I luckily haven't had to deal with much chronic pain or hand pain yet, especially with regards to baking (crochet is another story). That said, these look like some pretty solid tips! There's also some in the comments section.
why hasn't no one posted the kringlefucker yet. you guys used to love the kringlefucker.
So we all know that Tumblr is US-centric. But to what degree? (and can we skew the results of this poll by posting it at a time where they should be asleep?)
Reblog to increase sample size!
Intellectually, I know the song “You’re a Mean One, Mr. Grinch” does not contain the line “you’re a tursiops truncatus“, but I can hear it vividly all the same. I have no idea why my brain-gremlins are convinced a. that the speaker called the Grinch a bottlenose dolphin, and b. that this is a dire insult, but there it is.
Hello! I was recently inspired to write a series of educational posts so I thought maybe it would be useful for someone.
I want to preface this that there is no criticism intended. I understand that female characters in general have been neglected in media, and I don't blame fandom for not understanding how to write a woman if there hasn't been a good reference in their lives.
My objective is that you, the reader, finish this post with a basic structure and few questions to ask yourself when writing a female character; and with the terms and curiosity to research more if you'd like to expand.
I'm no professional writer, but I've been writing for more than 20 years at this point, and I specialize in writing female protagonists and writing organic romantic storylines.
Here we go.
Writing women, at the end of the day, is no different than writing a man. Really, that's the trick.
Disappointed I'm not giving some kind of hot takes about this?
Good.
Because it should be that simple, but to get to that point we should unravel some baseline thought process that can and will get in the way even if you try to write a good female character.
A few questions to ask yourself are:
Why am I writing this character?
Does she have agency in her own story?
Does she have her own goals and aspirations?
Let's break them down:
What do I like about her? Is she annoying? Is she a hero? A villain? An antagonist? What thing do I like about her canon characteristics (for fanfic writers)? What would I change?
As mentioned at the beginning, female characters usually are not very well written. They are usually fridged or used only as a reminder that MC (usually a man) has emotions and vulnerabilities.
Take a moment to think about it. Think about the feelings her character gives you, and what are the things you do know about her. Think about wasted potential, or unanswered questions about her actions and plot lines that left you wanting more.
If you find her annoying, wonder why — usually, a female character being "annoying" or "not interesting" is tied to her not being developed enough, and pushed into a one-dimensional role. Pay attention at how many speaking lines she has, that usually gives you a clue of how much her character is developed.
Once you have decided who you want to write, this is where it gets interesting.
What kind of story do you want to tell? What role does she play in it?
When making the structure of the story and developing the plot, wonder about how exactly the female character(s) add to the table. Again, female characters can fulfill any role in a story, but watch out!
Bitchy mean girl lesbian
Motherly mommy mom/sister/friend that takes care of everyone
The "healer" of the team
These 3 roles have been used as boxes to fit female characters for ages. Be careful if you think you are pushing her into one of these.
But how can you avoid the tropes?
Or: if you remove her from the story, nothing changes?
Go into your mind palace, and remove the interactions and scenes the female character is in. Does the story still work? Could her lines be easily delivered by someone else?
If the answer is yes, then she doesn't have any agency.
It doesn't matter if she is a main character or a supporting character — she should have a say on the events or some kind of influence in the development of the plot.
Maybe she has a skill that is needed multiple times during the story, or maybe she has past experiences that are a mystery and unraveling her secrets reveals a plot twist, or maybe turns out she was the traitor all along. Make her MATTER.
Or: Is she existing for someone else's sake?
This one is useful for the "mommy" character or the "healer" character.
Go into your mind palace again and think if you remove the female character's loved ones from the equation, does she have something to do?
If the answer is no, then she doesn't exist for herself.
She could still love and take care of others, but she has to exist for something else than that. Make her dream and yearn, and make mistakes, and sacrifice thing for selfish reasons.
Romance is usually a goal given for female characters (and that's a whole other topic I hope to write another post about), and it's a good one! Just be careful with falling for the trap of swapping the people (usually men) she exists for.
Give her hidden agendas, convoluted selfish secret reasons, make her want to destroy the world! Make her want to pursue the truth, chase someone for revenge, be a thrill seeker. Make her HUMAN.
A quick trick I use when I write female characters is: If I swap her gender, nothing changes?
Of course there's nuance, but that keeps me grounded when even the questions I went over in this post are not enough for me.
Again, writing female characters should not be that different from writing men. If it feels different, ask yourself why and try to understand where the thought comes from.
NOTE: If the point of the story is to discuss the problem of codependency, or portray a toxic relationship, by all means skip checking about agency or her having goals. Rules are there to break them, but first you have to understand them.
I hope this helps someone and I will add and edit this post as needed, maybe to add useful links.
Happy writing!
The Outbursts of Everett True was a comic strip that ran in papers from 1905 to 1927, wherein the aforementioned Everett True regularly beat the everliving shit out of rude people as a warning to anyone else who might consider being rude. Men have not only been taking up too much room on public transport for about as long as public transport has existed, but the people around them have been irritated about it for at least a hundred years. The next time someone tries to claim that manspreading is a false phenomenon, please direct them to this strip so that Everett True can correct their misconceptions with an umbrella upside the head.
USA people! Buy NOTHING Feb 28 2025. Not anything. 24 hours. No spending. Buy the day before or after but nothing. NOTHING. February 28 2025. Not gas. Not milk. Not something on a gaming app. Not a penny spent. (Only option in a crisis is local small mom and pop. Nothing. Else.) Promise me. Commit. 1 day. 1 day to scare the shit out of them that they don't get to follow the bullshit executive orders. They don't get to be cowards. If they do, it costs. It costs.
Then, if you can join me for Phase 2. March 7 2025 thtough March 14 2025? No Amazon. None. 1 week. No orders. Not a single item. Not one ebook. Nothing. 1 week. Just 1.
If you live outside the USA boycott US products on February 28 2025 and stand in solidarity with us and also join us for the week of no Amazon.
Are you with me?
Spread the word.