Conversation that Tumblr is not ready for:
A Vampire's fangs are also it's reproductive organs
Selective hearing
suck, and i cannot stress this enough, my cock to the fucking base
idk i saw these tweets and thought of these gorgeous men đ
AAAHHH
thinking about this
6:52 | B.L. / S.M.
Pairings: Billy Loomis x Female Reader, Stu Macher x Female Reader
Summary: Reader is the daughter of an FBI profiler and childhood best friends with Billy and Stu. When a killer starts terrorizing her friends she has to choose between following her head or her heart.
Warnings: death, blood, stabbing, violence, swearing, manipulation, kissing, major character death (deviation from cannon), mommy issues, reader is smart but a little naive, ending is open to interpretation
Word Count: 7.9k
a/n: happy halloween !! i know it's been a while but hopefully this long ass story makes up for it. please don't cancel me for this, i'm not immune to the charm of a 25 year old slasher film. let me know what you think !
Six minutes and fifty-two seconds.
According to some remarkably arbitrary article you skimmed through in a mediocre issue of Teen Beat, it takes the average person six minutes and fifty-two seconds to determine which movie theyâre going to watch.
In six minutes and fifty-two seconds you can brew half a pot of particularly unpalatable coffee in your kitchen. You can listen to your favourite Jeff Buckley song with eight seconds to spare, or drain a teeming glass of water.
Six minutes and fifty-two seconds is also the precise duration of time in which youâve managed to evade the knife-wielding psychopath whoâs killing your friends for sport.
Six minutes and fifty-two seconds.
Now here you stand in Stu Macherâs kitchen, explicitly parallel to the masked executioner, dread trickling deliberately throughout your body, dancing delicately up the incurvation of your spine.
Panic and confusion mingle together earnestly inside as you notice the killer stop before you, scarcely within armâs reach. He tilts his disguised head at you slowly, almost as though heâs confounded that an armed maniac has been chasing you around the Macher house for the last few minutes.
âHey...â He murmurs with a strangely familiar resonance, âIâm not gonna hurt âya, Doll.â
Your expeditious breathing slows to a halt. Your face, previously adorned in confusion, is now painted with discouragement as you place who the voice belongs to.
No, you didnât want to be right. Not this time.
A second unmasked figure appears behind him, holding a horrified and misty-eyed Sydney Prescott in his gangly arms.
âWell,â he draws out with a blinding smile, voice dripping with lunacy, âHow do ya like our big reveal, Sunshine?â
Six minutes and fifty-two seconds, you think to yourself indignantly, what a fucking joke.
You were decidedly not a morning person.
This is your first thought, a routinely reoccurring thought at that, as you move to swiftly silence the shrill reverberations of your alarm clock. Thereâs a distinct lack of routine to your mornings, though you consider it a win in itself being awake before school starts.
You gradually make your way downstairs, adorning an oversized Fresh Prince of Bel-Air t-shirt and the first clean pair of jeans you see, offhandedly reminding yourself to do your laundry.
The house is forebodingly silent, you shouldâve long since become accustomed to that. Still you canât help the acrimonious look you aim toward the note sitting on your kitchen counter, rereading it for the umpteenth time before grabbing yourself some breakfast.
Had to leave town for a case, left you some money for food. Call you when I can - Love Dad
At least he left a note this time you think to yourself despondently.Â
You donât blame him for not sticking around, god knows your mom couldnât either. But at least when she left it was for good. She didnât resurface every few weeks and pretend to know what was going on in your life, vowing to be more present if given the chance, only to leave the next time a murder happened in some backwater town five thousand miles away from the daughter she swore to stick around for. No, that was all your dad.
You used to admire him, ironically enough. Solving murders and catching the bad guys, he used to be your hero. You and your mom used to allocate hours each day waiting zealously by the phone to hear of his adventures. In the course of time your mom got tired of waiting for your dad to call, eventually she just got tired of him in general. She got tired of you in general.
You never faulted your dad for her desertion, how could you? She left him too. Though you did follow her lead in straying from your perch aside the phone. These days it never rang anyhow.
The sharp honking of a car horn redirects your attention from your melancholic reverie, you grab your bag and set the home alarm before locking the door behind you, grateful for the excuse to be anywhere but your empty house.
âWell donât you look like a ray of sunshine this morning?â Stuâs voice sounds from the passenger seat of Billyâs car as you smoothly slide into the back.
âWhatâs âa matter? Youâre not all freaked about the killer are you?â He questions, turning his lanky body around in the seat so that heâs facing you, his wide dopey grin now on full display.
Right, the killer.
Itâs the only story currently circulating on the Woodsboro news, plastered on the cover of every tabloid, not to mention itâs virtually the only thing your friends seem to talk about since it happened.
Casey Becker and her boyfriend Steve Orth were brutally murdered, their remains remorselessly strung up like Christmas ornaments. It should have made you sick to your stomach. But after all the gory photos youâd seen hanging on the cork board in your dadâs office, you couldnât help the twisted tinge of curiosity that swirled about in your brain. Who did this? Your FBI profiler dad, who specializes in capturing people that commit violent crimes, sure picked a great time to be out of state for work.
âNo, but Iâm super glad that you always find a way to bring it up. Very well adjusted of you.â You retort with a gentle smile, as you buckle your seatbelt, instantly feeling better at the mere sight of your two best friends.
