Since birth you could see a counter above people’s heads. It doesn’t count down to their death. It goes up and down randomly. You’re desperate to find out what it means.
You don't think matcha is tea????
Matcha isn't a Tea in my humble Opinion.
Matcha is an experience.
The year is 2009, the place is the University of Hawai'i at Manoa in Honolulu, and I am recovering from a still-undiagnosed disease that left me with a 100+ degree for over three weeks, extreme weight loss and permanent Brain Damage. I have signed up for an introductory Art History class because I need an additional Humanities credit.
It's called "The History and Philosophy of the Japanese Tea Ceremony", and for a class I can only sort of remember, it stands out.
So I'm in professor Roberts' Japanese Tea Ceremony class, looking and feeling like death warmed over, but I'm genuinely interested in the subject matter and show up to every class because I have nothing better to do, and ask questions and turn in my homework, even if neither are particularly coherent at times, and rapidly become his favorite student. The thing I learned in public school was how to show up to events even if I don't want to, analyze tests and other written materials for patterns and charm educators by holding up my end of a conversation, skills that have served me in the modern world far more than learning actual course content would have.
The Tea Ceremony, historically, takes a good month to prepare and the entire evening to carry out- the guest list is curated to create social bonds and intellectual stimulation alike, a poem is composed for the season, and a seasonal flower arrangement created to decorate the space. When the guests arrive, they must all crawl through a small door to enter the tea garden, regardless of profession or rank. Hands are ritually washed in spring water, and there is a slow processional walk through the garden, to admire the artistry of the landscaping, and the composition of seasonal elements to create this particular night of beauty. The entire ceremony is about appreciating both the joy of existing right now, in this time and place, and the unification of the self and the universe and the endless cycles of nature.
The guests arrive at the tea house and meet the Tea Master, who will be making the Matcha that evening. The guests are seated in particular order, the Most Revered Guest- sometimes a high-ranking official, sometimes a visiting scholar or artist- is seated closest to the Tea Master. The Poem is read aloud. The Flowers are admired. The tools for making the Matcha are taken out, examined as objects of art, and their history told. The matcha powder itself is taken out- the case examined, the cultivation of the tea discussed, and only then does the Tea Master make the Tea.
Matcha is not brewed- it's a fine powder made of crushed green tea leaves, and the powder is whisked together with not-quite-boiling water in a bowl to create a much more substantial and flavorful drink. This drink is presented to the Most Revered Guest first, who is expected to take a sip and, in a moment of Zen spiritual clarity, comment on its flavor and how all the elements of the tea, art, garden and season all complement each other, and perhaps offer some sort of philosophical statement.
At least,
That's how it's supposed to go.
About a month before the spring semester is over, Professor Roberts announces that he has a surprise for his class- a good friend of his, a Professional Tea Master, will be visiting Hawai'i, and has agreed to perform a Tea Ceremony for our class! I am very excited. The other 10 people in class are varying levels of amiably confused to distressed by having to go to An Event (TM) for a grade, but agree. One of my classmates, an astrology hoe named Jessica, pointed out that with the 11 students, Professor Roberts, and the Tea Master, there will be 13 people present, which is basically inviting disaster.
"Jessica." Sighed Professor Roberts. "It's a Tea Ceremony. What disaster could happen?"
Despite Jessica's misgivings, Preparations for the ceremony went on. We learned about Ikebana while deciding on the Ceremonial Bouquet and tried our hands at it with what Professor Robert could get at the grocery store for $12. We learned about calligraphy and different types of poetic compositions while making the Seasonal Poem, and stain the hell out of the classroom carpet learning the brush strokes. We learn about different types of Matcha Bowl sculpting and glazing and we are not allowed to touch the demonstration bowls or the kiln because Professor Roberts was beginning to suspect that some of his students (me) were suffering from coordination issues. I apply myself with zeal, if not necessarily talent. I was, at the time, an Art Major, but my professors in the art department had been grading me on a secret "this bitch almost died last semester and is re-learning how to hold a pencil" curve, and boy howdy did I stumble and break leaves and splatter ink like it.
