George: *passes McDonald's*

tonight i’ll blow four kisses to 1965 beatles

Auron: ¿Que es el respeto?

Fargan: No sé, ¿Qué es?

Auron: No lo sé, por eso te pregunto.

John: you gave me a sticker?

Ringo: not just any sticker. It’s a sticker of a kitty saying “me-wow”

John: I’m not a pre-schooler

Ringo: fine then, I’ll take it back

John: I earned this. Back off

PLEASE I am begging. Love me like there’s no tomorrow by Freddie Mercury. P l e a s e

brooo the yearning this makes me feel,,, aSTRONOMICAL

solar - spit it out (뱉어)

you’re not prepared for this, i tell you.

the only photoshoot that matters

PATTIE BOYD in A HARD DAY’S NIGHT (1964)          “The train took us to Cornwall and back, not that I remember much of the scenery. I spent most of the day watching the action, chatting to everyone during breaks, and waiting to do my bit. The Beatles were so funny together, so quick-witted, and their laughter was infectious. I couldn’t understand half of what they said because of the thick Liverpudlian accent – a revelation to me, I’d never heard anything like it. It was impossible to be in their company and not be helpless with laughter.          On first impressions, John seemed more cynical and brash than the others, Ringo the most endearing, Paul was cute, and George, with velvet brown eyes and dark chestnut hair, was the best-looking man I’d ever seen. At the break for lunch I found myself sitting next to him, whether by accident or design I have never been sure. We were both shy and spoke hardly a word to each other, but being close to him was electrifying.          As the train neared London and the filming was winding down, I felt sad that such a magical day was ending. It had been pure joy and I wanted to capture it forever. As if George had known what I was thinking, he said, “Will you marry me?”” – Pattie Boyd