âAh, come on. You know weâd never let anything happen tâyou. Right, Billy?â He nudges his elbow at Billy, awaiting his agreeance.
âCourse not.â Billy states, his voice is gentle but his tone is stern, and you donât miss the indicative look he flashes Stu. Whatâs all that about?
âO..kay then.â You make it a point to remember that look. Itâs peculiarly akin to the look he gave Stu at the fountain the other morning.
âI didnât kill anybodyâ Stu abruptly defended.
âNo oneâs saying you did.â Billy shot Stu an ominous look of warning.Â
What the hell are those two idiots hiding?Â
âMy knights in shining armour, truly. However could I repay you?â You deadpan sarcastically, coming to the conclusion that there is definitely something going on. Youâre always right about these things. Whatever it is, youâre going to figure it out eventually.
Youâve known Billy and Stu since elementary school, they canât hide things from you. At least Stu canât. His facade will shatter like glass if you look up at him with big eyes and an amiable smile. Billy on the other hand, had spent copious amounts of time with you sifting through your fatherâs research when you were kids, which gave him the invaluable knowledge of how to get away with lying. That and his prodigious poker face.
âWell- And Iâm so glad you asked, thereâs actually a super easy way to do that. Wouldnât take too long either-â You donât even need to look at Stu to know this is another one of his empty-headed innuendos for sex.
âWouldnât take too long is right. At least thatâs what Tate told me. You might wanna work on that.â You tease, gently squeezing his arm in mock sympathy.
Billy lets out a modest chuckle of approval at your childish rebuttal, sending you a wink in the rear-view mirror when he catches your smile growing at the sound.
You try to ignore the hastening uptick of your pulse at the simple action. He has a girlfriend, you remind yourself remorsefully, heâs your best friend and thatâs all.
âOh really? Guess weâll just have to wait and see about that, wonât we?â Stuâs resplendent crystal eyes hold an edge of irritation, but before you can discern the connotation of it, theyâre overtaken by the playful mischief youâre certain is a permanent fixture in them.
âSpeaking of this whole killer business,â You swiftly steer the subject back, aware of your best friendsâ infatuation with the topic, âHowâs Sid holding up?â
Of all your friends, the killings had the strongest emotional impact on Sidney. When taken into account that the same thing happened to her mom almost exactly a year ago, itâs something of a wonder that sheâs showing up to school at all.
Though Cotton Weary was tried and convicted for the murder of Sidneyâs mother, you and your dad always shared a covert belief that somebody else was to blame. When you combed through the evidence, albeit evidence you werenât legally allowed to see, something felt off about it all. Your dad agreed, stating as much to the local police who were less than receptive of his findings. In essence, they told him to fuck off, that theyâd closed the case without the help of the FBI.
You never wavered on your belief that the true perpetrator escaped undetected, and now with the same m.o. being used to kill Casey and Steve, youâre adamant that these cases are connected. Of course youâve kept this ideology to yourself, not wishing to dredge up any more pain for Sid, the poor girlâs already been through more than her fair share of it.
âMore frigid than usual I bet. If thatâs even possible.â Stu jokes incautiously.
Billy swats Stu firmly in the chest, glancing at you in the mirror again as Stu lets out a minor yelp, âSheâs not so good. I tried to make her feel better, but you know how I am with that sort of stuffâ he says unhurriedly.
Unfortunately I do, you think to yourself. Of all the things you love about Billy, patience and understanding are not exactly the top contenders. You imagine his version of consoling Sid ended with her feeling worse.
âAt least you tried. That counts for something.â You add optimistically, already preparing to check in with Sid the first chance you get.
âIâm not sure it does,â His eyes are surveying your every feature through the rearview mirror and youâre becoming acutely aware that heâs barely spared a glance at the road since he started driving, you being the sole focus of his attention, âNot with her anyway,â He mumbles out the last part but you manage to piece it together inquisitively.
If you were thinking with your emotions instead of your intellect, youâd have picked up on the nuance of his words and the uncharacteristic benevolence of his gaze. Youâd have pieced together sooner that you actually had a chance with Billy Loomis.
The trajectory of your life, the lives of your friends, could have been exponentially juxtaposed if you had only continued to prioritize your mind above your heart.
âFuck!â Oh god, oh god, oh fuck! Not the most eloquent thoughts in the world, but theyâre about all youâve got since you caught sight of the menacing masked figure jumping onto Sidney, armed with a particularly sharp-edged blade.
Youâre vehemently regretting tagging along to what was initially intended to be a girls night with Tatum and Sid.Â
âSafety in numbers,â Tatum smiled impishly, tugging on your arm in that way she does when she wants something bad enough, âBesides, your dadâs gone too! You and Sid would be much safer at my place.â She brought up a valid point. Although you werenât as unnerved as your friends at the prospect of being murdered, your strong distaste for spending another night alone in your house was enough for you to give in to your friendâs wishes.
âAlright. Iâll come. But no cheesy rom-coms, weâre watching Seven.â You conceded sooner than Tatum expected. She had a whole speech about the sanctity of friendship planned, but she intended to save it for another time.
