“Drawings Based On Subtle-knowledge And Brief Description Of Some Types Of Angels“

“There is a harmonic relationship that resonates between all the spheres of space, from the smallest to the largest. Think of all the protons vibrating and resonating with each other. Think of all the electrons vibrating and resonating with each other. Then think of all the planets, all the solar systems, all the stars, the galaxies, the superclusters that vibrate and resonate with each other in the universe. Imagine then the number of octaves existing between the proton and the universe. We are very clearly bathed in the music of the spheres.”

Nassim Haramein

The Color of Pomegranates (Նռան գույնը) , 1969

The Musica Universalis (Harmony of the Spheres) - Ratios of Orbital Distance and Orbital Periods. Musica Universalis (Music of the Spheres) is an Ancient Philosophical concept that regards Proportions in the movements of Celestial bodies of the Sun and Planets as a Form of Musica (the Medieval Latin name for Music). This “Music” is not literally Audible, but a Harmonic and Mathematical relationship between our Star and it’s Satellites. This design is inspired by theory and writings taken from Johannes Kepler’s “Mysterium Cosmographicum” (The Secret of the Universe) where he explored the relationships of Harmonies in our Solar System and sought to uncover the “Music” therein. In this graphic, the Circles represent Orbital Resonance, which occurs when two Planets have an Orbit that are a simple Integer Ratio of each other. For example, consider the Orbits of Earth and Venus (8 : 13), which means the two Planets arrive at almost the same position after 8 Earth Orbits and 13 Venus Orbits. The underlying Circles represent relationships of Orbital Distance as calculated from each Planets semi-minor Axis - which is the shortest length in a Planets elliptical Orbit around the Sun. What is most striking, is that the mirrored structure that arises in the semi-minor Axis between: - the first and last for Planets (both 4:1) - the last and first Planets (both 25 : 1) - and the fourth Planets as counted in from the 1st and last (25 : 4) - Mars from Mercury, and Saturn from Pluto In this view of the semi-minor and Orbital Resonaces overlaid, the whole Solar System takes on the appearance of a carefully Mathematically Balanced ballet of Harmonic Relationships and shared Proportions. In some instances the Ratios and Relationships depicted here are reputed to be very accurate (in terms of Cosmological distances which are vast) coming close to 99.8%.

Hegel’s Dialectics

Dialectics drives to the “Absolute”,… which is the last, final, and completely all-encompassing or unconditioned concept or form in the relevant subject matter under discussion (logic, phenomenology, ethics/politics and so on). The “Absolute” concept or form is unconditioned because its definition or determination contains all the other concepts or forms that were developed earlier in the dialectical process for that subject matter…We can picture the Absolute Idea, for instance—which is the “Absolute” for logic—as an oval that is filled up with and surrounds numerous, embedded rings of smaller ovals and circles, which represent all of the earlier and less universal determinations from the logical development. [Fig. 1].

Since the “Absolute” concepts for each subject matter lead into one another, when they are taken together, they constitute Hegel’s entire philosophical system, which, as Hegel says, “presents itself therefore as a circle of circles”. We can picture the entire system like this [Fig. 2].

El primer mandala de Carl Jung.

The famous tattooed leg of Queen Vaikehu of the Marquesas Islands, from Atolls of the Sun by Frederick O'Brien,1922

circa this past spring during my esoteric jihad / yukio mishima phase.

The ‘Cognitive Science Hexagon’ redrawn from the original cover of the Sloan Foundation’s 1978 State of the Art Report on Cognitive Science

P.M.H. Atwater, Future Memory