Chapter 32: A New Beginning, An Old Fight
Chapter 32: A New Beginning, An Old Fight
The night chosen for their desperate gamble, their improbable escape, arrived cloaked in a maelstrom of furious, driving wind and torrential, sheeting rain. It was a late autumn storm, one of the worst in recent memory, that lashed the internment camp with a savage, almost sentient fury – perfect, chaotic cover for the desperate endeavour that was about to unfold. For weeks, Kenichi Tanaka, their quiet, nervous “Architect,” had been painstakingly, almost obsessively, working in the damp, freezing, and carefully concealed confines of a long-disused, partially collapsed storage shed at the far, neglected perimeter of the camp. Shielded by the sound-dampening Talent of a timid girl named Hana and by the watchful, rotating guard duty of Kyouya and a few other trusted inmates, Kenichi had been slowly, agonizingly coaxing their improbable, monstrous escape vehicle into existence from scavenged scrap metal, compacted earth, shattered concrete, and sheer, unyielding force of will.
It was a hideous, utilitarian creation, a testament to desperate ingenuity rather than engineering aesthetics – less a train or a conventional vehicle and more a heavily armored, multi-terrain articulated transport, its hull a patchwork of rusted plating and reinforced rubble. Arthur had privately, grimly, dubbed it the “Land Leviathan.” Its motive power was a complex, jury-rigged, and highly unstable system cobbled together by Kyouya and a handful of other resourceful Talents, relying on a dangerous combination of kinetic energy conversion, makeshift steam power, and Kenichi’s own ability to subtly manipulate its structural integrity for movement.
On Nana Hiiragi’s quiet, tense signal, relayed through a chain of trusted whispers just as the storm reached its terrifying zenith, the meticulously planned operation snapped into motion. Hana, her face pale with concentration and fear, extended her sound-dampening field to its absolute limit, creating a precious cone of relative silence around Kenichi’s makeshift workshop as the final, noisy, and dangerously volatile connections were made to the Leviathan’s power core. Another student, an older boy named Ren whose Talent allowed him to cause localized, temporary electronic interference, focused his abilities on the camp’s main perimeter fence sensors and the central guardhouse communication lines, hoping to buy them precious, crucial minutes of confusion and disarray at precisely the right moment.
Kyouya Onodera, leading a small, handpicked, and utterly determined team of their strongest and most disciplined allies, moved like avenging shadows through the howling wind and driving rain, their movements swift, silent, and deadly. They neutralized the few terrified, rain-lashed guards patrolling the designated breach point near Kenichi’s workshop with swift, brutal, non-lethal efficiency, adhering strictly to Nana’s unwavering directive for minimal violence against their captors, if at all possible. They used chokeholds, pressure points, and improvised restraints, leaving the guards bound and unconscious, but alive.
The rumbling, groaning emergence of the Land Leviathan from the collapsing remnants of the workshop was a moment of terrifying, breathtaking, almost suicidal audacity. Its massive, misshapen form, slick with rain and mud, seemed to absorb the dim, flickering emergency lights of the camp, a creature born of desperation and shadow. Nana, a small, rain-soaked figure of calm amidst the controlled, adrenaline-fueled chaos, her voice sharp and clear above the howl of the storm, directed the first wave of chosen prisoners – the old, the sick, the youngest children, along with those whose specific Talents would be most useful in the immediate aftermath – towards the vehicle’s hastily constructed, reinforced loading ramp. Arthur found himself, alongside a surprisingly resolute Michiru Inukai, helping to guide a small, terrified group of wide-eyed children, their faces pale with fear, towards the relative, if claustrophobic, safety of the Leviathan’s dark, cavernous, metallic hull.
Then came the breach. With a deafening, tortured groan of protesting, tortured metal and crumbling ferroconcrete, the Land Leviathan, with a stoic, grim-faced Kyouya wrestling with its crude, unresponsive controls, ploughed with terrifying, unstoppable force through the first electrified perimeter fence, then the second, and finally, with a cataclysmic roar, through the main camp wall itself. Alarms, shrill and panicked, finally began blaring belatedly across the entire compound, their desperate cries almost lost in the fury of the storm. Guards, confused and disoriented, emerged from their shelters, firing wildly, their bullets pinging harmlessly off the Leviathan’s thick, improvised armor or whining away into the storm-tossed darkness. The monstrous vehicle, shuddering and groaning under the strain, surged forward, a juggernaut of desperate hope, into the dark, unforgiving, and unknown wilderness beyond the camp’s rapidly receding, oppressive lights.