âYouâll have to convince Sid. You know how she feels about horror movies.â
âI also know how she feels about Brad Pitt,â You teased with a grin, earning an emphatic giggle from Tatum, âBesides, itâs a thriller not a horror. Randy would die just to roll over in his grave if he heard you right now.â
The plan was to go back to your houses separately and grab your things, Tatum would pick you each up on her way home from practice. The plan changed after you observed Sidney throughout the day. You could tell she was jittery and nervous, despite her fruitless attempts at covering it up, so you went straight to her house together after school.Â
The two of you briskly passed out on opposite ends of the couch, only awoken by the piercing ring of Sidâs telephone. âTateâs gonna be a while, she got held up at practice.â Sid relayed the message to you, gingerly rubbing the evidence of sleep from her eyes.
You nodded in understanding, moving from your previous position on the couch and deftly stretching the tender muscles in your back.
âIâm gonna grab a glass of water. You want anything?â You asked Sid as the phone resumed ringing, she shook her head no with a comfortable smile and answered the call as you walked toward the kitchen and out of ear shot.
You moved around the kitchen with an air of familiarity, taking your time filling the glass. Your walk back to Sidney turned into a swift jog, confusion and mild alarm made their presence known on your face as you heard her yell âFuck you, cretin!â into the phone with conviction.
âSid- Hey, whatâs going on?â You moved to comfort her frenzied form, taking over for her shaking hands you swiftly locked the chain on her front door.
âThe killer- He⌠Oh my god!â Her frenetic speech died a merciless death on her lips as she heard the door of her hall closet swing open. Before either of you could register what was happening, the killer was on top of her.
âFuck!â Sid yelps, flailing wildly in a desperate attempt to escape from the masked lunaticâs grip.
You froze for a moment back there, you arenât proud of it. All the self-defence lessons and step-by-step protocols for how to survive in a dangerous situation seemed to have vanished from your mind. But now you can hear his voice in your head, stern but compassionately reassuring like it always was, âCâmon (y/n), this is life or death. As much as I wish I could, I canât always be here with a gun and a vest to protect you. So come on, how are you gonna fight back?â You used to hate it when he did that. Why should a girl your age worry about those things?
Thanks Dad, you silently praise, guess you make the time we spend together count.
You snap out of it instantaneously, bringing down your half-empty glass of water over the killerâs head with considerable force, shattering it to pieces and stunning him long enough for you to send a brutal kick to his side, temporarily removing his looming figure from atop Sidney. You suppress a wince as you notice one particularly long shard of glass has embedded itself deeply into your palm, blood trickling evenly from the gash as you gingerly remove it.
You waste no time grabbing Sidney from the floor, pulling her along with haste as you reach the staircase and begin your ascent. âWait- The front door is-â She starts before you cut her off, âItâs locked Sid. We donât have time, heâs right behind us.â She turns to gage the distance and her eyes widen substantially as she sees just how correct you are. Heâs right there.
In a matter of nanoseconds the killer grabs ahold of Sidneyâs foot, giving it a solid tug. Her hand slips from yours as he drags her down the steps.
âAnything can be used as a weapon, especially when you combine it with the element of surprise.â Your dadâs voice rings through your ears once more as you stormily grab hold of a bulky framed painting from the wall and smash it down onto the killerâs head. He groans and trips back a half-step, just enough distance for you to pull Sidney back up, taking care to hold on extra tightly as you resume your course to her bedroom.
Hightailing it to her room, the two of you close the door behind you, Sidney rushing to alert the police as you make a half-assed attempt to barricade the door shut, working at warp-speed.
The door jolts violently behind you as the killer manages to squeeze his arm through, prompting Sid to bellow out a short scream of terror. You push back on the door with all your body weight, a triumphant smile fighting its way to the surface as you hear the vociferous groan of pain emitting from your pursuer. He pulls his arm back with haste, allowing the door to shut fully behind you.
Itâs agonizingly silent. Whatâs he going to do now? Heâs much stronger than you or Sidney, surely he could break down the door. Or stab it with his knife, stab you with his knife. Youâre eagerly awaiting his next move. Sid, on the other hand, needs this to be the end of it. She manages to contact the police through her computer, and you canât deny the pride you feel for her, carrying on despite the clearcut terror sheâs just experienced.
You both turn toward the window on high alert, a noise informing you that youâre not alone. You grab the first thing within your reach, Sidneyâs hairbrush, and hurl it with impressive force at the figure entering her bedroom.Â
âOw! Jesus (y/n)! What the hellâs goinâ on? I heard Sid screaming. The door was locked. Are you guys okay?â Billy questions, pulling himself through the window once he recovers from the hairbrush hit to his temple.
I heard Sid screaming.
How did he know it was Sid who screamed? And what exactly was he doing here anyway?Â
No, you cut yourself off, thereâs no way! Itâs Billy, he wouldnâtâŚ
Would he?
When you and your dad made the profile for Maureenâs killer, you determined that it had to be a young adult male between the ages of 16 to 24. You also theorized that he had to know Maureen, the level of rage present in her killing was too personal for a stranger to carry out. Your dad threw around the idea that maybe there were two killers, one with a hunger to be in control, the other just along for the thrill of the hunt.Â
You remember the day you brought the profile up to Billy and Stu.
The three of you were watching some cheesy 80s slasher in Stuâs spacious living room, Stuâs arm around your waist as your head gently laid on Billyâs shoulder.
âMy dad agrees with me you know?â You start, voice overtaking the synthetic screams of whichever big-breasted actress was getting slaughtered on screen, âThat it wasnât Cotton Weary. He actually thinks there were two of âem.â Billy and Stu both tense up, causing you to observe them from the corner of your eye.
