Very Astute And Compassionate Analysis. The Vibe Is Very 'we Have Our Problems But We Present A United

Very astute and compassionate analysis. The vibe is very 'we have our problems but we present a united front to the world' which is fair enough but oh god Linda really got swallowed up in that mother role (both literal & metaphorical) at this time. They're both mired in codependence & clinging to family to keep going. I also detect a hilarious bit of Paul-competitiveness in the unspoken comparison of Linda to Yoko. "SHE is a distant mother with a million servants but MY WIFE is Supermum who does ALL the chores and LOVES it!" A competition that literally no one cares about but him lmao.

Paul and Linda Interview from Hellllllll

@slenderfire-blog as the patron saint of good sources sent me this interview and I thought I would write it up as it gives a worrying insight into the famed idyllic marriage and Paul’s mental state at the time.

The Paul McCartney project
They are a most extraordinary pair. Rich: They control a fortune rumoured to be in excess of one-half billion dollars. Famous: They are heir

Reader, it was not idyllic and he was not doing well.

Disclaimer: For context, this interview is in his Broadstreet era aka the grief/midlife crisis/I cant have a meltdown if I’m making a film period. I fully believe that Paul was having an extended emotional crisis/breakdown post John's death/successive unresolved and badly handled traumas. (As I was saying to @slenderfire-blog, let's just say if he feels like crying every damn day about John in 2021, imagine how it was in 1985.) So yeah Paul is having a time and I look forward to McCartney Vol 3. for potential confirmation and illumination on this.

At the same time JESUS FUCK PAUL THIS IS TERRIBLE.

Like so bad, bad to the point I now feel like contemporaneous Peter Cox account is 1000% more credible as this is essentially the PR version of what he said. So let's get into the greatest hits:

The happy, definitely-not-in-trouble couple

They do seem to adore each others company, be locked in with each other and Paul does rely on her a lot for support and approval:

As they talk, Paul constantly squeezes Linda’s arm reassuringly, strokes her hand or looks to her for approval or agreement whenever he makes a point. The two are inclined to talk at once or to finish each other’s sentences. At times, the link is so tight, they seem almost like different aspects of one person.

Though at the same time they both describe the relationship as 'rather volatile' and full of arguments where they go and sulk in different rooms. They lightly play it off but then Linda says a bit too seriously that shes usually the one who gives in first :/.

Paul built the house they live in and are sort of obsessed with cosplaying living the 'peasant' lifestyle with no help save one housekeeper Rose who is from Paul's bachelor days and the occasional babysitter (as far as I'm aware this is true).

The marrying thing in 68 was so intense he even asked lil HEATHER to marry him what the hellllll (of course he wasn't serious but it does feel like another way of indirectly pressuring Linda to commit). He also kept asking Linda until she gave in.

Random swipe in the baby name department at Zowie Bowie, lmao not friends with the Bowies then (good thing Duncan Jones happens to agree).

They romanticise the bickering and volatility as being like passionate young lovers

“My parents were married for 25 years and they were like young lovers,” says Linda. “Paul’s parents were the same. If you’re lucky, you get that in life. You see, those are the kinds of things that matter to me—not the diamond necklace.”

Paul:

Paul is clearly not okay and seems to be regressing by trying to recapture his childhood through his current situation. Throughout the interview Paul keeps going back to his parents marriage and his childhood as the ideal frame of reference. This is pretty standard but Paul takes it to the extreme of this meaning no friends, family only and the wife do all of the labour.

This (save the misogyny) is a far cry from his 60s revolutionary kick but I can see how this happened in the wake of the Beatles split, the trauma and complex grief from John's death and the press. In response and defense to the criticism and hurt, Paul seems to have retreated wholly within himself and his family sphere and is coercing Linda into fulfilling the role of the wife within that. Take for example, his portrayal of the housework and why Linda should like to do it:

“Linda really doesn’t like housework,” Paul explains, “because when she grew up, her family had maids and she wasn’t taught to do anything. But it’s something I’ve tried to tell Linda about because in the kind of family I’m from, housework is considered a pleasure—the smell of ironing and the laundry. Where I’m from, once a week, the women would sort of get the laundry out and smell the washing and feel it and see it and iron it all, and they’d be chatting or listening to the radio. It was like a peasant thing. It was an event, like treading on the grapes.