Despite my ongoing unmonitored recovery, Professor Roberts viewed my enthusiastic class participation with rose-colored glasses, and about a week before the ceremony we had a class where he brought out the used Kimonos and Obi and other forms of japanese dress he'd borrowed from the theater department so that we would be traditionally dressed(ish) and experience the ceremony authentically(ish). While people were trying on clothes to see what would fit, he took me aside and told me he wanted me to be in the position of Most Revered Guest, the person who makes the zen statement upon which the entire event hinges.
"Are you sure that's a good idea?" I asked.
"You're the only person who doesn't fall asleep in class and you talked about how the flowers stagger their blooms to not compete for the bees- you're perfectly engaged and conscious of the seasons!" He said, blindly. "You will need different shoes though." He indicated my flip-flops. "I won't make you learn how to walk in Geta, but nothing with Heels. Ballet flats are fine."
"...These are the only shoes I own." I said.
Professor Roberts stared at me.
"-I used to have a pair of sneakers but I think a homeless guy stole them while I was at the beach last month."
"What?" Roberts blinked.
"He probably needed them more than I do. I'll see if I can borrow some flats."
"...I don't think I've ever met a woman with less than 10 pairs of shoes." Said Roberts.
"I'm not a woman, I'm and undergrad." I said, still three years away from learning the term 'Nonbinary'. "Those are Jordan's only pair of shorts, you know." I pointed at my classmate, who had been wearing the one (1) pair of basketball shorts for the entire semester.
"I WASH THEM." Jordan shouted defensively, wearing the longest Men's Kinmo the theater department had, which barely came down to the top of his calves.
"Oh God." Said Roberts, a horrifying new world opening up to him like a tub of Expired sour cream.
*
It was the day of the Ceremony.
The Seasonal Theme we'd worked on was "The Turn Of Summer", and the weather was complying maliciously.
Normally, Tea Ceremonies are scheduled for the more temperate evening, but due to the school needing to host something in the adjoining cultural center later, we could only use the Tea Garden in the middle of the afternoon, and the summer sun was a sweltering 98 degrees and a similar level of Humidity. The Camelias were melting.
Where Jordan had difficulty finding a Kimono that suited his ent-like proportions, I'd had the opposite problem and the only Kimono short enough to not trip my Hobbit-sized self was a Child’s size. My roommate had helped me get into the Kimono and Obi before the ceremony, and leant me a pair of her Ballet Flats, but we discovered an issue- this Kimono was designed for a flat-chested prepubescent youth, and even though I barely scraped 5'0", I had the robust proportions of an Irish Peasant, and the only way to avoid displaying a frankly offensive amount of cleavage was to use the widest Obi we could find and sort of tuck my boobs into it.
"Hm" I said. "Kind of hard to breathe."
"Yeah, but you're sitting for most of it, right? It can't last more than an hour, so just like, shuffle and don't talk much?" She suggested.
To her credit, the first forty-five minutes of the ceremony only involved shuffling through the gardens and not talking while the Tea Master lectured us on some of the finer points of the garden's design.
But then we got to the Tea House- a small structure only barely able to accommodate the 13 of us, which was in the shade but hotter than the outside because of the roaring fire in the middle of the room, where the water for the Matcha was boiling. The room was surrounded by a narrow sort of porch, part of which hung over the Koi pond, where several massively overfed carp blurbled expectantly for treats at the arrival of humans. I sat down, legs folded under me like Professor Roberts had insisted, and realized that this pushed the Obi UP, and now my rib cage was being compressed in all directions.
