The Great Nest Of Being In The Four Quadrants, After Ken Wilber

Folk figures, Lucie on the left, Barbora on the right (From the Ethnographic Museum in Prague)

Titus Burckhardt, Alchemy: Science of the Cosmos, Science of the Soul

hegelian logic

The Calendarium Naturale Magicum Perpetuum is a late renaissance (c.1619 or 1620) grimoire and esoteric print of calendar engravings. Its full title is Magnum Grimorium sive Calendarium Naturale Magicum Perpetuum Profundissimam Rerum Secretissimarum Contemplationem Totiusque Philosophiae Cognitionem Complectens. It measures more than four feet long and about two feet wide, and includes an early example of a Pentagrammaton.

The “author” in the 1619/1620 Frankfurt print is given as Johann Baptist Grossschedel von Aicha, and attributes some of the engravings to Tycho Brahe. The original engraver is given as Theodor de Bry, as first published in 1582. This work predated, and influenced, the Rosicrucian furor.

A computer representation of Jupiter’s atmosphere, sourced from NASA’s 1978 Aeronautics and Space Report.

Vistāra - The Architecture of India Exhibition Catalog The Festival of India, 1986

Averill and Sundararajan, "Experiences of Solitude: Issues of Assessment, Theory, and Culture"

archetypes are rendered by increasing the passage of time's speed which reveals a given figure or subject matter's most distinctive & consistently recurrent traits as they reappear & reinforce a distinction over time. any perceived archetype in the present is, thus, the very countenance of primordial history itself since the beginning, looking back.

Roberto Assagioli’s Psychosynthesis Star Diagram