It's bonkers and infuriating and at first I was like I DONT KNOW PAUL IF YOU WANT THE PLEASURE OF SMELLING DETERGENT SO BAD YOU CAN DO THE BLOODY LAUNDRY. But then you realise how Paul connects it with comfort, especially with comfort after a bereavement:

“Growing up in Liverpool, that was always there for me. Even after my mum died, my aunties came around religiously every week and cooked and cleaned the house and did the laundry and provided that kind of atmosphere for us.”

It's romanticising the poverty he grew up in but also signifies to me how much it's a coping mechanism. He wants Linda to do the laundry and have that idealised maternal domestic atmosphere as in his head if you have that then you can carry on even in the face of cataclysmic loss.

Denny Lane's comments about Linda being like a mother to Paul feel really pertinent here. Reading all this has kind of reinforced to me this idea I've had for a while that Linda's maternal attributes was one of the foundational pillars of Paul's attraction to her and an essential part of their marriage. In another interview I'll post another time, he says they never went on holiday without the kids, with them taking tiny Heather on their honeymoon. It wasn't just tours, the kids really did go everywhere with them when they could and they made sure the children's bedrooms were just next door to theirs so they could be there all the time. It's great, wonderful parenting but also with the genesis of their relationship it's really hard not to see Linda and the promised family as the replacement to fill the hole from the Beatles. Not saying that he didn't go on to adore them and them be the pinnacle joy of his life but yh ... once you see it it's hard not to unsee. (Also the thing I've always been too scared to say/wild speculation again I don't know these people ... but I think they would have always had these problems until Paul actually reckoned with his mothers death/other traumas.)

Thinking about it all as well, it must be so hard to essentially cosplay the culture and background you grew up in with wealth and class separating you from everything you used to intimately know

Aggressive optimist Paul telling a very different story here (is he more honest here, more depressed, or maybe somewhere in the middle?)

“I’ve got all these contingency plans. I tend to look at the worst side of things. I’ll say, ‘If they turn us down, we’re going to do this.’ If anything hurts me, I want to fight it—so it doesn’t hurt me again.”

Nothing to add just ... ouch.

Reinforcement of John refusing to let Paul hold Sean because Paul 'didn't know him' ... which yh that is some bullshit its a baby. Paul goes onto mention how John wasn't great with babies as he had no experience whilst he had and somehow makes it borderline a competition lmao.

HALFWAY THROUGH I REALISED THIS WAS THE INFAMOUS PLAYGIRL 'JOHN SAID JEALOUS GUY WAS ABOUT ME' INTERVIEW. I NEVER REALISED LINDA WAS THERE.

Not him essentially saying 'in hindsight maybe Linda needed a lot of lessons' for Wings and admitting he just wanted her there. They both seem to accept it as something that wasn't fair to expect of Linda with no training.

He does this embarrassed little giggle like 'oh I may be a chauvinist YES YES YOU ARE SORT YOURSELF OUT.

Linda ohh my GOD Linda girl

She has rings around her eyes from exhaustion

Gets up at 7am to do the breakfast every morning despite going to bed late

Said she didn’t want to get married again initially as she had been controlled by men all her life until then

Says her kids are her best friends and that she never had a friend until she moved to Arizona later on (this is interesting to me that both Paul and Linda both saw themselves as 'loners' in childhood even though interviews from people in Paul's childhood repeat that he was popular. Maybe this was a narrative in their marriage or maybe Paul always felt internally lonely).