I tried to pay attention to the rest of the ceremony, but two and a half hours is an awfully long time to listen about lecturers you've already heard when your body is undergoing a sort of internal horserace to see if the heatstroke, sciatica pain and numbness, allergies or suffocation-by-compression will cause you to pass out first. My legs had gone numb below the knee by the time we were done with the flower arrangement. My entire legs were numb before we were done with the Poem. By the time the Tea Utensils came out, I was seeing spots of colored light in my vision and could only breathe if I focused on it very, very hard.
But! The ceremony was genuinely interesting! and Professor Roberts was counting on me! So I did my best not to sway or throw up from watching the Tea Master whisk the Matcha, and dutifully took the bowl with a pair of hands that felt like slabs of ham that I was attempting to puppet from another dimension, and took a sip.
They say that Smell and Taste are far more closely connected to the emotional centers of the brain than any other sense, and I believe it because the instant I inhaled both the grassy, powdery smell, and tasted the moderately viscous bubbly liquid, I experienced an intense flashbulb memory back to a previous late May-
The Year was '98, the place was my elementary school art room, and we'd been using the seasonal hot weather to paint on a massive scale as the art dried quickly- each third-grader had been given a roll of butcher paper, a cheap brush, squirts of non-toxic paint and a water cup, and allowed to go hog-wild on our murals, and the rush of creative energy and the imminent sense of freedom as the semester drew to a close truly embodied the summer of youth, carefree but with an almost psychotic fervor, where lack of care was both freeing and dangerous as you lost track of your surroundings in the act of creation-
Which isn't a bad seasonal-philosophical connection statement to make, but the actual words that came out of my mouth were:
"Wow. This tastes exactly like paint."
The first sound I heard after the moment of silence was the cartoonishly loud gasp of horror from Professor Roberts, which was almost immediately drowned out by the thunderclap of laughter from the Tea Master, slapping his thighs and wiping tears from his face, unable to stop. I desperately tried to explain the connection between the fact I might be dying of heat stroke right now, and how I ended up drinking my paint water back in Mrs. Krantz's art class because back then I was also dying of heat stroke, but mostly ended up wheezing half-formed sentences as the rest of the class took sips and offered opinions varying between "Wow, that's thick. Like a Hot smoothie." and "Oh yeah, it tastes like summer. Like how a freshly-mowed lawn smells like summer." Professor Roberts slowly melted into a pile of shame, and the Tea Master slapped him on the back, still howling with laughter.
"They're honest! Nobody else will be honest! This is magnificent!" he wheezed.
Eventually, everyone had their taste, and the ceremony was concluded. The second the Tea Master had packed up his tools and stepped outside for a breath of fresh air, Professor Roberts was in my face.
"HOW COULD YOU SAY THAT?" he hissed, grabbing my arm and pulling me up. "GO APOLOGIZE RIGHT NOW!" he shoved me out onto the porch where the Tea Master was looking at the Koi, who had started bubble-begging aggressively again.
Except that my legs felt like blocks of wood that my pelvis was renting from another planet where legs hadn’t been invented yet, my vision was entirely static between the dehydration and lack of oxygen, and my vestibuar system had fucked off an hour ago, leaving me to stay upright by purely by the virtue of the over-tightened Obi. So instead of bowing and apologizing profusely like my professor expected, what I actually did was stumble out of the room, say something like "Hsdfkf" and topple head-first into the koi pond.
Fortunately, the impact of the bottom of the pond with the top of my skull activated a sort of last-resort emergency self preservation system and I inhaled with enough force to break the Obi-Jime and probably a couple ribs from the pain that hit both my sides like lightning. Unfortunately, the thing I was inhaling was fish-shit riddled Pond Water, so my emergency self-preservation system ordered an even harder Exhale.
The Tea Master, to his immense credit, had immediately jumped in after me, and pulled me upright just in time for me to forcibly exhale half a gallon of rancid pond water directly into his face, then start screaming. Screaming is an extremely appropriate reaction to have when injured, because it alerts everyone that you require medical attention, but is very unpleasant to experience from four inches away, which is probably why he then immediately dropped me.
