Sam Being Soft For His Big Brother ♥

"Stories of imagination tend to upset those without one."

- Terry Pratchett

J. R. R. Tolkien on escapism in “The Lord of the Rings” (x)

“Fantasy is escapist, and that is its glory. If a soldier is imprisioned by the enemy, don’t we consider it his duty to escape?…If we value the freedom of mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as we can!” 

-J.R.R. Tolkien

Dean Winchester | 1x01 Pilot (Promo Pic) 

Jared’s smile for the masses.

Dean Winchester in SUPERNATURAL 1.19 "Provenance"

Timestamps.

One feature never changes: Dean looking at Sam. You're here, brother of mine. Now it's ok.

↳ for @seasononesam's follower celebration

While I've revisited eps to make gifs, I haven't done an attentive rewatch in many years. So, I rewatched the pilot. The boys look so young 👶😄. There's a ghost story, or maybe there are two ghost stories. One is the obvious, the woman in white. The other is Sam being haunted by his past, with Dean like a link to an older era. He pulls back the curtain to an American Gothic horror tale, with his vintage car, and vintage cassette tapes, and vintage persona. Sam is the modern young man, about to head to the future, but just when he thought he was out...

I wouldn't say Dean pulled him back in. That gentle tug wasn't enough to do it, in fact. Dean has bravado, but is surprisingly soft-spoken and tentative in the way he watches for Sam's reactions like a hawk. Even when he pushes Sam on the bridge, his eyes are wide and hurt, and his hushed, "Don't talk about her like that" is not so much angry as it is a plea.

Sam seems completely self assured. He's worldly, smart, decisive. I feel as viewers we're following him from the respectable suburban world to the bad place. With John leaving a vacuum behind him, literally the empty motel room, both boys seem to fill that space -- Sam immediately connecting with John's research, while Dean dons the mantle of John's protective coat. Pleasing metaphors of inheritance.

Speaking of inheritance, Jessica's death in the same manner that killed his mother is what pulls Sam back in. He's now on the same path as John. He's the one who commands the "we" in "We got work to do." Another pleasing story parallel.

Dean is the older brother, but I'm always struck that at this stage he's almost delicate. The eyelashes, the bracelets, the too big jacket. He's positioned in this trope as the bad boy, yet Jensen always has an inherent good guy quality. He's so funny, but it's like a vaudeville act. He's insanely charming and devil-may-care, but you get the sense he's also down on his luck. He's odd and fun and intriguing.

The desaturation and shadows of the cinematography never get old. J2 are beautiful and immediately as watchable as Mulder and Scully. There are some stunning women and recognizable character actors. Of course some of it seems dated, now even more retro than intended lol, yet the Americana parts are mythic and hold up as a motif. Bonus points for including a public library for research. They're searching for a shade of a father; they can't go home, there be ghosts; home is an empty husk of trauma. Still love this pilot.

Jensen Ackles | Toronto Convention (July 31, 2022)  [ x | x | x | x ]