Qualifier here: I also don't think the best friend thing is true, there are a few people that pop up over the years who say they were very close to Linda and one did a lovely interview with Paul post Linda's death. I think the whole 'family is all you need schtick was part cope and part PR.

From apparent tradition Paul says that he doesen't tell her how much he's worth and their money situation as 'his dad didn't tell his mum' (even though his mum was integral to financially supporting the family may I remind you Paul). Linda girl listen I can make you happy I can give you a good life and treat you to nice things come with me Linda-

Theres one point where Linda PANICS because Paul mentions the supposed socialist uprising potentially taking all their money because HE WON'T TELL HER WHAT THE FINANCIALS LOOK LIKE. THIS FUCKER (also socialists Paul you're a northern liberal get a grip you class traitor)

They both romanticise living frugally with Linda not buying any nice fancy things ... its hard not to remember Peter Cox's account of Linda asking to borrow money when reading this :(((((

Linda's idea of a luxury holiday is not having to cook and clean and she can have fun :( Paul then interjects with 'yh that's great for a bit but not all the time as isn't it nice to have the family all in the kitchen!!' I'm sure Linda would agree if you actually helped Paul.

In summation: he needs help and a slap, she deserves a statue but would probably prefer a sit-down. Thank god there’s a lot to suggest that Paul has improved massively when it comes to his view on women and labour (wouldn’t have married a working businesswoman if they hadn’t) but this is still a difficult window into how things were in the 80s and the life that campaigners like Yoko were fighting against.

More Posts from Slenderfire-blog and Others

15 years ago

Swinging through the ivories

Last Saturday saw the 100th anniversary of the birth of Mary Lou Williams, jazz pianist, composer, arranger and, in later life, founder of an organisation devoted to help jazz musicians suffering from drug addiction. Williams, like the blues singer Memphis Minnie, was a person whose personality and talent helped her rise above the strictures imposed by gender and race at the time.

She cut her teeth in the 30s writing and arranging for Benny Goodman’s and Duke Ellington’s bands, and in the 40s she mentored Dizzy Gillespie and Thelonius Monk, among others. She wasn’t restricted to playing in bands either – her large-scale compositions include the Zodiac Suite, a series of musical sketches, the long hymn called Black Christ of the Andes and several masses (following her conversion to Catholicism in the 50s).

As pianist Billy Taylor remembers, when Williams was mentoring Thelonius Monk she helped him refine his playing style – basically, she stopped him battering the holy shit out of the keyboard! Monk’s style needed to be toned down a bit, and the end result was still characteristically muscular but infused with greater feeling. No doubt Monk had many different mentors. but Taylor’s story shows that Williams was not an insignificant one.

1 month ago
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook
From Japan Through John Lennon's Eyes: A Personal Sketchbook

From Japan Through John Lennon's Eyes: A Personal Sketchbook


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3 weeks ago
Hollering At This Description Of Magic Alex At Some Pre-Apple Planning Meeting. John's Weird Little Boyfriend,

Hollering at this description of Magic Alex at some pre-Apple planning meeting. John's weird little boyfriend, plotting away.

(Source: Magical mystery tours : my life with the Beatles by Tony Bramwell)


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14 years ago

Gotta work it out

An interesting report in Saturday’s Irish Times examined the phenomenon of Irish graduates’ unwillingness to work at low-skilled jobs, and how the gap is being plugged by foreign workers. The overall impression was that many in Ireland would prefer not to work at low-skilled jobs when they receive the equivalent money from the dole, as many of the foreign interviewees noted. The information  was presented neutrally, and could be interpreted in any way, but the response of one of the interviewees indicated what response is expected from the public. Andrew, a postgraduate economics student, commented ‘Personally, I didn’t study for five years to work in McDonald’s’, and at the interview’s end requested that his last name not be printed. When asked why, he said: ‘I don’t want to be portrayed as a student stereotype who’d prefer to bum around rather than work.’ A later interviewee stated: ‘I’d rather be cleaning toilets than on the dole,’ indicating what is likely to be the commonest media and public reaction to the piece – that people should always work, in whatever jobs are available, rather than take social welfare.