There was a brief look of alarm on Stuâs face causing your eyebrows to furrow together in confusion. Perhaps you should have kept your reaction subdued, as Billy picked up on it instantaneously. He delicately grabbed ahold of your chin, the pads of his fingertips setting your skin ablaze beneath them, turning your face to his he muttered coldly, âSince when do you care what that asshole thinks?âÂ
Your gaze dropped from his, a frown taking over your lips. Heâs right, in a way, but he doesnât have to say it like that.
âHey, come on Sunshine, turn that frown upside down, huh?â Stu was his usual sanguine self again in the blink of an eye, that beautiful broad grin already back in its rightful place on his lips, âWho needs him anyway? You got us.â
âYeah,â You smiled back despite yourself, âGuess that makes me pretty lucky.â
For someone who loves talking about murder so much, he always manages to brazenly shut it down whenever you bring up the profile. The profile that he fits.
How did you never see it before?
âSid,â You start slowly, taking a gentle step toward the girl whoâs wrapped in her boyfriendâs embrace. Youâre attempting this with the utmost care so as not to alarm Billy, in case heâs hiding the familiar blade on his person, âThis cut on my hand is pretty deep,â Itâs true, though you couldnât care less about it, âCan you come help me with it, please.â
Shit.
Your voice broke on the last syllable and youâre definitive that he noticed.
Billy turns to you with a look of confusion, itâs almost as though he can read your mind. âYour hand?â He questions, not releasing Sid from his grip, âWhat happened to your hand?â He seems genuinely concerned and youâre beginning to doubt your own instincts. Until Sid pulls away from his grip, a soft thump resounding as something falls from Billyâs pocket.
A mobile phone.Â
The kind of mobile phone a killer would have if he had just made a menacing, life-threatening phone call to his girlfriend.
Why did you have to be right?
Six minutes and fifty-two seconds. You donât time it, but thatâs how long it takes for you to change into your pyjamas, or in this case one of Deweyâs old t-shirts that less than flatteringly falls below your knees in an Ebenezer Scrooge sort of way, and get situated beside Tatum in one of her twin beds.
Despite the cataclysmic series of events youâve just been through, you manage a loose smile as you watch Sidney ice her hand after landing a particularly impressive punch on Gale Weathersâ face.Â
âThe painâs gonna fade in the morning but the prideâll last. At least mine will, youâre kinda badass, Prescott.â You jest, attempting to quell the foreboding thoughts youâre sure are threatening to chew her up and swallow her whole.
âDitto,â She motions to your injured hand, all bandaged up thanks to Deweyâs gentle insistence, âIâm sorry it happened, you shouldnât have gotten hurt saving me.â She concludes, ever the saint.
âSid, no. Okay? None of that should have happened in the first place.â And I should have seen it coming. You keep that one to yourself.
âDo you really think Billy did it?â Tatum questions from beside you.
âHe was there, Tatum.â Sidney replies solemnly.
You zone out of the conversation, even after Sidney leaves the room. You canât stop thinking about the look Billy gave you as they pushed him into the back of the police car. He was desperate, that much was obvious, but there was something else there too, it was almost like he was heartbroken.
Why would he look at you like that?
Maybe he was upset that you figured him out before he had the chance to gut you like a fish. Maybe it was because he knew Sid would never speak to him again.
Or maybe it was because he couldnât fathom you believing this about him, you ponder remorsefully, maybe he was innocent.
Youâre on edge, anyone with a functioning pair of eyes can see that. But itâs not for the reasons theyâd think. Youâre not scared of some masked psycho reaching out and slicing your throat. Youâre perturbed at all of the eyes that are drawn to you like moths to a flame.Â
Youâd had enough of it before the first period bell even rang.
âHow does it feel to be almost murdered?â An immensely insensitive reporter shouted, hovering the microphone unreasonably close to Sidâs face, onlookers gathered around you, awaiting her response with bated breath, âKeep holding that thing in her face and Iâll be happy to ask you the same question.â You threatened half-heartedly, gently maneuvering Sid and yourself through the crowd.
âHey pretty lady,â Stuâs congenial voice sounds from behind you, firmly knocking this morningâs unpleasant memory from your cranium. He wraps his gangly arms around your middle and bends down a farcical distance to rest his chin upon your shoulder, âStar in any good horror movies lately?â He questions, letting out a chortle at his own words.
âYouâre a really emotionally intelligent guy Stu. Anybody ever tell you that?â Your acerbic undertone isnât lost on him for once as he registers your discomfort.
âHey- That was- You know Iâm just joking, Iâm sorry.â
âI know youâre joking, youâre just not very funny.âÂ
Removing his hands from your body, too soon for your liking, you think, he throws himself dramatically against a row of lockers, hands on his heart as he groans in mock agony, âTake it back! Please, take it back!âÂ
Heâs an idiot.
An idiot with perfectly carved dimples and the bluest eyes youâve ever seen. And you want so desperately not to give in to his theatrics, but you canât help it, not when those eyes are shining at you like the cascading glimmer of the moonlight. Youâre smiling before you can stop yourself.
