SIMON FAIRCHILD CAN GET IT AND YOU CAN’T CHANGE MY MIIIIND

the male gaze distorts reality

started watching movies again (just don't like movies really) and one thing that surprised me was how the male gaze isn't just about staring at hot naked ladies, but how it distorts reality. the male gaze creates 'people' and 'situations' that simply don't exist.

the biggest example to me is the femme fatale. the devious woman using her sexuality as a weapon. whether the trope is a blonde bimbo bubblingly bouncing her boobs, or a sophisticated older brunette casually letting the strap fall off her shoulder and threatening to reveal her bust, they are different incarnations of the same concept. the women are knowingly using the sexual desire of men against them.

i watched a particularly egregious example where a group of women were sent to seduce a group of men, hanging off their shoulders, caressing their chests, with the promise of further sex if they came to another room. the true purpose was to humiliate them by getting them to disrobe in front of other people.

when i was a kid watching these scenes, i was convinced that this was a real thing women did - there were women out there who knowingly used their sexual appeal to get men to do things they otherwise wouldn't. it had to be such a recurrent trope for a reason, right? it even shows up in movies for children - remember the hot pink pegasus seducing hercules's pegasus?

but as an adult, i find myself confused watching these scenes. i've never seen anything like this happen. i've never met someone who says they do things like this. it's one thing to be flirty and dress in a sexually attractive way to get free drinks, but it's quite another to be so sexually forward to 'deceive' and 'trap' men. not to mention, it's... dangerous. if the man even believes he's being deceived, he can turn violent. it's a foolish move.

maybe the only real life example I can think of is honeypots. but honeypots are actual spies, trained by governments, and spies are selected to have less empathy than the average human being. do we really think that among untrained women there are so many seductresses with the skill of trained spies?

"what about sex workers/prostitutes?" while the honeypot spy is employed by a government agency, prostitutes are paid by the very people they are "seducing." prostitutes have to put on an act - they need to pretend to be the sexually active and perpetually horny woman men both want and fear. but most prostitutes are not like this; they are in it because they need money fast, not because they think fucking strange men for pay is a sexy and desirable career path (fun fact - read the diary of madam pompadour, the most famous courtesan and the embodiment of aristocratic seductress, and you will find she actually did not like having sex with the king and dreaded it. not even our real life courtesans can live up to our fantasies.)

the entire idea of a woman using her sexuality against men is simply a male fantasy - and the flipside is that it's a male anxiety, too.

men wish that women would approach them and find them desirable and initiate sexual intercourse with them, without the men having to do any of the work. there's nothing inherently wrong with fantasizing that a hot person finds you so special and hot that they want to have sex with you right away. men and women of all sexual orientations entertain these secret fantasies.

but then, there's the fear - "what if these hot women are actually only pretending to be interested in me, to get something from me? and i'm too horny to think straight and i actually give it to them?!" and that is the male anxiety, that for a moment, they actually end up losing the upper hand. despite the fact that such a situation is actually pretty rare in real life (I asked several male friends if they had personally or second-hand encountered such a situation in real life, and none could say they had), it is a common trope in fiction. it is especially lascivious in film, where the seduction before the fall can be portrayed in softcore porny ways.

"this is a foolish idea, everyone knows fiction and reality are separate." well, we know they are separate, but do you know which parts? if you don't already know the facts of the situation beforehand, how can you tell when fiction is lying to you and when it's drawing from reality? do you think the young, sexually inexperienced kids watching disney's hercules know that 'seductresses' aren't a common threat when we watch this scene? or will they learn and think "ok, a thing that happens in grownup life is that hot ladies seduce men, and you gotta watch out for them!" what basis does a child or even a teenager have to know this is false? especially when this is a common trope?

"women are sexually available and active - and deceitful" is a harmful trope. when you read about the ancient greeks stereotyping that women are lustful, they don't mean it in an "aww shucks, these girls just love having sex!" kinda way, they mean it in a "women are unfaithful and will use any means to get dick, including taking advantage of their hotness" way (this is why 'whore' is the ultimate insult for women). because if this trope were real, then it would be dangerous, wouldn't it? honeypot spies are dangerous for this reason. luckily for us, it is not real, but the male anxiety surrounding it continues. the male desire/anxiety around it informs porn tropes about 'punished sluts'. it informs incel tropes about the 'cock carousel'.

and this is what i mean when i say the male gaze distorts reality. it fabricates, out of whole cloth, a person that does not exist in any meaningful way - a woman who seduces men while demanding no emotional involvement, who is eager and willing at all times, who can turn the very desire for her existence against those men to get what she wants. she is not repulsed by or afraid of the men she pretends to be attracted to. before, we had to content ourselves with art and novels glorifying this false woman, but film allows her to exist in flesh and blood. cast a real woman, have her speak words and move her body in ways dictated by a man, and suddenly she appears much more real. grow up with enough of these, and even women writers can start to think these "seductresses" are real people. she can try to reclaim her and turn her into a badass boss babe, or she can condemn her as immoral and pathetic, but the deception is complete - the argument is no longer about whether this woman exists (she does not), but about whether she is justified in her ways. the female writer does not realize she was nursed on the male gaze for years, and it will take serious seeing with her own eyes to realize what is the real world and what is male fantasies and fears.

Yippee!!

I know this is going to make me sound pretensions but I have to get it off my chest. I feel an unimaginable rage when someone posts a photo and is like "this picture looks like a renaissance painting lol" when the photo clearly has the lighting, colors and composition of a baroque or romantic painting. There are differences in these styles and those differences are important and labeling every "classical" looking painting as renaissance is annoying and upsetting to me. And anytime I come across one of those posts I have to put down my phone and go take a walk because they make me so mad

Me remembering Undertale

to anyone who has more than one creative hobby;

take a song you can play on an instrument, convert the notes so you can play it on a second instrument you're familiar with

write stories, songs, or poems about images (photo, painting, drawing, anything) you've made

turn stories into poems, poems into songs, songs into stories

paint/sketch something based on stories or songs you've written, or based on a picture you've taken

could you make fanfiction instead? yes. but you could also take inspiration from your own work and from what inspired the original work. bonus points if the work is attached to a memory or strong emotion

you're allowed to recycle ideas. there's a reason we don't rest until all of our senses experience a story told through cinema. show all the sides of the story you're trying to tell. drown in the feeling until it overflows into the audience

ppl who celebrate fictional character birthdays are annoying pass it on

@lighthouseshepard

I Know It's Over - The Smiths