The problem with this reaction is that it assumes that work – any kind of work – has intrinsic moral value. It can be argued that a job keeps people focused and helps maintain a healthy timetable – but it’s a bit of a jump from that to assert that cleaning toilets and flipping burgers is morally superior to staring at the wall. It seems strange that educated graduates should feel guilty for admitting that they think themselves too good for certain jobs. From an educational and experience point of view, they are too good – yet that is not the assessment they are perceived to be making. Instead, it’s seen as a moral question – do you think yourself too good for work, which in all its forms is inherently good? Such moralising seems to lose sight of the real issue – that a First World economy with a small population such as Ireland cannot provide jobs for its graduates.

It’s over 70 years old, but Bertrand Russell’s In Praise Of Idleness still has highly relevant things to say on this matter. The social rigidity of his England has loosened up somewhat, so it’s not the case anymore that the idle landowners preach the validity of ‘the Slave State’, but his statement that ‘….the necessity of keeping the poor contented…..has led the rich, for thousands of years, to preach the dignity of labour, while taking care themselves to remain undignified in this respect’ still rings true. Opinion makers and business people (and it’s not just the usual-suspect loudmouths like Bill Cullen and Michael O’Leary that pass judgement based on their own experience) may have spent the requisite years waiting tables and cleaning toilets, but nobody with aspirations to influence is prepared to make an unskilled job his or her career. The work experience of the currently well-employed does not validate their arguments in favour of the morality of work, because for them, low-skilled work was always a means to an end, while in the current climate it is the only option for the foreseeable future for too many people.

The argument that we are ‘palming off’ our menial jobs on foreigners because we’re too lazy and immoral to do them ourselves doesn’t carry any great weight outside of simplistic moralising. It avoids the key, difficult question – why do we still live in a world where there a yawning chasm between skilled and unskilled work, between the professions and the trades? Carpenters and painters often made big money during the Celtic Tiger, but without the advantages of higher education and connections many of them have come crashing back to square one. Foreign workers from poorer countries tolerate working in monotonous, uninspiring and difficult jobs here because they’ll make more money and enjoy a better quality of life than they do back home. Much is said about certain groups’ unwillingness to go on the dole and it’s implied that this makes them morally better than other groups. Yet surely the fact that trained accountants and lawyers from abroad work in Irish hotels and shops should be seen as a worldwide injustice, rather than a reason to celebrate moral worth?

Too many humans all over the world, even in 2010, still labour endlessly just to survive. Thousands flee the Indian countryside every year to live in the hellish atmosphere of city slums, just for a chance to escape the grind of subsistence living. Those people would consider western fetishising of work insane. Of course, the plight of Indian slum-dwellers and that of European graduates facing into a career making coffee are not the same at all; the latter is still infinitely more fortunate, but it’s objectionable to dismiss today’s graduates’ unhappiness with the current lack of work as expressions of their ‘pampered’ nature. Supposedly ‘pampered’ students often work two or more part-time jobs to put themselves through college, and university in Ireland and England has broadened immensely over the last couple of decades to include a wider cross-section of society than at any time in history. Graduates today are not the Daddy-fleecing sybaritic stereotypes of old.

The budget will probably see a cut in social welfare, which many comfortably employed people will welcome as an ‘incentive’ to get people back to work. The delusion that depriving people of welfare leads to a magic upsurge in employment shows no sign of dying out since the days of Norman ‘Get on your bikes’ Tebbitt. The dole needs some overhaul and savings could certainly be made by limiting the amount given to single people under 25, for example. But debate on unemployment and welfare, in the media and the public echo chamber at least, seems to be short on sense, compassion and practicality, and high on moralising. The government is frantically drawing up a budget which will improve the country’s standing in the eyes of the unelected speculators that control the international financial market, whose morality is rarely questioned, while on the ground easy answers are sought by passing judgement on what isn’t,. nor should ever be, a moral matter.