âAhhh, there it is,â Stuâs voice still holds that ever-present joking tone, but his eyes are sincere, like heâs desperate for you to pick up on the emotion hiding beneath it all, âCanât live without that smile. âM never gonna let you go.â
Your heartbeat rapidly increases in pace and you all but force yourself to look anywhere but his imprudently handsome face. Stop that, you internalize, best friends, nothing more.
â(y/n), hey. Can I talk to you for a sec?â You donât need to redirect your gaze to pinpoint the source of the voice.
Itâs Billy.
âSee ya later, Sunshine.â Stu bids you farewell, placing a gentle lingering kiss on the apple of your cheek.
âI have to get to class.â You turn to walk from Billy, not in the mood to hear whatever tales of deception heâs concocted in the confines of his imagination.
âJust-â He reaches out for your arm, stopping dead in his tracks when you flinch away from his touch, âGive me ten minutes okay? If you hate me after that, then Iâll leave you alone for good.â The sorrow in his voice is enough to keep your feet firmly planted.
âYouâve got,â You spare a quick glimpse at the clock on the wall, mentally calculating how long itâll be before youâre late to AP Chemistry, âSix minutes and fifty-two seconds. Take it or leave it.â
âYeah, Iâll take it.â He attempts a smile but it falls faster than it formed.
âIâm not an idiot Billy. Or- Or maybe I am, because I didnât see it sooner, but-â
âDonât do that,â His voice resembles a whisper, his eyes are pleading but thereâs also an edge in them that makes the hair stand up on the back of your neck, âDonât- You know me, right? Weâve been friends since we were kids. Look at me,â His fingers reach out for you, a near imperceptible smile twitching at the sides of his mouth when you donât immediately recoil, âYou know me. Iâd never do anything to hurt you.âÂ
You know in your mind that thereâs no reasonable explanation for how it all adds up. He fits the profile. But in your heart, you know heâs telling you the truth. The look in his eyes confirms his words, he wouldnât hurt you.
Against your better judgement you lean into his touch, his hand finds its way to your cheek, drawing indistinguishable circles above your zygomatic bone with his thumb.
âWhat about Sid? Have you talked to her?â You feel his body tense up, though he does a good job of keeping his emotions unreadable.
âYeah. We talked.â
âAnd?â
âAnd,â He breathes agitatedly, âWe broke up.â
âYou what? Well- Are you okay? Is she okay? Oh god, I should go find her.â You softly attempt to maneuver from his grip but his hold tightens slightly.
âSheâs the one who dumped me, so Iâm sure sheâs fine.âÂ
âDoes she still think-?â
âNo. No, she knows I didnât do it. But I guess it just wasnât working out.â If heâs lying, he should make a career out of it. Youâre studying every inch of his captivatingly handsome face, and you canât find a hint of misrepresentation.
âItâs for the best really,â His honeyed gaze settles on your own eyes, your breath hitching noticeably as you take in their mahogany-toned opulence, âOtherwise I couldnât do this.â His lips are on your own without a moments hesitation.
You know the only intelligent response is to pull away and race to AP Chem, pretending like it never happened. But today youâre letting your heart think for you. And it feels precariously marvellous. You kiss him back with more passion than you knew you were capable of mustering, the years of feelings youâve hidden away, even from yourself, come spilling out from your lips and land delectably onto his.
Billy moves his unoccupied hand into your hair, giving it a gentle tug, expertly sliding his tongue into your mouth the moment your lips part to release a gentle moan. If this is what it feels like to prioritize your heart above your mind, youâre not entirely confident youâll ever use your brain again.
The vociferous ringing of the warning bell unwillingly splits the two of you apart, though his forehead still rests contentedly against your own.
âYou have no idea how long Iâve been waiting to do that, Doll.â His eyes are looking at you with a plethora of unknown emotions and your heart is beating far too fast for you to decipher them.
âWorth the wait?â You question softly.
âAbsolutely. Glad the waitâs almost over though.â
The waitâs almost over.
Maybe it was the warning bell, or your AP Chem teacherâs disdain for tardiness, or your ever-hastening heartbeat and affections for a certain brown-eyed boy, but you missed it.
The one and only slip-up he made all day and you were too lovestruck to notice.
Those six minutes and fifty-two seconds would cost you big time.
âAhh, thereâs my Sunshine. Perfect timing!â Stu swings a lanky arm over your shoulders as you catch up to him in the school parking lot. âI just finished spreading the good news,â He states with a cheeky grin, as if you should have any idea what heâs referring to.
âOh, well are congratulations in order then? How far along are you?â You press a teasing hand to his stomach, grin growing as he sticks his tongue out at you, moving his hands to your sides and giving you a short tickle.
âOh, ha-ha. Sheâs a real comedian today, huh?â He narrows his eyes in jest, âIâm talkinâ about the crazy killer get outta school free bash Iâm throwinâ tonight. Youâre coming of course,â He tells you rather than asks you, though youâve never had much luck saying no to Stu.
âAnother one of your million dollar ideas I presume? âCause thereâs nothing totally birdbrained about throwing a curfew-breaking rager with a masked psycho killer on the loose.â Youâre not keen on the idea of showing up to some party with everything thatâs been happening, not to mention what Sid must think of it all.
Not that you have a right to act all sanctimonious when it comes to Sidneyâs feelings, her relationship with Billy was barely over before you had your tongue down his throat.
âCome on, Sunshine, itâll all mean nothing without you there.âÂ
Itâll all mean nothing.