Fortunately the pond wasn't very deep and this time I sat there, scream-gasping as my lungs reinflated, Koi fish burbling and sucking at me with tremendous excitement, until the EMT from the campus clinic arrived, a vanguard before the actual ambulance.
"Okay uh. You're bleeding." he said, cautiously wading into the pond.
I opened my eyes to find that I had apparently acquired a large and profusely bleeding head wound, which had activated some long-suppressed Shark Instincts in the Koi, which were eagerly gumming at the streams of blood and trying to suck on my forehead. "Good thing they don’t have teeth." I said in the distant bliss that only zen masters and people with serious head injuries get to experience.
"Do you want a towel?" he asked, helping me up.
"No, this is rather refreshing, actually." I said, still absolutely smashed on endorphins, Koi still enthusiastically swarming at my kneecaps.
"I mean like for your-" the EMT Gestured Vaguely at my torso.
I looked down and realized that not only had I broken the Obi-jime, the entire Obi had come undone and was floating several feet away, and I was only wearing the Kimono, fallen completely off my shoulders and was only being prevented from performing a full Lady Godiva by the valiant efforts of the safety pin my roommate had put in to keep it folded correctly while we figured out the Obi.
"Professor Roberts?" I stood up all the way, soaking wet, bleeding from my forehead with such force as to create actual streams of blood down my face, neck and chest, tits out, and addressed the poor man standing, white-faced on the deck above the pond. "I don't think I'm going to be in class on Monday-" I paused to fish a small Koi that had gotten trapped in the remains of the now-ruined Kimono, and tossed it back into the pond. "-Can I schedule a make-up exam for the Final?"
"FOR THE LOVE OF GOD, GET IN THE AMBULANCE!" He screamed.
I was x-rayed for a skull fracture, but my lifelong membership to the Lactose Tolerance Club had protected me, and I happily texted my roommate to come pick me up as "They x-rayed my head and found nothing" while the doctor stitched part of my scalp back together.
The following morning, I discovered that Professor Roberts had graded my exam before I took it. 100%. Truly, the best way to get a good grade on your finals is to get a serious head injury.
So, Matcha is not a Tea, in my humble opinion.
Matcha is an Experience.
And sometimes that experience is drinking something almost exactly like paint, ruining an important cultural ceremony, traumatizing your professor, and introducing a bunch of fish to the taste of human flesh.
***
If this made you laugh, there are more funny stories on My Patreon, or you can help support me by tipping my Ko-Fi. Thank You.
when she says she doesn’t send nudes
This is the funniest video ever
I was reading something about Whitestown, Indiana and my eyes nearly popped out of my head thinking it was one of THOSE comically racist towns. Nice to know, at least the name, wasn’t that.
It's a pretty place!
Belgium - Brussel in one minute
The vast majority of America's debt collection targets $500-2,000 credit card debts. It is a filthy business, operated by lawless firms who hire unskilled workers drawn from the same economic background as their targets, who routinely and grotesquely flout the law, but only when it comes to the people with the least ability to pay.
America has fairly robust laws to protect debtors from sleazy debt-collection practices, notably the Fair Debt Collection Practices Act (FDCPA), which has been on the books since 1978. The FDCPA puts strict limits on the conduct of debt collectors, and offers real remedies to debtors when they are abused.
But for FDPCA provisions to be honored, they must be understood. The people who collect these debts are almost entirely untrained. The people they collected the debts from are likewise in the dark. The only specialized expertise debt-collection firms concern themselves with are a series of gotcha tricks and semi-automated legal shenanigans that let them take money they don't deserve from people who can't afford to pay it.
There's no better person to explain this dynamic than Patrick McKenzie, a finance and technology expert whose Bits About Money newsletter is absolutely essential reading. No one breaks down the internal operations of the finance sector like McKenzie. His latest edition, "Credit card debt collection," is a fantastic read:
https://www.bitsaboutmoney.com/archive/the-waste-stream-of-consumer-finance/
McKenzie describes how a debt collector who mistook him for a different PJ McKenzie and tried to shake him down for a couple hundred bucks, and how this launched him into a life as a volunteer advocate for debtors who were less equipped to defend themselves from collectors than he was.