Not everyone made it. In the ensuing chaos of the breach, amidst the shouting of guards and the panicked scramble of prisoners, some were caught by Ide’s enraged security forces, their desperate bid for freedom ending in brutal recapture. Others, overcome by fear or confusion, hesitated too long and were left behind. But a significant number – well over a hundred desperate souls – rumbled away into the stormy, concealing night, leaving Commandant Ide to survey the smoking, gaping hole in his perimeter wall and the utter wreckage of his authority in a transport of impotent, murderous fury.
They travelled for what felt like an eternity, the Land Leviathan crashing and lurching through the dense, trackless forest, pushing its makeshift, Talent-powered engine to its absolute limits. Kyouya, his face a mask of grim concentration, wrestled with the controls, navigating by instinct and the occasional, shouted direction from Jin Tachibana, who seemed to possess an uncanny, almost preternatural knowledge of the surrounding, uncharted terrain. Finally, just as the first, watery, grey light of a stormy dawn began to filter through the dense canopy, the monstrous vehicle, with a final, shuddering, metallic sigh, ground to a halt deep within a remote, mist-shrouded mountain valley, its power core finally, irrevocably, depleted.
Exhausted, mud-caked, soaked to the bone, but undeniably, miraculously free, the escapees stumbled out into the cold, damp air, their faces a mixture of stunned disbelief, dawning elation, and a profound, soul-deep weariness. They had done it. Against all odds, against all reason, they were out.
In the difficult, uncertain days that followed, a fledgling, fragile resistance began to take shape in their secluded, temporary mountain hideout – a series of interconnected, damp caves hidden behind a waterfall that Jin had, with his usual uncanny foresight, led them to. Nana Hiiragi, Kyouya Onodera, Arthur Ainsworth, Michiru Inukai, and Jin Tachibana (who, as always, appeared and disappeared with unsettling, mysterious ease, often returning with vital supplies of scavenged food, medicine, or crucial intelligence about Committee movements in the region) formed the de facto core of its hesitant, informal leadership. There were disagreements, naturally; tensions born of fear, exhaustion, and conflicting personalities. The constant, gnawing fear of discovery, of Tsuruoka’s inevitable, relentless pursuit, was a shadow that hung over them all. But there was also, for the first time in what felt like an eternity, a shared, defiant purpose.
For Nana, that purpose had now crystallized into an unwavering, all-consuming obsession: find the absolute, unvarnished truth about her parents’ murders, expose Commander Tsuruoka for the monster he was, and then, with every fibre of her being, dedicate herself to dismantling the Committee’s entire rotten, bloodsoaked infrastructure. For Kyouya, it was simpler, yet no less profound: protect his rediscovered sister, Rin (Jin), and ensure that no one else ever had to endure the horrors he had witnessed, the pain he had suffered. For Michiru, it was a quiet, unwavering commitment to healing, to offering comfort, to nurturing the fragile sparks of hope in the hearts of her fellow survivors.
It was during one of their first, tentative strategy sessions, huddled around a smoky, sputtering fire in the largest of the damp caves, the sound of the nearby waterfall a constant, rushing counterpoint to their hushed voices, that Arthur Ainsworth decided it was time to unburden himself of his longest-held, most significant secret. He looked at the tired, determined faces around him – Nana, her expression now one of fierce, almost righteous resolve rather than haunted guilt; Kyouya, his stoic presence a silent, unshakeable bedrock for them all; Michiru, her gentle strength an unexpected, vital anchor in their storm-tossed existence; Jin, his enigmatic smile hinting at depths of knowledge and purpose still unknown.
“There’s something… something important you all need to understand about me,” Arthur began, his voice quiet but firm, his Japanese, learned through years of painful necessity and now constant, unavoidable immersion, surprisingly steady, though still carrying the unmistakable, softened consonants of his native English. He no longer had his phone, his crutch, his electronic voice; these words, this truth, had to be his own. “My Talent… the ‘Chrono-Empathic Glimpse,’ as I once called it… it was always a finite thing. A limited resource. Like a well that, through overuse, eventually, inevitably, runs dry.” He paused, meeting their expectant, curious eyes, one by one. “That well… it is dry now. Completely. I’ve seen too far, too often, peered too deeply into futures that were not mine to see. I can no longer glimpse what is to come. I am, for all intents and purposes, truly Talentless now.”