âWhatâll mean nothing?â You question gently, careful to hide the inquisitive edge to your query.
Stuâs eyes widen sizeably as he clears his throat, âJust- Nothing. Youâre- Youâre coming right?â
After that? Youâre definitely going. Tonight youâre figuring out once and for all what this boyâs been hiding from you.
You tried to stay away from Billy, honestly. But the second his eyes met yours in Stuâs living room, you knew it was a futile attempt.
The two of you expeditiously wandered upstairs into one of the many vacant bedrooms available in the Macher house, barely closing the door behind you before your lips were melding together.
âI havenât been able to stop thinking about this all day,â Billy hums against your lips, placing another searing kiss there before moving his way down to your neck.Â
Engaging in a moment of passion at a party while an unidentified serial killer roams on the loose may not have been your finest moment but, unintelligently, that was the furthest thing from your mind. Billyâs hands were now sliding delectably slowly underneath the hem of your shirt as his lips continued their pursuit on your neck, that was the sole occupant of your thoughts.
At least it was, until you saw him.
Before you could verbalize the killerâs sudden materialization to Billy, it was too late.
The masked figure hastily removed Billy from your grip, his cold steely blade acrimoniously slashing Billy with ease, ostensibly the knife was even sharper than it looked. Billyâs blood splattered onto your face and you made the split second decision that, this time, a glass of water and a painting werenât going to protect you.
â(y/n), I need you to remember this part, okay? No matter how scared or tired or hopeless you feel, if you can run, you run! Alright?â Youâd heard your dadâs voice more in your head these past few days than you had out loud in months, but at that moment you were simply grateful youâd ever heard it at all.
You didnât chance a single look behind you, expertly weaving your way through Stuâs house and out the back door. You didnât glance back even after youâd escaped the house and almost crossed the property line.
Where did all the cars go?
If there were any other choice, you wouldnât have ran back into the house. But your friends were nowhere to be found and, peculiarly, neither was the killer.
If he was out there looking for you, surely heâd never expect you to go back inside. All you had to do was reach the phone in the kitchen and call 911. The last sight you were prepared to see was the killerâs masked face parallel to your own.
âWell... How do ya like our big reveal, Sunshine?â Stu grins wickedly from behind Sidney.
The deep crimson remnants of the scene you thought youâd witnessed are still making their way down your face, trickling along your tepid skin like raindrops on a car window. You wipe them away fervently, the whirlwind of emotions swirling within you becoming more than you can bear.
Itâs not even real blood.
âWhat is this?â You utter nauseously, gesturing to the foreign substance coating your face.
Itâs probably the least important question you could be asking right now but youâll admit the two of them have put on quite the performance. Youâre sickened, but youâre curious.
Billy removes his mask, stepping closer to you and wiping a drop of the mystery liquid from your cheek, ignoring the way you flinch at his touch and placing the finger onto his tongue he lets out a low hum of approval, ââSâCorn syrup, Doll. Same stuff they used for pigâs blood in Carrie.â
Jesus.
Sid freed herself from Stuâs grip, him and Billy now distractedly gazing at you with distinguishable looks of pride. You gesture your head near-imperceptibly toward the entryway, a silent request for her to run while she has the chance. She hesitates, clearly apprehensive about leaving you to fend for yourself with two armed maniacs, but you need her to go. You can attempt your own escape when you know sheâs safe.
âYou had me fooled,â You start in a desperate effort to maintain their attention, âI mean, I had my doubts- But that whole fake death scene upstairs? You guys really sold it.â Sid discreetly makes her way to the entryway, stopping to look at you with a final questioning look on her weary face.Â
Nodding your head near invisibly, you make the devastating mistake of sweeping your eyes over her frame to survey her injuries. It was quick, a nanosecond at most before your gaze was back in front of you, but it wasnât quick enough to go unnoticed by Billy, who grabs ahold of his knife and has it pointed against Sidâs throat in a matter of seconds.Â
Billy and Stu launch into a certifiably demented rant, their words exploding on Sidney in a particularly violent manner.
Why would they have it out for Sid specifically?
Oh.
Billy turns toward you and ends his dialogue without warning when he recognizes the look of understanding on your features.
âYou killed her,â You breathe a near sigh of relief, finally understanding the bigger picture, âYou killed Maureen and youâve spent the last- Who fucking knows how long youâve spent, just planning this- All to torture Sid.â Itâs all making so much fucking sense and you canât believe the amount of time itâs taken you to piece it all together, âYou killed Casey Becker too, âcause she sits next to Sid in English. You knew sheâd see that empty seat every day and be reminded of her mom. Psychological warfareâŚâÂ
Billy looks uncharacteristically proud watching you piece it all together, âGot it in one, (y/n).âÂ
âYouâre- Youâre sick! Why? Why the fuck would you do that?â Sidney struggles in Billyâs hold as he explains his motive behind her motherâs murder.
Mommy issues. Figures youâd have that in common.
Stu looks outwardly surprised at Billyâs reveal, indirectly confirming your dadâs two person theory. One killer with a personal connection to the victim and the other just in it for the thrill of the hunt. Dadâs gonna be so pissed he missed this, you regard inwardly.
âHow are you gonna do it then?â You question the two unjustly handsome lunatics.
âDo what, Sweetheart?â Billy asks benevolently from beside Sid, still holding the tip of his blade to her neck.
