Shadyrainy - 無標題

i understand the love of college aus but i’m begging y’all to stop making mithrun an undergrad. that man is on his final year of a graduate program after a 10 year break from academia whose biggest enemy is his advisor that won’t stop assigning him to TA 100-level classes.

"never lonely prosecution king"

What would you do if your husband was a shitty bastard that cheats 25/8 and you can't sleep no matter what and some bitch shows up outta nowhere and gives you some sleep medicine thing and convinces you to join some criminal organization called pere noel then you give it out to your SHITTY husband and a bunch of random kids in some orphanage but they fucking DIE, so you fix the so called gift and some journalist lady is bugging you then you give out the gift and everyone fucking dies, then the journalist turns out to be some lady named elluka so you fucking drink the gift and fucking die and turns out you were a sentient doll the entire time

“Listen kid, this isn’t some fairy-tale where you think every problem is solved because of some shining knight in armor or a bright and happy musical number…Welcome to Real-Life, Sleeping Beauty. Almost all marriages are arranged for money or status, that’s how it works. Besides, if I wanted to marry for love, a woman would have to be around MY age with a full rack, not some flat-chested high-schooler with Insomnia-on-steroids.”

- Kasper to Margarita after she discovers his adultery and motive behind their marriage.

{No one wished Christopher a “Merry Christmas” yesterday (yes, I’ve started expecting holiday wishes at this point), and all I could picture in my mind was this:}

she so deserved a 4* oml

General headcanons of mithrun and Kabru’s relations hip ? You can add some past!mithrun ones too 💗

Oooh sure!! Thank you for asking of course!!

- It would take them a couple of years to get together, Kabru realizes how he feels for Mithrun first but waits for the right time to say. Mithrun, however, after years of thinking “he’s a friend, a really really good friend who crosses my mind at least twice every hour, whose smile makes me feel warm, who i will die for” finally understands his affection for Kabru, blurts out his confession immediately.

- They would keep their relationship between closed friends, publicizing it means more trouble for the newly found kingdom and kabru’s prestige and position as the court counselor because people think elves are untrustworthy, they would be like “the advisor is banging an elf?! We’re doomed as a kingdom!” Lol. Kabru doesn’t really care because he loves that man to his grave, but mithrun is worried he will be the downfall of kabru’s career.

- They don’t argue a lot, but when they do Mithrun is usually the one to apologize first because it scares him to death whenever it crosses his mind that this trivial gripe they’re having might be taking up what little time Kabru has left with him due to the lifespan difference. They both desperately want to resolve the fight and get back to being lovey dovey as soon as possible lol.

- Mithrun’s parents know about his relationship, but they don’t care that much as long as he keeps it a secret and doesn’t disgrace his family’s name because in their eyes their son had died 40 years ago. He doesn’t see them a lot, once every 10 years or so, one time Kabru insisted on meeting his family if they are going to get serious, he begrudgingly agreed, a terrible idea as it ended with Mithrun teleporting his soup to spill it on his parent’s head and storming out holding Kabru’s hand after they made snarky comments about Kabru.

- Kabru likes to be the little spoon, Mithrun doesn’t mind this.

And here’s my headcanons for past Mithrun:

- Despite his arrogance, he was extremely self-conscious, always fretting over how people perceived him, how a strand of his hair was out of place. He spent a lot of time on the upkeep of his appearance like doing a 10 step skincare routine twice a day even though elves have naturally flawless skin.

- Most of his ex-lovers were people for whom his brother had feelings, he would specifically court them to “win” over his brother, trying to prove to himself that he is superior. These relationships didn’t last because his partners felt like his love for them only goes so far.

- Ever since he was a child he was made aware of his bastard identity, he was told that because of his silver hair and eyes he was lucky enough to be taken in and brought up as a lawful child. Because of this he hated (and loved) his eyes and hair, even though they were his ticket to life of luxury, he felt like he was reduced to less than a person, he was rather a replacement for their legitimate but flawed son. (Now that you think about it lol his situation was kinda the opposite of Kabru’s, who was literally almost killed by his father’s family for his eyes)

- Because of him being born from infidelity, he had to make up for it by surpassing his brother, in fact he spent a third of his life doing so only to be shipped away to the army in place for his brother. Just like that he was thrown away.

Mithrun's desire as an SA analogue

TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.

People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)

So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.

Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.

The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.

In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.

The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously.

This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.

Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.

Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.

This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.

There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.

In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.

Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.

The Death Note fandom.

Fuck man I knew aai 1-4 had MVK being dismissive and abusive to the siblings but fuck man.

Actively saying that attending his 13 year old daughters courtroom debut isn't a priority for him

Then this exchange which is prompted by nothing beyond Miles asking to do his job even using the Von Karma framing of finding perfection only for Manfred to just completely shut him down and verbally abuse him

Miles then being completely unable to respond in shame. Even though this is God damn Bratworth were talking about and in the last scene he was saying this

And then Fran coming in to desperately try and deflect her father ire to protect him

Then when she finally does convince him to let them investigate he says this

Basically actively admitting to anyone with the context we have now that he's only making Miles a procecutor to sully Gregory's legacy.

Then Miles thanking her because he saw her defelcting Manfreds abuse for him.

Just absolutely heart breaking. It really shows the dynamic at play here perfectly. He doesn't care about Franziska. He is not putting this energy into her career and only putting it into Miles' because he is using it as an avenue to abuse and control him and further enact his revenge on Gregory. And she doesn't understand why. She doesn't get why Miles gets this attention and she doesn't. But she already knows that she has to deflect his attention to protect Miles. And Miles doesn't understand how he's doing everything he can to do the right thing but is still his target. Its such a genuinely interesting dynamic where both of them think the other is the favourite. Miles thinks it Fran because he's not constantly verbally abusing her and Fran thinks it's Miles because he actually bothers to give him the time of day and is properly mentoring him. She's 13 man. She's about to become a prosecutor at 13 and he still doesn't care about her in the slightest.

Ugh Von Karma siblings, my heart