A profound silence fell over the small, firelit group, broken only by the crackle of the flames and the distant roar of the waterfall. Nana looked at him, a flicker of complex, unreadable understanding in her violet eyes – perhaps a memory of his earlier, pointed comment in that rainy alleyway about Talents not having a monopoly on wrongdoing. “From here on,” Arthur continued, a new, unfamiliar, almost liberating resolve hardening his own expression, “I have no special foresight, no prophetic warnings, to offer any of you. What I have left is simply what you all possess: whatever intuition remains, the sum of the experiences we’ve endured, the lessons we’ve learned, and whatever stubborn, foolish determination we can collectively muster. We’re all… flying blind in that respect now, I suppose.”
He looked down at his hands, these unfamiliar teenage hands of Kenji Tanaka, hands that had, in the course of his bizarre, unwilling journey, performed acts, witnessed horrors, that Arthur Ainsworth, the mundane accounts clerk from Crawley, could never have begun to imagine. He wondered, as he often did in these quiet, reflective moments, about his old life, his old world, the one he had been so violently, so inexplicably, torn from. Could he ever truly return? And even if it were somehow, miraculously possible, after everything he had seen, everything he had done, everything he had become… would he even want to? The question, vast and unanswerable, hung heavy and unspoken in the damp, cave air.
Nana was the first to break the silence, her voice surprisingly gentle. “Your ‘glimpses’ may be gone, Arthur-san,” she said, using his first name with a newfound, hesitant, almost shy respect, the Japanese honorific a quiet acknowledgment. “But your insight, your unique understanding of Tsuruoka, your… your perspective… that is still valuable. More valuable now, perhaps, than ever before. We all still have a role to play in what’s to come.”
Kyouya Onodera, his gaze fixed on the dancing flames, nodded once in silent, stoic agreement. “We fight with what we have,” he murmured, his voice a low rumble. “And with who we are.”
They began to strategize then, their voices gaining a new strength, a new conviction, in the flickering, uncertain firelight. They were a small, battered, and profoundly unlikely band of survivors, pitted against a powerful, ruthless, and deeply entrenched enemy. The fight ahead was uncertain, perilous, the odds overwhelmingly stacked against them. But as they spoke, as they planned, as they began to forge a new, shared path forward into that terrifying, unknown future, Arthur Ainsworth felt a strange, unfamiliar, almost forgotten sensation begin to stir within him. It wasn’t foresight. It wasn’t prescience. It was something far simpler, far more fundamental, and perhaps, in the end, far more powerful. It was hope.
More Posts from Sku-te and Others
Chapter 15: The Long Watch
The aftermath of the horrific confrontation at the docks was, with chilling Committee efficiency, unsettlingly, almost surreally, muted across the wider school. News of Rentaro Tsurumigawa’s sudden, immediate, and permanent “expulsion” for “egregious and violent misbehaviour that endangered fellow students” spread like a carefully managed wildfire, a conveniently sanitized and deliberately vague narrative disseminated by a pale-faced, visibly shaken Mr. Saito and the other grim-lipped, tight-faced teachers. It was designed, Arthur knew with a cold certainty, to mask the true, terrifying violence of that awful evening and prevent any semblance of mass panic just as the students were on the cusp of departing for the long-awaited, much-needed term break.
Nana Hiiragi, it was quietly, almost confidentially, announced, had suffered a “severe emotional shock” from her “brave and selfless intervention” in the Rentaro incident and was under strict, isolated medical care in the school infirmary, strictly forbidden any visitors for her own well-being. Of Michiru Inukai, there was initially no official word, a heavy, pregnant silence that was, in itself, deeply, profoundly ominous. Then, just hours before the first ferry was due to depart, a sombre, almost funereal Mr. Saito informed the assembled students during a hastily called morning assembly that Michiru-san had, with tragic, heartbreaking suddenness, succumbed to a rare, aggressive, and previously entirely undiagnosed latent medical condition. Her passing, he’d said, his voice thick with carefully feigned sorrow and his eyes not quite meeting those of his students, had been peaceful. A suitable memorial service, he’d assured them, would be held at the start of the next term to honour her gentle spirit.