âHow are you gonna kill me?â You probe.
The question is a test. Youâve got a theory that they didnât plan far enough ahead to remember that your dad will hunt them down to the ends of the earth after you die, especially since they havenât seemed particularly keen on covering their trail. If you figured them out this quickly, your dad would have them behind bars in no time.
âWhat?â Billy asks, all previous traces of jubilance promptly removed from his face.
âHow are you going to kill me?â You repeat tauntingly, if your best friends since elementary school were going to kill you like it was nothing, you were going to enjoy the thought of them spending the rest of their lives in florescent orange jumpsuits, âSpare me the gory details but, you do know what FBI stands for, right? Good luck getting away with it this time.â Thankfully, your voice manages to come out far more confident than youâre feeling inside.
Stu moves from beside you to in front of you, gently placing his sizeable hands on either side of your face. Has he always been this tall? Craning your neck to look up at him, the smug smile you managed to plaster on slides off and morphs into confusion as you notice the doleful look on his face. Why is he looking at you like you just kicked his puppy?
âYou canât really believe that,â His voice is so gentle, you could almost forget the sheer lunacy that was dripping from it moments ago, âWhat did I tell you, Sunshine? Iâm never gonna let you go.â Heâs looking at your lips like he wants to kiss them, and if you were under any other circumstance, thereâd be nothing to keep you from it. He leans in and you almost move to do the same before you hear Sidneyâs panicked voice calling out.
âLeave her alone! Please. If you want to kill me then fucking do it already, just let (y/n) go!â
Right, this is an active hostage situation.
Stu let his guard down to console you. Both of his hands on your head means heâs no longer holding the gun, but thereâs no easy way to go about gaining control of it. You could kick him in the shins and hope he stays distracted long enough, but your dadâs voice runs through your mind once again, âYou canât reason with a psychopath (y/n), but sometimes you can play along with their fantasy to gain their trust.â You know this isnât what he had in mind, but youâre running out of options.
Before you can talk yourself out of it, you lean up on your toes and kiss Stu with fervour. Itâs a good kiss, one of the best youâve ever had, in fact. Thereâs a moment, just a split second while youâre reaching for the gun behind his back, that you wish it was for real. He pulls you in deeper and you try to convince yourself that youâre only kissing back to make it believable.
Finally you feel the cool metallic handle of the gun, gripping onto it firmly you muster up the strength to pull back from Stuâs embrace. Aiming the barrel between him and Billy, you can almost feel your heart crack at the look of betrayal painted upon Stuâs face.
No, you remind yourself sternly, they kill people. For fun. Theyâre not your best friends anymore, theyâre murderers.
âLet her go.â You ignore the internal war waging between your heart and your mind.
â(y/n)âŚâ Billyâs not as shocked as Stu. As a matter of fact, Billyâs not shocked at all. He knows you, almost better than you know yourself, âPut the gun down. Youâre not gonna shoot us.â His voice is stern, his words a cross between a warning and a command.
Heâs right, as usual. The one thing your dad could never get you to do was shoot a gun. You fucking hate those things.
âYouâre right, Iâm not gonna shoot you,â Your voice is even, but you know he picks up on the slight shake of your hands as you aim the gun toward his chest, âAs long as you let her go.â
âThatâs not gonna happen, Doll.â He shakes his head, frustration rapidly becoming anger âIâm not asking you again (y/n). Put it down. Now.â
âOr what?â You bluff in a last ditch attempt to maintain a facade of bravery.
Billyâs anger finally reaches its boiling point and he answers your question wordlessly.
Itâs different than it looks in the movies. The blood doesnât trickle out slowly and melodramatically. It spews out like a faucet and it never stops.
You drop the gun after that, rushing to sit at Sidâs side on the floor in a futile attempt to stop the bleeding. It was a single deep slash, clean across her throat. The quiet gurgling sounds of blood filling her lungs finally subside after her last breath sounds, and your crimson stained hands remove themselves from her neck.
âNow, are you gonna start listening to me? Or do I have to do somethinâ like that again?â
âWhat the fuck is wrong with you?â You know whatâs wrong with him, with both of them. Theyâre psychopaths. But you canât prevent the question from slipping past your lips, youâre desperate for some understanding as to what exactly is it is they intend to gain from their whole plan.
âWhatâs wrong with me? I told you to put the fuckinâ thing down!â Billyâs still angry, whatâs new? âShit! Thatâs not how it was supposed to go.â His agitation fading slightly into discontent. Clearly he wanted to take his time killing Sid. At least you spared her some suffering.
âWe gotta get out of here Billy. Itâs only a matter of time before the cops show up.â Stuâs voice sounds, entirely indifferent to the scene he just witnessed.
âYeah. Yeah, youâre right,â Billy runs his left hand through his hair in a gesture of frustration, his right hand latched firmly on the gun you dropped after he slit Sidneyâs throat, âShit! Alright, letâs go.â He gestures his head to the door, his eyes havenât left you since your little standoff, making it clear that heâs talking to you.
âWhat?â Your voice is laced with perplexion. He canât seriously expect you to walk out of there with them.
Right?
âCâmon, Sunshine. You already got him in a mood, donât make it any worse.â Stuâs voice holds that ever present hint of amusement, as if this is just like old times, when you and Stu would make one too many jokes at Billyâs expense and heâd spend the rest of the day sulking.