Ask anyone who works in a menial or low-skilled job, and they will not tell you that they think their work has moral worth. The foreign people interviewed in the Irish Times article had varying opinions on the issue of the Irish and work, but none indicated that they enjoyed the work they have to do to survive. Perhaps Russell summed it up best when he described how a menial worker should describe their work according to the morality of the rich, and added his own response:“’I enjoy manual work because it makes me feel that I am fulfilling man’s noblest task, and because I like to think how much man can transform his planet. It is true that my body demands periods of rest, which I have to fill in as best I may, but I am never so happy as when the morning comes and I can return to the toil from which my contentment springs.’ I have never heard working men say this sort of thing. They consider work, as it should be considered, a necessary means to a livelihood, and it is from their leisure that they derive whatever happiness they may enjoy.”

10 years ago
“Walking . . . Is How The Body Measures Itself Against The Earth.”

“Walking . . . is how the body measures itself against the earth.”

On Instagram

14 years ago

How to write a historical novel

I recently read two books which could be handily placed on opposing sides of the ‘how to write historical fiction’ spectrum. They are The Map of Love by Adhaf Soueif and Brooklyn by Colm Toibín. One takes in the entire modern history of a particular country through the experiences of its characters, the other’s scope is limited to the point of provinicial. Yet, it is the small story, Toibín’s Brooklyn, that is infinitely more successful. Souief said of her leading male character, Sharif al-Baroudi, that she wanted to write a character one could fall in love with, using the appearance of a romantic hero in Egyptian cinema as her template. The story of the Map of Love is split across the 20th century, focusing on the romance and marriage between Lady Anna Winterbourne and al-Baroudi in Egypt in the 1900s and the discovery of her diaries by two of her female descendents, American Isabel and Egyptian Amal. Soueif had an admirable aim in the book – to tell the little-known story of the nascent Egyptian struggle for independence in the years before the First World War – and while the research is comprehensive and the historical details are fascinating, the characters utterly fail to convince, in my opinion. Lady Anna is too modern a woman to be believable as a character of her time, and her unquestioning, wholehearted adoption of her new husband’s family, culture and country come across as forced rather than romantic. From a secure position within conventional Victorian genteel society, she abruptly and without question pledges uncritical support for the cause of Egyptian independence. Even though she is portrayed as more thoughtful and historically aware than her peers, her decision just doesn’t feel believable. History shows us that the need for independence in former colonies was justified, but it seems implausible that someone like Lady Anna would take that position so quickly and easily in her place and time. The story isn’t helped by the fact that Lady Anna and her husband are too saintly to be true – apart from some minor cultural speedbumps they remain sickeningly in love, without any of the normal gripes and confusions that accompany even the happiest of marriages, let alone one across a cultural gulf. The two are like a cardboard cut-out couple, cloyingly devoted to each other and to the cause of independence with barely a question asked or a dissenting voice raised, and they are also implausibly modern in their attitudes to each other. Perhaps if they were not presented to the reader in the form of Anna’s diary entries a more convincing inner life might have arisen, but as it stands they don’t convince and it is hard to care about them. The modern Egyptian, Amal al-Ghamrawi, is more rounded, but again her edges seem to have been neatly rounded off to leave a character who, despite all her soul-searching, seems somewhat hollow. The main problem with The Map of Love is that the characters seem to have been designed to represent particular things and so perform a kind of wish-fulfilment for the author. Lady Anna is the contrite face of colonial Britain turning her back on her old life to embrace that of the people her nation is oppressing, Sharif al-Baroudi is an unusually enlightened 19th century man who disavows gender stereotypes and political violence and Amal’s brother Omar lives a successful, cosmopolitan life but remains loyal to his ethnic background. It is always obvious to the reader when a writer is using characters as a mouthpiece, and immediately interferes with any spontaneous enjoyment of the text. The Map of Love aims nobly to tell the story of modern Egypt, and does succeed to some extent, but it ultimately fails due to the lack of believable characters. Brooklyn, on the other hand, appears to be telling nothing more than the story of one unremarkable young woman, from an unremarkable town in Ireland, and her emigration to America. Eilis Lacey, the woman in question, is not even moving to New York as we know it from movies – the American sections of the book centre around a few streets of the Irish-American district of Brooklyn with its large Irish community, complete with an omnipresent parish priest. But prosaic though Eilis’ life and experiences may be, her inner world and small conflicts are rendered so thoughtfully and reverentially by Toibín they end up telling a larger story – that of the Irish emigrant experience. Eilis has never expected more than a life in Enniscorthy, working in an office until someone marries her and she devotes life to having his children, but events conspire to send her abroad to work in a department store and study bookkeeping. Initially Brooklyn is not much more exciting than Enniscorthy – Eilis lives in a Irish-run boarding house with a curfew, her days are spent wearily trekking across the shop floor and her free time taken up by evening classes and helping the priest with parish activities. But as time goes by the opportunities American life begin to open themselves up – from exposure to people of different races and cultures, to the excitement of the latest fashions. Toibín is a compassionate author who doesn’t sneer at the joy ordinary people find in ordinary things - in fact he accords these things the respect they deserve. Eilis even finds romance in America, but the slow tugs of obligation from the two sides of her life threaten to undo her when circumstances require to return home to Ireland. The premise of Brooklyn is the choice Eilis must take between her two worlds, and interestingly this choice is not presented as a clichéd split between home, obligation and repression and abroad, freedom and experimentation. On the contrary, Eilis faces potential nooses wherever she looks, and the ties that bind can take unexpected forms. Her mixture of engagement and passivity are wholly convincing as the experiences of an individual, yet also seem to encompass the thoughts and feelings of a whole generation that were put in her position. This novel has no overawed glimpses of the Manhattan skyline for the arriving immigrant, but a collection of moments – a parish hall dance, a trip to a bookshop, a day out in Coney island – to give us a truly authentic sense of the migrant experience. Brooklyn has been as carefully worked and polished as The Map of Love - the difference is the joins are not visible and the author has all but disappeared, and that is why it is the more successful work.