Arthur listened to the carefully constructed, insidious lies with a cold, contemptuous, almost murderous anger churning in his gut. He knew the truth. He knew, with a sickening certainty, that the Committee, through the school’s puppet authorities, would desperately want Michiru’s body. A Talent user who had performed such an unprecedented, almost unbelievable act of resurrection, sacrificing her own life to restore another’s, was an invaluable, unique research specimen. They would want to study her, to dissect her, to understand the profound, terrifying nature of her ultimate sacrifice, perhaps even to weaponize it. He would not allow it.
While the other students – a volatile mixture of genuinely relieved, superficially excited, and still deeply, palpably unnerved – bustled about the dormitories packing their bags, their chatter a jarring counterpoint to Arthur’s grim resolve, he moved with a singular, almost predatory purpose. He had already, under the cover of the pre-dawn darkness, retrieved Michiru’s impossibly light, still form from the cold slab in the school’s small, under-equipped morgue where she had been temporarily, disrespectfully placed. He’d carefully, reverently wrapped her in a clean, new sheet he’d "requisitioned" from the infirmary linen closet when no one was looking. Carrying her small, precious burden, he walked with a steady, determined gait through the increasingly deserted school corridors, a sombre, solitary spectre of grief and defiance amidst the fading echoes of youthful excitement and hurried departures. No one questioned him; no one tried to stop him. Perhaps it was the stark, unapproachable, almost dangerous grief etched on his face, a silent, potent warning against any form of intrusion. Or perhaps, more likely, in the frantic, institutional rush to vacate the cursed island, the lone, grim-faced boy carrying what looked like a peacefully sleeping, sheet-shrouded classmate was simply an oddity too inconvenient, too unsettling, too difficult to address or explain away.
He took Michiru to her own small, now entirely empty dormitory room. It was neat, almost clinically tidy, and already stripped of most personal belongings, her former roommate having clearly departed on the earliest available transport, eager to escape the island’s oppressive atmosphere. The silence in the room was profound, heavy as a shroud, broken only by Arthur’s own ragged, hitching breathing and the distant, mournful cry of the first ferry horn sounding its departure from the docks, a sound that seemed to echo his own internal desolation. This strange, suspended May, he thought with a fleeting, dislocated sense of temporal confusion – so different from any May he’d ever known back in England, a time usually of burgeoning hope, of lengthening, sunlit days, not this… this cold, grey, empty waiting.
Gently, with an almost reverent tenderness that felt alien yet entirely natural to his grieving heart, he laid Michiru on her narrow, bare mattress. Her white, fluffy hair, usually so vibrant and full of innocent life, seemed dull and lifeless against the stark, utilitarian pillow. Arthur found a washcloth and a basin of clean water from the thankfully still-functional communal bathroom and, with a gentleness that surprised even himself, began to clean the lingering traces of grime and sea spray from her pale face and small, delicate hands. It felt like a vital, final act of profound respect, a small, silent, defiant rebellion against the island’s casual, brutal disregard for its young, vulnerable charges. He straightened her simple school uniform, which he’d managed to keep relatively clean, and smoothed her soft hair back from her forehead. He wanted her to look at peace, to be accorded a dignity in death that this island, and the monsters who controlled it, so readily, so callously, stole from the living.
Then, the long, solitary, and uncertain watch began.
The final ferry horn blared in the distance, a mournful, fading cry signalling the departure of the last contingent of students and the few remaining skeletal staff. From Michiru’s small, heavily curtained window, Arthur could see the vessel pulling away from the pier, growing smaller and smaller until it was just an indistinct, insignificant speck on the vast, indifferent grey horizon. He was alone now. Utterly, terrifyingly, and in a strange way, almost peacefully alone, on an island saturated with unspoken secrets, spilt blood, and the sorrowful ghosts of lost innocence, with only the silent, still form of a girl who had so bravely, so selflessly, sacrificed her own precious life for her damaged, deeply undeserving friend.
