your recent “peculiar activity” has become troublesome for the agency.

Therefore, I’d like to know what’s happening, UNDEAD.

Firstly-, what is “HELLSING”?

Koga: ...

Keito: Why are you keeping quiet, Oogami?

Can’t you explain it to me? After all, as you quite rightly said, you and I are in different units and are complete strangers who–

Adonis: Please wait a moment, Hasumi-senpai. I don’t think Oogami will be able to explain this very well.

Truthfully, we don’t really know what’s going on ourselves—

Koga: Shut it, Adonis. Yer actin’ like a parent who’s watchin’ their kid run their first errand. Stop addin’ unnecessary shit to the conversation.

Adonis: But, Hasumi-senpai will probably be able to offer useful advice—

Koga: Shut up! He fuckin’ said it himself, he ain’t got nothin’ to do with us anymore!

Now you’re actin’ like your our parents and tryna stick your nose in where it doesn’t belong! Stupid shitty glasses.

Keito: That was never my intention… I’m really– no, I mean, I’m worried about you.

I always end up imposing Oogami with heavy burdens that are my own responsibility.

Koga: Oi, don’t apologise! They told me to take it on, and you told me it was a lot anyway!

…Seriously man, don’t worry ‘bout it. HELLSING is just a different name we, UNDEAD, use on stage.

Recently, the hardcore rock image we use on stage versus the stupid silly image we use on like, variety shows is creatin’ a divert… divertent?

Adonis: A divergence?

Koga: Yeah, that! It’s creating a divergence in terms of how we present ourselves, so we thought that we could just use different names whether we’re on stage or doin’ our regular activities!

It’s like those mangas you fuckin’ love so much. They use different names dependin’ on what they’re doin’.

Keito: Umu… I suppose that’s true, as there are mangaka that operate under different pseudonyms based on if they are working on commercial materials or R-18 material.

Though generally, fans can tell from their art style that it is the same person.

Adonis: I don’t know much about manga but. Think of it as a parent company setting up subsidiaries, where each brand markets different things dependent on what activities they engage in.

Our, so to speak, immoral, radical activities will be handled by HELLSING, and our more friendly and palatable activities handled by UNDEAD.

Only what we do and the name has changed, the members remain the same. Me, Oogami, Sakuma-senpai, and Hakaze-senpai.

Keito: So what’s the point in doing all this…?

Koga: Shut uppp, there’s a ton of reasons. I get you’re a producer ‘n all but why’s it any of your business?

Keito: ...

Koga: …It’s whatever, alright?

This is what I wanted. To be honest, the fans are a little confused but everyone else is pretty happy with it.

I feel like I can actually breathe now I’m not bein’ forced t’do stupid varieties shows ‘n shit like that.

So that means it’s a good thing— all of it is.

I said it’s fine so everyone who says otherwise should shaddup!

『♪~♪~♪』

[ ☆ ]

Chapter 1

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In the absence of a clear and obvious angle to attack Bushnell’s protest, most likely due to his status as a serviceman that would make outright insulting him or suppressing the news itself scandalous, discussions on Western shores have now taken on the familiar framing of mental illness. In Time Magazine’s write-up of Bushnell’s death, the article finishes with a link to the suicide hotline, and asks readers to contact mental health providers if they are experiencing a “crisis.” Mark Joseph Stern, a writer at Slate, seemingly unasked, also wrote on Twitter/X:

“I strongly oppose valorizing any form of suicide as a noble, principled, or legitimate form of political protest. People suffering mental illness deserve empathy and respect, but it is wildly irresponsible to praise them for using a political justification to take their own life.”

Conviction does not exist to the American. To be willing to die in a selfless act for what they believe in only exists for those outside America's sphere of influence. Many will recall reporting on those who self-immolated in protest in Iran and in Russia for instance where this sort of approach, unwilling to engage with the root of its cause, would not even be entertained, let alone written and published with sincerity. The Arab Spring began with a self-immolation. The self-immolation of Buddhist monks in protest of South Vietnam’s persecution became defining images of the war and its corruption. Within America’s walls however, there is a belief, unspoken and ingrained from birth, that democracy allows for everyone’s voices to be heard and that its representatives are inherently inclined to respond to the people and their widespread wishes.

Desperation at inaction or complicity in terror and atrocity need not apply. Everyone incensed by their government to such an extent must simply have something wrong with them. To be able to go about one’s day knowing that children are screaming from the hunger that is eating their insides and that pregnant women are eating bread made from animal feed, and that the United States is supporting Israel’s creation of this famine, is apparently the real sign of well-adjustment.

Seamus Malekafzali, “The Words Burned Through His Throat: The Sacrifice of Aaron Bushnell,” February 26, 2024.