McKenzie's conclusion is that "paying consumer debts is basically optional in the United States." If you stand on your rights (which requires that you know your rights), then you will quickly discover that debt collectors don't have – and can't get – the documentation needed to collect on whatever debts they think you owe (even if you really owe them).
The credit card companies are fully aware of this, and bank (literally) on the fact that "the vast majority of consumers, including those with the socioeconomic wherewithal to walk away from their debts, feel themselves morally bound and pay as agreed."
If you find yourself on the business end of a debt collector's harassment campaign, you can generally make it end simply by "carefully sending a series of letters invoking [your] rights under the FDCPA." The debt collector who receives these letters will have bought your debt at five cents on the dollar, and will simply write it off.
By contrast, the mere act of paying anything marks you out as substantially more likely to pay than nearly everyone else on their hit-list. Paying anything doesn't trigger forbearance, it invites a flood of harassing calls and letters, because you've demonstrated that you can be coerced into paying.
But while learning FDCPA rules isn't overly difficult, it's also beyond the wherewithal of the most distressed debtors (and people falsely accused of being debtors). McKenzie recounts that many of the people he helped were living under chaotic circumstances that put seemingly simple things "like writing letters and counting to 30 days" beyond their needs.
This means that the people best able to defend themselves against illegal shakedowns are less likely to be targeted. Instead, debt collectors husband their resources so they can use them "to do abusive and frequently illegal shakedowns of the people the legislation was meant to benefit."
Here's how this debt market works. If you become delinquent in meeting your credit card payments ("delinquent" has a flexible meaning that varies with each issuer), then your debt will be sold to a collector. It is packaged in part of a large spreadsheet – a CSV file – and likely sold to one of 10 large firms that control 75% of the industry.
The "mom and pops" who have the other quarter of the industry might also get your debt, but it's more likely that they'll buy it as a kind of tailings from one of the big guys, who package up the debts they couldn't collect on and sell them at even deeper discounts.
The people who make the calls are often barely better off than the people they're calling. They're minimally trained and required to work at a breakneck pace. Employee turnover is 75-100% annually: imagine the worst call center job in the world, and then make it worse, and make "success" into a moral injury, and you've got the debt-collector rank-and-file.
To improve the yield on this awful process, debt collection companies start by purging these spreadsheets of likely duds: dead people, people with very low credit-scores, and people who appear on a list of debtors who know their rights and are likely to stand on them (that's right, merely insisting on your rights can ensure that the entire debt-collection industry leaves you alone, forever).
The FDPCA gives you rights: for example, you have the right to verify the debt and see the contract you signed when you took it on. The debt collector who calls you almost certainly does not have that contract and can't get it. Your original lender might, but they stopped caring about your debt the minute they sold it to a debt-collector. Their own IT systems are baling-wire-and-spit Rube Goldberg machines that glue together the wheezing computers of all the companies they've bought over the last 25 years. Retrieving your paperwork is a nontrivial task, and the lender doesn't have any reason to perform it.
Debt collectors are bottom feeders. They are buying delinquent debts at 5 cents on the dollar and hoping to recover 8 percent of them; at 7 percent, they're losing money. They aren't "large, nationally scaled, hypercompetent operators" – they're shoestring operations that can only be viable if they hire unskilled workers and fail to train them.
They are subject to automatic damages for illegal behavior, but they still break the law all the time. As McKenzie writes, a debt collector will "commit three federal torts in a few minutes of talking to a debtor then follow up with a confirmation of the same in writing." A statement like "if you don’t pay me I will sue you and then Immigration will take notice of that and yank your green card" makes the requisite three violations: a false threat of legal action, a false statement of affiliation with a federal agency, and "a false alleged consequence for debt nonpayment not provided for in law."