He pulled the room’s single, uncomfortable wooden chair beside Michiru’s bed and sat, the silence in the room, in the entire deserted dormitory wing, in the whole silent, echoing school, pressing in on him, vast, profound, and suffocating. He knew the Committee would eventually realize Michiru’s body was missing from their cold storage. They would search. But he also knew something else, a strange, chilling piece of information gleaned from his fragmented anime memories, a detail about the Committee's own twisted beliefs regarding extraordinary Talents. They believed, or at least theorized, that a Talent as potent as Michiru’s, one capable of true resurrection, might possess a residual capacity for self-regeneration, even after apparent death. It was probably, Arthur thought with a cynical twist of his lips, the only vaguely true or insightful thing the Committee had ever inadvertently revealed about the true nature of Talents amidst their mountain of lies and manipulative propaganda.
The critical, terrifying unknown, however, was the timescale. If such a regeneration were even possible – and Arthur clung to this thought with a desperate, almost ferocious tenacity, fueled by the unnatural coolness that still eman మనed from Michiru’s body, a bizarre stasis that defied normal decomposition – how long would it take? Days? Weeks? Months? Or, God forbid, years? He didn’t know. Nobody did. But he made a silent, solemn vow to the still, silent girl before him, a vow that resonated in the deepest chambers of his weary, grief-stricken soul. He would tend to Michiru. He would watch over her. For as long as it took. He would not abandon her. He would not let her become just another experiment for Tsuruoka’s butchers. And more than that, a new, chilling fear took root: he would not see Michiru, if she did somehow return and was left alone, terrified, and uncontrolled, eventually transform into one of those monstrous “Enemies of Humanity” he knew were a horrifying potential endpoint for unchecked or traumatized Talents. That, he vowed, he would prevent at any cost.
In that profound, echoing emptiness, he found himself talking to her, his voice low, hesitant at first, then spilling out in a quiet, rambling stream of his native English, a stark, intimate contrast to the stilted, carefully translated Japanese he was forced to use with the living.
“It’s Arthur, you know,” he murmured, his gaze fixed on her pale, still face, so achingly young. “My real name. Arthur Ainsworth. From Crawley, down in Sussex. You wouldn’t know it, of course. Terribly dull place, Crawley. Grey skies, mostly. Nothing like this… this Technicolor, blood-soaked madhouse.” He spoke of his mundane, unfulfilling job as an accounts clerk, his quiet, amicable but ultimately failed marriage to a woman who had deserved better than his own hesitant apathy, the soul-crushing, quiet desperation of his previous, unlamented life, a life that now seemed like a distant, almost unimaginable, sepia-toned, irrelevant dream. “Funny, isn’t it, Michiru?” he continued, a dry, humourless, almost painful chuckle escaping his lips. “I used to think my life back there was utterly pointless, completely devoid of any real meaning or purpose. Now… now I’m here, trapped in this waking nightmare, and I’m failing on a truly epic, spectacular, almost biblical scale.”
He told her about his impossible, inexplicable predicament, his fragmented, cursed foreknowledge gleaned from a garish, violent television show his teenage nephew had been briefly, inexplicably obsessed with some years ago. “I knew… I knew so much of this horror was going to happen. Nanao, Habu, Hoshino… even you, in a way, though not like this. Never, ever like this.” A wave of profound, helpless, suffocating guilt washed over him, so potent it almost choked the words in his throat. “I tried to stop you, Michiru. With Nana. I really did. I shouted until my voice was raw. But you were so… so damned determined. So brave. Far braver than I could ever be.” His voice cracked, and for a long time, he simply sat in the silence, the only sound his own ragged, unsteady breathing.
Hours bled into days, an eternity of dim light and profound, echoing silence, marked only by the slow crawl of the sun across the dusty, curtained window. He ate sparingly from the dwindling tins of forgotten, non-perishable emergency supplies he managed to pilfer from the deserted school kitchens, his phone, its battery now carefully, obsessively conserved, his only companion for checking the slow, agonizing passage of time. He slept in fitful, nightmare-plagued starts in the uncomfortable wooden chair beside her bed, or sometimes, when the exhaustion became too much to bear, curled up on the cold, unforgiving floor at her feet, waking with a jolt, the oppressive, unnatural silence always the first thing to greet him, a constant, unwelcome, terrifying reminder of his utter, profound isolation.
