Which Succession Character Are You?
What truly shocks me most is Greg's 180 shift around Tom. Gone are my doubts that Greg's merely putting up with Tom, not attracted to him or that Greg's actually straight. Amazingly, the more straight Greg tries to act the less I believe it.
I honest to God thought it would be more subtle in their shifted dynamics, but it's been a few months since the last episode and apparently Tom and Greg are occasionally out getting drinks together. Greg is being mentioned by Shiv like he's the other woman. Things have shifted more dramatically than I envisioned since we last saw them. I knew it was coming, it was teased in interviews that the power dynamic may be be shifting. Greg is going to be the one this season pushing Tom in the direction he wants.
We saw glimpses of it at the end of last season with Greg telling Tom to "prove it" when Tom said he fucks like a bullet train; Tom was out of his depth to respond. It was the most forthcoming and direct Greg had ever been in a scene. Almost like what he really wanted was shining through. We saw Greg casually call Tom, "Tommy" with a pat on the back just before he sold his soul to Tom. They seemed more at ease with one another, like Greg finally felt comfortable in his place at Tom's side.
And now the first thing we see of them this season is Greg greeting Tom by sliding up his body and in his personal space in every possible scene, whispering in his ear. He's more open, acting silly and smiling.
Bridget-Random-Fuck (who it sounds like didn't even make him cum) was just there by all appearances to get a jealous reaction out of Tom. She didn't have any status so it wasn't like he was climbing her on his way to a better conquest. She was another notch like the rest. So what's with all the posturing?
Last season, he speaks of falling head over heels for a woman and then has no true motivation and follow through. But he gushed to Tom all about her and got a visceral reaction out of him. Unfortunately Tom could not analyze his own emotions and deflected, stating Greg had ruined his mood but not knowing why.
In an interview with Nicholas Braun he hinted at Greg going to the "dark side" and how it was freeing for Greg to no longer feel restricted between what's right and wrong (gay dad causing you to repress?). By all appearances this so far has manifested as Greg being given permission to actually be more authentic with his feelings towards Tom. The women are just a necessary part and have an undercurrent of, "aren't I great - aren't you jealous?" He is in Tom's space, he wants Tom's approval. He wants Tom. He just needs to feel like he's allowed to... I imagine with the divorce eminent he feels closer to obtaining him. Perhaps Greg will be the unhinged one this season.
In season one when he asked if Tom was trying to seduce him and Tom said he was, that hair tuck bashful reaction? I don't think that was a coincidence — that was an intentional filming choice. Now I really truly see it.
“you kiss guys on molly” which guys name the guys which specific guys are you talking about kendall give me a name start naming names is it a specific guy does his name start with a k and end with an l is he one of those guys that stewy kisses on molly answer me immediately
Notes: hey yo Friends, i m back. Took me Long enough. Here you have a ff that nobody asked for. Lol. This is just the First Part of a series. Hopefully i can finish it this time. Also pls don’t be angry Riff isnt really in this Part but he for sure will be in the second Part of this Story, so this is more like a prologue. Kinda. I take requests. And you cure my depression ( at least a tiny bit ) if you text me something nice. Hope you like it. Love, Mai 🍄
Warnings: none, capitalism?!, not perfect english
Summary: Reader likes to draw buildings and her ever changing neighbourhood. After she meets a certain Gang leader, she now really wants to draw the mysterious guy with the beautiful eyes.
The warm afternoon sun was shining on my skin as I walked through the streets of New York's West Side. A thick sheet of paper in one hand, my watercolor box in the other. I ran excitedly to the next street corner, trying to avoid the shadows of the buildings. It was the beginning of spring, so it was only really pleasant in the sun. In the shade, however, I felt like I was freezing to death in my thin dress. I had begged my overprotective brother not to have to wear the thick winter clothes. He had first been of the opinion that I would catch cold in this weather, but then had agreed after he saw the first rays of sunlight shining through the large window onto the fire escape. After that my face was radiateing like the sun, „it is almost a competition“he said, whereupon he could only say yes to me wearing my favorite dress.
It was Sunday and I had gotten up early to set up my drawing supplies in front of a nearby church in the neighborhood and then to be able to paint when everyone would go to mass. I had only started a few weeks ago with the painting of people. I had seen a young man in the subway. He had the most beautiful blue eyes. I had wished very much that I could have drawn him right at that moment. But as soon as he got off the train and jogged down the stairs of the station, I had forgotten his face.
With a building this would never have happened to me. Ever since I was little, I had memorized the windows, towers and facades of the buildings around me. They were burned into my brain. So it was easier for me to later bring the straight lines and dark colors perfectly on paper. Since I had seen the young man, there was a new need in me. I wanted to paint something that was not rigid and straight like the skyscrapers of the West side.