If you know this, you can likely end the process right there. If you don't, buckle in. The one area that debt collectors invest heavily in is the automation that allows them to engage in high-intensity harassment. They use "predictive dialers" to make multiple calls at once, only connecting the collector to the calls that pick up. They will call you repeatedly. They'll call your family, something they're legally prohibited from doing except to get your contact info, but they'll do it anyway, betting that you'll scrape up $250 to keep them from harassing your mother.
These dialing systems are far better organized than any of the company's record keeping about what you owe. A company may sell your debt on and fail to keep track of it, with the effect that multiple collectors will call you about the same debt, and even paying off one of them will not stop the other.
Talking to these people is a bad idea, because the one area where collectors get sophisticated training is in emptying your bank account. If you consent to a "payment plan," they will use your account and routing info to start whacking your bank account, and your bank will let them do it, because the one part of your conversation they reliably record is this payment plan rigamarole. Sending a check won't help – they'll use the account info on the front of your check to undertake "demand debits" from your account, and backstop it with that recorded call.
Any agreement on your part to get on a payment plan transforms the old, low-value debt you incurred with your credit card into a brand new, high value debt that you owe to the bill collector. There's a good chance they'll sell this debt to another collector and take the lump sum – and then the new collector will commence a fresh round of harassment.
McKenzie says you should never talk to a debt collector. Make them put everything in writing. They are almost certain to lie to you and violate your rights, and a written record will help you prove it later. What's more, debt collection agencies just don't have the capacity or competence to engage in written correspondence. Tell them to put it in writing and there's a good chance they'll just give up and move on, hunting softer targets.
One other thing debt collectors due is robo-sue their targets, bulk-filing boilerplate suits against debtors, real and imaginary. If you don't show up for court (which is what usually happens), they'll get a default judgment, and with it, the legal right to raid your bank account and your paycheck. That, in turn, is an asset that, once again, the debt collector can sell to an even scummier bottom-feeder, pocketing a lump sum.
McKenzie doesn't know what will fix this. But Michael Hudson, a renowned scholar of the debt practices of antiquity, has some ideas. Hudson has written eloquently and persuasively about the longstanding practice of jubilee, in which all debts were periodically wiped clean (say, whenever a new king took the throne, or once per generation):
https://pluralistic.net/2020/03/24/grandparents-optional-party/#jubilee
Hudson's core maxim is that "debt's that can't be paid won't be paid." The productive economy will have need for credit to secure the inputs to their processes. Farmers need to borrow every year for labor, seed and fertilizer. If all goes according to plan, the producer pays off the lender after the production is done and the goods are sold.
But even the most competent producer will eventually find themselves unable to pay. The best-prepared farmer can't save every harvest from blight, hailstorms or fire. When the producer can't pay the creditor, they go a little deeper into debt. That debt accumulates, getting worse with interest and with each bad beat.
Run this process long enough and the entire productive economy will be captive to lenders, who will be able to direct production for follies and fripperies. Farmers stop producing the food the people need so they can devote their land to ornamental flowers for creditors' tables. Left to themselves, credit markets produce hereditary castes of lenders and debtors, with lenders exercising ever-more power over lenders.
This is socially destabilizing; you can feel it in McKenzie's eloquent, barely controlled rage at the hopeless structural knot that produces the abusive and predatory debt industry. Hudson's claim is that the rulers of antiquity knew this – and that we forgot it. Jubilee was key to producing long term political stability. Take away Jubilee and civilizations collapse:
https://pluralistic.net/2022/07/08/jubilant/#construire-des-passerelles
Debts that can't be paid won't be paid. Debt collectors know this. It's irrefutable. The point of debt markets isn't to ensure that debts are discharged – it's to ensure that every penny the hereditary debtor class has is transferred to the creditor class, at the hands of their fellow debtors.