As the first long, silent, grief-haunted week of the term break drew to its close, Arthur Ainsworth sat his solitary, unwavering vigil, a self-appointed, grief-stricken, and increasingly desperate guardian in a silent, empty, and deeply cursed school. He watched over a brave, gentle, and selfless girl who embodied a purity and unconditional love that this island, and the dark, malevolent forces that controlled its destiny, seemed hell-bent on eradicating from existence. He was adrift, his own future an utter, terrifying, featureless unknown, his only certainty the profound, crushing weight of the recent, tragic past and the silent, solemn promise he’d made to protect Michiru’s final, precious rest, and her even more precious, if improbable, potential return.
Would serve her right
US to import millions of eggs from Turkey and South Korea to ease prices
Making South Korea Great Again!
Despite President Trump's campaign promise to reduce prices, the cost of eggs has surged more than 65% over the past year, and it is projected to rise by 41% in 2025.
Nana Hiiragi
Of course the hate for her is well deserved.
First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.
Yes, she would be hated just as much if Nana was male (probably more so).
It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.
In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).
Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.
The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.
In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.
I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.
Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).
I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.
Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).
Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.
And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).
Hopefully she will pay some sort of price for her actions.
Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.
In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).
.
Grendel Jinx in Talentless Nana: A Tale of Talents and Deceptions (on Wattpad) https://www.wattpad.com/story/393719322-grendel-jinx-in-talentless-nana-a-tale-of-talents?utm_source=web&utm_medium=tumblr&utm_content=share_myworks&wp_uname=MrTAToad
The last thing Grendel Jinx remembered was a frying pan swinging toward her face in a Chichester warehouse, courtesy of some goon from a rival secret organization. Then, a flash of green light, a sensation like being sucked through a straw, and now-this. She blinked against the sterile white ceiling of what looked like a hospital room, the faint hum of fluorescent lights buzzing in her ears. Her head throbbed, but her limbs were intact, and her trademark leather jacket was neatly folded on a chair nearby. Not bad for a girl who'd just been yeeted across dimensions.
Chapter 36: An Idea Forged in Unreality II
He looked at them, his gaze steady, his heart pounding in his chest. “It’s a long shot. A horribly dangerous, probably insane long shot. But it’s a start. It’s an idea. And right now, frankly, it’s the only one I have that doesn’t involve us just… waiting in this damp, cold cave for Tsuruoka’s agents to eventually find us and pick us off one by one.”
He let out a slow breath, the weight of his own audacious proposal settling upon him. He, Arthur Ainsworth, former accounts clerk, a man whose most daring act in his previous life had probably been disputing a parking ticket, was now seriously suggesting infiltrating a secret government death camp for super-powered teenagers to foment rebellion based on a half-remembered Japanese comic book. The sheer, unadulterated madness of it was almost enough to make him laugh, or weep. It was hardly a board meeting strategy session back in… well, anywhere remotely normal, he thought with a grim internal shake of his head. The utter bizarreness of asking a group of traumatized children and young adults for ‘better ideas’ on how to dismantle a tyrannical shadow regime, huddled in a makeshift shelter in what felt like a never-ending, surreal, and increasingly dangerous May… if he wasn’t living this waking nightmare, he would never in a million years believe it.
Arthur ran a hand through his already dishevelled hair. “Look,” he said, his voice infused with a weary but unyielding earnestness, “anything we decide to do, anything we can do, it won’t be quick. And it certainly won’t be easy.” He met their wide, stunned eyes one by one. “But something needs to be done. We can’t just hide here forever. We can’t let Tsuruoka and The Committee win, not after everything, not after what they’ve done, what they plan to do.”
He squared his shoulders, a flicker of the old, pragmatic Englishman surfacing through the layers of trauma and disbelief. “That’s my proposal. My… one idea.” He offered a small, almost apologetic shrug. “Unless, of course, anyone else has any better ideas?”
The fire crackled, its small, hungry sounds loud in the sudden, profound silence. The weight of his words, the sheer, almost suicidal audacity of his plan, hung heavy and palpable in the damp, smoky air of the cave. Arthur had laid his desperate, improbable strategy on the table. Now, he could only wait for their reaction, for their judgment, for their decision on whether to embrace this madness, or to seek another, perhaps even more perilous, path.
