I got an ao3 account this year and have 2 fics in the Beatles fandom that I'm a little proud of. Both character studies focused on late 1970s John in NYC. Have a read if you're so inclined. Username bodhbdearg.
Where I would be: Househusband era John is very depressed and disengaged from music, but is nudged out of it by folksinging lesbians & NYC queer culture.
Singing a song of ruin: Writing DF-era John is no longer depressed, and spends a night trying to talk someone out of jumping off a bridge.
Goodreads review of 'Eight Months on Ghazzah Street', an early novel by Hilary Mantel:
A terrific sense of menace pervades this story from the beginning, as cartographer Frances struggles to navigate her new home in Jeddah, where her husband has landed a lucrative construction job.
It's the mid-1980s, and Saudi Arabia is riding high on the back of oil wealth, marble and glass towers rising out of empty lots, a modern-looking yet feudal economy carried on the backs of exploited immigrant workers. Cloistered in a luxurious apartment, Frances is frustrated by her Muslim women neighbour's refusal to accept Frances' assertions that life is better for women in the West. It's cautionary tale in how a superior attitude will only drive others further into their own convictions.
Frances recognises her essential prejudice against Saudis and Muslims in general, but the crushing imprisonment and police state-like surveillance of the society she's living in break what little will she has to separate her legitimate protests from bigotry. The novel presents expat life satirically, showing the other English people living in Saudi as essentially venal and bigoted, staying the country just long enough to save up for a 'city flat' in London. Expat life hasn't changed much in 30 years, it seems. Corrupt, arrogrant Saudi politicians and minor royals are equally skewered. The novel's main flaw is the lack of resolution in the central mystery, a story that is built up, clue by clue, through the whole story. Perhaps the details are unimportant and that aspect of the plot merely functions to illustrate Frances' growing paranoia, but what little details that emerged were interesting enough to warrant further explanation. The powerful sense of dread ended up feeling anticlimactic. Also, Frances herself was somewhat thinly drawn, considering she was the central character - her neighbours and the other expats came much more vividly to life. Some experiments in structure didn't really work for me either.
Overall, worth reading, if only as a warning against falling into the trap of becoming the eternal expat, staying in the hated host country for “just another year”....
At the Chelsea Flower Show, 1999. Photo by Richard Chambury.
“bluejeanbaby42001 asks: George, you have quite a reputation as a gardener…What are some of your ‘pride & joy’ plants? Love, Dianne george_harrison_live: Well, for the cooler climates (as in England) george_harrison_live: The current trend is definitely toward Miscanthus george_harrison_live: You’ll find many lovely varieties george_harrison_live: try the Zebrensis and also the Malepartis george_harrison_live: However, george_harrison_live: if you’re gardening in the tropics george_harrison_live: I think you’ll find a lovely little ginger called Kahili :P” - Yahoo web chat, February 15, 2001 “One day, for example, we looked out of the window and decided everything in the garden was too green, so we went on a color binge, buying lots of brightly colored flowers. In terms of landscape design, he liked the idea of Capability Brown, so we started calling him Capability George. He thought that everyone, as a matter of course, should have themselves regularly overwhelmed by nature. He used to say that all unused buildings should be knocked down and gardens put in their place.” - Olivia Harrison, Evening Standard, May 12, 2008
eight word horror story
No wonder it's so prestigious...
On Instagram
"You must take up your well-shaped oar and go on a journey until you come where there are men living who know nothing of the sea, and who eat food that is not mixed with salt, who never have known ships whose cheeks are painted purple, who never have known-well-shaped oars, which act for ships as wings do. And I will tell you a very clear proof, and you cannot miss it. When, as you walk, some other wayfarer happens to meet you, and says you carry a winnow-fan on your bright shoulder, then you must plant your well-shaped oar in the ground, and render ceremonious sacrifice to the lord Poseidon, one ram and one bull, and a mounter of sows, a boar pig, and make your way home again and render holy hecatombs to the immortal gods who hold the wide heaven, all of them in order. Death will come to you from the sea, in some altogether unwarlike way, and it will end you in the ebbing time of a sleek old age. Your people about you will be prosperous. All this is true that I tell you.” The Odyssey
considering that a lot of people are labelling the person on the far left of the first photo as ringo, i just want to compare the clothes in these two photos to prove that it is, in fact, klaus, because i believe these were taken on the same day.
Obviously the second part of this quote gets the most attention but I really love the first part because it's so true! Read a page of Finnegans Wake aloud and tell me you don't hear John.
“John spoke the way James Joyce wrote. To me, he was the Beatles. He was always the spark. In a late wee-hour-of-the-morning talk, he once told me, ‘I’m just like everybody else Harry, I fell for Paul’s looks.”
— Harry Nilsson speaking about John Lennon.
Beatlemania was fun but now it's time for beatledepression
Some writing and Beatlemania. The phrase 'slender fire' is a translation of a line in Fragment 31, the remains of a poem by the ancient Greek poet Sappho
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