Happy Good Omens renewal eheheheheheehhhhhhh
Sometimes you just have to doodle those weird thoughts from the shower…
‘A good tragedy is always both preventable and inevitable’ is one of my main hills to die on. It’s literally so important to me. I’m fucking correct
A whole new perspective
that wilfred owen poem about everyone kissing the crucifix but he kisses the hands of the boy whos holding it hits HARD not sure why but damn
And after endless engineering calculations the result is achieved.
If you see this on your dashboard, reblog this, NO MATTER WHAT and all your dreams and wishes will come true.
Behold! Nice and Accurate Piano Adaptaion of Good Omens opening theme courtesy of my brilliant music theory teacher and dear friend Sergey Bogomolov. The version generally found online is obviously incorrect so l am incredibly greatfull for this edit. Also - can I hear a wahoo?
OH, THE MISERY arcane having an amazing soundtrack
I get lost thinking about the journey Crowley makes from Eden to the Apocalypse. I completely adore pre-Flood Crawly, the way that he’s still gleeful and curious about the world. He’s such a wily mischief fluff.
In praise of terrific and deliberate costume design: I can’t believe it took me this long to notice the way he gradually covers up his eyes more and more. After the Flood, she has her head covered. The next time we see him, post-Crucifixion, the sunglasses have arrived. And the specs get progressively larger over time, hiding more and more.
(I particularly love the L-shaped lenses in 1862.)
By the time we reach the Apocalypse, the glasses are opaque and completely closed off. Solid, armored protection on all sides.
(I know I didn’t catch every era, don’t @ me, tumblr gif search is the worst and the general progression seems fairly obvious, especially because of where it ends.)
You can see the progression on Crowley’s face too, of course. Watching Humans being Humans for so long starts to get to a demon. The glasses have to be impenetrable when this is where time and the Ineffable Plan have brought you.
(Got to be careful who gets to see you with the glasses off.)
(Got to have a whole glove box filled with extras so as never to be caught without them.)
There is something carefree about Crowley’s very first park bench scene with Aziraphale, in ep1. But it’s such a different kind of carefree than we used to see before the Flood. It’s world-weary, resigned, cool. He’s seen it all and he knows how the game is played.
This contrast, to me, is so perfect: he’s still Crowley. He’s just been around the block a few times by now.
And even after all of this, he wants to save the world.