âIâm not- You canât actually think Iâm going anywhere with you,â You chuckle in disbelief, âYou just killed my best friends!â You donât have explicit confirmation that Randy and Tatum are dead too, but considering the current state of affairs, itâs reasonably obvious.
âWeâre your best friends, (y/n). Weâre more than that, actually.â Billy kneels down in front of you on the kitchen floor. His anger has finally subsided, heâs speaking in a normal tone, the sticky crimson remnants on your hands serve as the only reminder of his previous outburst.
âThat was before-â
âOh come on, Doll,â He cuts you off, calloused fingers wiping the excess corn syrup from your face, âYou ever wonder why the daughter of an FBI profiler couldnât figure out there was something off with us?â His grin is wicked but his touch is gentle, almost comforting, âItâs âcause you didnât want to see it. You didnât want anything to get between us, because you feel the same way about us that we do about you.â
You want to tell him to fuck off. That heâs crazy and you have no idea what heâs talking about. But you canât. Because heâs right, heâs right and he knows it.
Taking your silence as confirmation he continues, delicately tracing your cheek with his nimble fingers, âYou love us,â Stu makes his way to your side, smiling with dimples on full display as Billy speaks, âAnd you can try and deny it, if you want to. But we all know the truth.â
âSo what if I did?â You finally find your voice, itâs shakier than youâd like but itâs there, âIf you know me as well as you think you do, then you know thereâs no way in hell Iâd go anywhere with you after this.â
âYou wanna know how well I know you?â Billyâs voice is sharp, bitter, youâre getting under his skin again, âI know you, (y/n). I know youâre not afraid of masked killers, or watching your friend die,â He releases you from his grip, standing back to his full height as his words permeate your brain, âI know your worst fear.â He gestures for Stu to follow as he takes small leisurely steps toward the doorway, ignoring the look of confusion and panic on Stuâs face at the prospect of leaving there without you.
Stu reluctantly follows Billy toward the exit, not removing his eyes from your enervated form. When they finally reach the doorway Billy resumes his speech, a contemptuous tone lacing his voice, âBeing left here all alone.â He says simply.
This is your own fault, really. Allowing someone to get so close to you, learn everything about you, use everything theyâve learned against you.
You could argue that heâs wrong, but heâs not.
You could go out fighting, but you donât.
You could stay sitting on the floor until the police inevitably discover you, but you wonât.
Billy walks back over to you, offering you a hand with a mischievous glint present in his eyes, âSo,â He starts devilishly, âWhatâs it gonna be, Doll?â
MARRY THE TRAITOR ; gojo satoru
"as much as i would like to end your suffering, princess, i won't give you the satisfaction... you are going to suffer for a long, long time, just like i have."
⥠the day you met your demise is the same day you met gojo satoru, your betrothed from a world so different from yoursâa cruel prince who is undoubtedly in love with someone else. as the stakes rise and you race against the clock to beat your brutal fate, can you make the ultimate choice between your heart or your happily ever after?
⥠fem!reader, royal au!, arranged marriage, reader is a florist in our world, mentions of terminal illnesses, mentions of blood, mentions of wounds, mentions of death, unrequited love, slow burn, enemies to lovers, mean!gojo, yandere!gojo, reader is called 'princess cerena', princess cerena is described as having pink hair and feminine features, reader is reincarnated as princess cerena, body swapping, isekai, isekai-d reader, talks of classism, misogyny, ideations of suicide, talks about self-harm, attempts of suicide, mentions of violence, mentions of alcohol, suggestive mentions, mentions of pregnancy, mentions of conceiving, language, tension, more tba...
⥠crowned prince!gojo satoru x princess!reader
ACT 1, SCENE 1: MIRI'S REPRIEVE
ACT 1, SCENE 2 â THE TUNNELS
ACT 1, SCENE 3 â THE VILLAGE
ACT 1, SCENE 4 â THE THRONE ROOM
ACT 2, SCENE 1 â THE INFIRMARY
ACT 2, SCENE 2 â THE SICK BED
ACT 2, SCENE 3 â THE WINDOW LEDGE
ACT 2, SCENE 4 â THE GALA
ACT 3, SCENE 1 â THE HEDGES
ACT 3, SCENE 2 â THE BREAKFAST ROOM
ACT 3, SCENE 3 â THE GLASSHOUSE
ACT 4, SCENE 1 â THE LIBRARY
ACT 4, SCENE 2 â THE CHURCH
ACT 4, SCENE 4 â THE HIDDEN COTTAGE IN THE FOREST
ACT 5, SCENE 1 â THE WEDDING
ACT 5, SCENE 2 â THE MARKET SQUARE
ACT 5, SCENE 3 â HOME
ACT 5, SCENE 4 â SPRING RETURNS
ÂŠď¸ all rights reserve to lalunanymph. do not copy elements of my story, repost or claim as your own.
has anybody done this yet
TES oc time because Iâll always be weak for 4E (skyrim era). Info below the cut
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Luca di Pietro | Werewolf (alpha) | 32yrs | 6'6"
Aesthetic/moodboard for Luca from my upcoming werewolf/shifter romance story. Working title: Wolfmaw
20's | 18+ blog, I occasionally share fanfictions here primarily in second person POV. â Please pay attention to the tags and warnings on the fics.
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