That's exactly why I had tried to draw the people going to church that morning. But somehow I didn't quite succeed. I was dissatisfied with my painting. Nothing looked the way I wanted it to. The happy faces of the young girls in their pretty Sunday dresses looked lifeless and gray. The old people leaning on each other to climb the stairs of the church together did not look lovingly and kind but rather as if they were arguing in front of the house of God.
My newest plan was to draw the small Irish pub on the next street corner. My brother went there often with his friends. He had told that even in the afternoon the small tables already were filled with empty beer bottles and some drunkard even spend sunday not leaving his seat.
I set my things down next to me while I studied the building opposite me carefully. I had no problem drawing the masonry in a few strokes. As I was about to start detailing the dark green front door with the blurry windows, I was disturbed by an unwelcome shouting. A group of young men had gotten into a fight with the owner of the pub. Something in me felt the need to draw the event in front of me. But before I could think about whether it would be morally compatible to draw a possibly escalating fight, I felt a hand on my shoulder.
"Y/N? What are you doing here. Come on, we shouldn't be around when the jets are doing something illegal," the voice said, matching the hand on my shoulder. It was Tommy, my brother John's best friend. If Tommy was here, my brother couldn't be far either. I didn't like it when the two of them came together. I always have the feeling that my brother wants to bring me and Tommy together. I'm surprised because John still doesn't accept that I've been a grown woman for a while now. He always sees me only as his little sister who definitely should not waste any thoughts on boys and relationships. But with Tommy he was different. Tommy was the only son of a rich merchant from Manhattan. He and John knew each other from college. John probably wanted me to marry him so that I would have a secure life. Definitely not the plan I had for myself. It's not that I didn't like Tommy, he was usually friendly and always had a compliment for me. But he was a coward. The only conversations I had with him were about the fear that someone might steal his expensive new watch or about how his favorite topic in the world was finance.
Not really what I was interested in. He probably thought he could impress me with his father's money. But what I would have been really happy about would have been a few words about my paintings or if he admired New York at sunrise as much as I did. But he had not answered either one and had returned his attention to the fortune on his wrist.
He also wore the watch today, it was cold on my shoulder. I was still thinking about what to answer when John also entered my field of vision.
"If it isn`t my baby sister. How many times have I told you not to go down this street. It's not for young ladies like you. And look at you. Your hands are full of charcoal and paint. What will people think? Come on, let's go, see you tomorrow Tommy" instantly he had pulled me up from my seat and ran with me in the opposite direction of the pub. I quickly grabbed my art supplies. "Walk faster Y/N , dad will be upset if he sees you like this so you better hurry so we get home on time.
I know my brother was only strict with me because he was afraid something could happen to me. Our father had taught him to be strict. After our mother passed away, there wasn't much warmth in our family. And John was always under observation. Father was almost never at home because of his job and sometimes I didn't see him for several days. John, on the other hand, was always there for me. When we were alone he was very caring and loving to me, but as soon as other people were around he showed his strength and severity. Too big was the fear that someone could confess to my father how soft and loving he had been.
When I arrived at our apartment, I immediately ran to the bathroom and began to wash the stains off my hands. The paint came off easily, but the charcoal stains on the back of my hands just wouldn't come off. Only now I noticed that there was also a small spot of blue paint on my light dress. I mentally cursed myself. Why hadn't I been more careful? For me, but also for John. I couldn't imagine what his punishment would be if father found out that I had been hanging around painting all day instead of sitting at the sewing machine or standing behind the stove. He had very old-fashioned views about the place of a woman. But still I could not be angry with him, he was my father after all and only thanks to him I could have the money to paint and the beautiful clothes I loved to wear.
But although me and John waited all evening long for our father to return, he did not come back to the apartment that night. And even though I had struggled all evening, I decided to paint again the next morning while lying between my silk sheets and slowly falling asleep.
succession writers reminding all of the casual audience that greg's dad is gay, on a television show where everyone is terrified to become their parents, so that we will remember that when tomgreg fuck nasty in the series finale and greg implies that he's been dating all of these women to overcompensate for that fear
It feels like a satire. Or maybe reality is turning into an end credit scene for Barbie.
I can’t even be sad about it. I am not even shocked in any way.
That’s just how the patriarchy works.
The patriarchy really does win because how can Oscar voters nominate Ryan Gosling as Ken but not nominate Margot Robbie as Barbie and Greta Gerwig for directing?
Very happy that America Ferrera got a nomination though, she deserved it!
my year of rest and relaxation vintage classics edition (2022) // severance (2022)