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14 years ago

The magic number

Below is my review of a new book about Pythagoras. This review has also been published in Politico magazine.

World-changers don’t come around very often. Things can be chugging along just fine, adjusted to whatever level of development the human race is at, and then someone appears from nowhere with a whole batch of new ideas and abilities that leave the world different, forever. Whoever invented farming was one, whoever first mined metal was another. In recent years it’s the genome-sequencing and Big Bang-analysing scientists who get the main credit for these kinds of changes, but their work rests on the shoulders of those who first discovered the mathematical order in nature, who, like the first miners, found something beautiful and productive in the unlikeliest of sources.

The modern world owes more to the semi-mythical mathematician Pythagoras than most of us can even begin to conceive. Lucky then that there’s a recently published book that goes some way towards explaining the significance of this person (or people) in terms that even the most mathematically challenged can understand.

Science writer Kitty Ferguson has done an admirable job in presenting not just the famous theorem, but any number of mathematical concepts that seem to have been first laid down by a group of philosophers and scientists in the Greek colonies in Southern Italy in the 5th century. Her logical approach proves useful in breaking down the various different accounts of the life of Pythagoras, weighing up each account carefully for probability and plausibility.

A picture emerges of an unprecedented genius, a thinker made up of equal parts scientist and priest, who founded a long-standing cult based on the magic of numbers. This was a world where logic and mystery existed side by side, where there was little delineation between religion and daily life.

Pythagorean thinking saw fundamental patterns in the symmetry of numbers and equations, a viewpoint that strongly influenced the thinking of one Plato, who can be seen to be an inheritor of the Pythagorean tradition rather than a wholly original thinker.  Ferguson follows the Pythagorean legacy through the Roman and medieval periods, taking in a dizzying amount of information which tends towards factual overload, though she recovers pace somewhat when looking at mathematics and the 20th century.