In her 2021 Paris Review article "America's Dead Souls," @MollyMcGhee gives a haunting, wrenching account of the debts her parents incurred and the harassment they endured:
https://www.theparisreview.org/blog/2021/05/17/americas-dead-souls/
After I published on it, many readers wrote in disbelief, insisting that the debt collection practices McGhee described were illegal:
https://pluralistic.net/2021/05/19/zombie-debt/#damnation
And they are illegal. But debt collection is a trade founded on lawlessness, and its core competence is to identify and target people who can't invoke the law in their own defense.
Going to Defcon this weekend? I’m giving a keynote, “An Audacious Plan to Halt the Internet’s Enshittification and Throw it Into Reverse,” today (Aug 12) at 12:30pm, followed by a book signing at the No Starch Press booth at 2:30pm!
https://info.defcon.org/event/?id=50826
I’m kickstarting the audiobook for “The Internet Con: How To Seize the Means of Computation,” a Big Tech disassembly manual to disenshittify the web and bring back the old, good internet. It’s a DRM-free book, which means Audible won’t carry it, so this crowdfunder is essential. Back now to get the audio, Verso hardcover and ebook:
http://seizethemeansofcomputation.org
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/08/12/do-not-pay/#fair-debt-collection-practices-act
Prague is beautiful, and on my list of cities still to see as we travel around Europe.
This is just me adding to the list of people telling everyone- if you're thinking about closing a padlock onto a bridge as a cute forever keepsake, don't fucking do it. So many people do it, as you can see in these pictures, that historic sites all over the world are facing costly and time-consuming renovations to undo the damage. Not to mention, at this point maintenance crews will just cut the locks off anyway.
There are plenty of great ways to show your love for your partner(s), or for the cities you visit- focus on the ones that won't be a pain to undo.
Prague’s Old Town is a time portal back to the 10th century and has remained virtually untouched since those times. If you can manage to avoid the tourist shops and restaurants the city is among Europe’s most treasured. The famous walk through the Old Town to see the Astronomical Clock, The Gothic Church of Our Lady before Týn that towers over the beautiful center square, and various other Gothic churches, towers, and buildings will leave anyone in awe, but simply wandering aimlessly around the charming cobblestone streets, across the Charles Bridge towards the Prague Caste complex, and discovering some of the most pleasing side street architecture in Europe is what puts this Czech town over the top for me. Nobody complains about being lost here.
On related note, a few years ago, the Entomological Society of America officially discontinued the use of "gypsy moth" and "gyspy ant" as common names for Lymantria dispar and Aphaenogaster araneoides. L. Dispar is now known as the "spongy moth," so named for the appearance of their eggs, but I don't think a new common name has caught on for the ant species yet.
These changes we brought about, in large part, by the advocacy of Romani people in academia. You might not think that bug names are a very serious issue, but I believe that language matters. These species became known as "gypsies" because their attributes were likened to certain stereotypes and negative perceptions of actual Roma, so the continued use of those names reaffirmed those negative associations in the public consciousness. Slurs and pejoratives can never be truly decontexualized.
In my mind, one of the biggest obstacles that Romani people face when we are trying to advocate for ourselves is a lack of recognition as a marginalized group that deserves the necessary consideration. Even for seemingly trivial matters, like bugs or comic book characters, the way that people talk about us-- and talk down to us, when we get involved-- is telling. So, I always think that changes like this are a win, because it means that people are willing to learn and grant us the dignity we deserve. And there's nothing wrong with wanting to effect change in your own field, even arts and science.
I'm not about to argue the finer points of Southern culture with anyone, because I can accept that I was born and raised in the hot flames of a dumpster fire, but I'll tell you gotdamned commie Yankees one thing: I'd rather be dead in the hallowed halls of a Cook Out than alive in an In-N-Out
do u remember when the wider feminist position on gendered sport was that we should abolish it, and that women's accomplishments can be measured side by side (& indeed, neck and neck) with men's? what the fuck happened to that? (*whispering* i know what happened. it was the terf movement.)