The statements about faith versus science towards the end of the book feel tacked on and could easily have been left out. Without a doubt, the book is strongest on the Greek legacy of Pythagoras – if Ferguson ever decides to move away from science writing, a career in classics would be well within her league.

Pythagoras: His Lives and the Legacy of a Rational Universe by Kitty Ferguson Icon Books (Hardback), August 2010 £20.00

15 years ago

Stories from the city

In Our Time recently had a great two-part episode on the history of the city, charting the economic and political rise of cities from Ur to Bogota. Some of the information was familiar, and some quite unexpected. For example, after the fall of Rome heavily populated cities became a minority, and London didn’t reach first-century Roman population levels until the beginning of the 19th century. The political architecture of 18th century cities was illuminative – Hausmann’s wide boulevards were designed as much to prevent rebellious working classes from erecting barricades as they were for aesthetic reasons. The earliest ‘gated communities’ were the Georgian townhouses of 18th-century London and Dublin, where the mews at the back gave access to carriages, so that their inhabitants need never step on to the main street outside and encounter any of the ordinary inhabitants of the city. But cities were often reclaimed by the very people who they were designed to control – New Delhi was designed with Hausmann-esque boulevards after the Indian Rebellion of the 1850s in a concentrated effort to consolidate imperial power, however after independence in 1947 Lutyens’ architecture was celebrated and the city accepted as a key part of India’s history. Similar accomodations with the symbols of past conquest have occured in Dublin and Kingston. And there’s no doubt that a dense concentration of people, while often leading to poverty and disease, is a significant factor in the development of revolutionary ideals and a vision of a fairer society for all – Engels’ Manchester and early 20th century Paris and Moscow being key examples. Part of the second programme focused on the astonishing effect the development of the railways had on British cities, particularly London. One commentator referred to the light-speed adoption of railway travel as the equivalent of an ‘atomic age’ and the analogy is not exxagerated – within 30 years London and Paris had evolved from cities which relied on horse-drawn carriages to ones with mass under- and overground transit systems. This had the effect of finally bringing the rich into almost direct contact with the poor masses, as the engraving above by Dore reveals. Bridges ran directly over slum tenements, leaving the passengers in no doubt as to the conditions the inhabitants lived in. Many poor people were evicted from their homes without compensation in the early days of the railways, yet ironically it was the social mixture and opportunities for mobility brought about by those same railways that later helped increase employment opportunities, and subesequently, aspiration. Modern cities were analysed too, with a fascinating parallel drawn between the development of Los Angeles as a car city in the 1930s and its imitation by South American new cities like Mexico and Bogota. One contributor broke past the usual cliches about the relentless ugliness of modern cities – an argument that has been pitched against all new building since probably the days of Ur – and described how run-down slums in Bogota have evolved into respectable neighbourhoods after the introduction of good public transport. He seemed to be siding with the unfashionable but hopeful view that regeneration is always possible where people are concentrated together, even in desperate slums, and it is good planning, support and an understanding that millions in the developing world would rather live in cities than in the country that are needed to improve cities, not hand-wringing over their lack of beauty. Human life is messy and complex, therefore our cities are too, but that’s no excuse for neglect and doom-mongering. I would have liked more analysis of the cultural life of cities, and the greatest city of all, New York, was barely touched upon, but overall the series was extraordinarily comprehensive and informative. Above all, the history of cities is the history of humanity, a story in equal parts unequal, cruel, thrilling and wonderful. As Velutus says in Shakespeare’s Corialunus: ‘What is the city but the people?’ Listen to In Our Time: Cities here.

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slenderfire-blog - a slender fire
a slender fire

Some writing and Beatlemania. The phrase 'slender fire' is a translation of a line in Fragment 31, the remains of a poem by the ancient Greek poet Sappho

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