His absolute disbelief and hurt that Dean backs away (even if not willingly) when he is hurt
Supernatural - 2.09 Croatoan
kids these days don't understand the atmosphere of eric kripke seasons, he was an absolute master of his craft/vision and anyone who actively convinces anyone to skip 1-3 is not in one's right mind. eric completely understood the backwoods old school americana, the influence of 70s rock and og blues incorporated into the essence of the show. the original soundtrack of supernatural wasn't just about sounding good but woven into the narrative of the story (blue oyster cult/ACDC/led zepp/styx/robert johnson/the chamber brothers) music that held the entire spirit of time & culture of that time. (I can't tell you how much watching supernatural at 12 shaped my music taste today) the smoky roadhouses/bars, mullets, scrapyards and classic americana cars, oh he just got it.
kripke fabricated the toxic hyper-co-dependent brothers we know and love, he managed to write the most obnoxious, gung ho, red blooded masculine guy also be the obedient, subdued, desperate, needy brother/son/man who's worth is only attached in those he can gratify. the tender and gentle, sorrowful, conflicted and misfit little (big) brother who endeavoured every path to avoid his fate yet succumbed to it anyways. two brothers so layered in their attachment with one another that if you witnessed it before you you'd be down right scared
I hold onto this series so much because of how 1-5 made me feel, the nostalgia he captured.
Dean Winchester in SUPERNATURAL 1.19 "Provenance"
I think some of this comes from the idea of getting addicted to "happy pill" pain meds.
Guess what, most pills aren't actually "fun" to take. They can have mild to terrible side effects. But we have to make that decision to trade off those nasties for living a somewhat acceptable and functional life, or living one at all.
“if you take medication for that, you’ll be taking medication all your life!!” yeah, and?? bud, i already put on my glasses every morning. it’s like. a condition of mine, not a side hobby i’m pursuing irresponsibly.
I'm sorry because I wish I had something more interesting to say but I just feel a giant hole inside me. Sam and Dean's bond is one of the most moving that I have ever seen in a piece of media and I'm not smart enough to articulate how many things it makes me feel. And I don't mean it in a romantic way at all,it's just so deeply touching that it feels wrong to define it in any way. I am never ever going to emotionally recover from that flashback sequence
Well it's simple, see. Stop messing with them and then they won't have to save each other and you won't have to lecture them!
Dean + smirks (requested by daniela)
For many television shows centered around evolving relationships, romance tends to be the default focus or endgame for leading characters with a heavy emphasis on happiness seemingly only stemming from romantic love. Within and outside of the screen, it often feels like the idea of contentment is limited to romantic relationships, which goes against two very real truths: You can be single and still be fulfilled and happy, and your most important relationships with others can absolutely be ones that exist outside of romance and/or sex.
I often get tired of the narrative that the point of life is to eventually wind up married and pumping out babies, as though my entire existence is limited to this one “goal” that is not nearly as universal as many in society have deemed. Why do people suggest that there is something lacking in people’s lives if they are not in a romantic or sexual relationship? Why is society conditioned to believe that the most important relationships lie only within the parameters of romance, especially when so many people’s platonic relationships are the ones that matter the most to them?
In a recent interview with Glamour, Jensen Ackles teased that the series finale ofSupernatural, an episode full of collaborative Easter eggs tracing back to the show’s beginnings and that is mainly focused on the relationship between Sam and Dean, “is this beautiful throwback to the whole show–to what it was, what it has been, and what it is today.” Throughout its 15 seasons,Supernatural kept its exploration of relationships firmly rooted in platonic and familial love, and the series finale paid tribute to how beautiful, powerful, and significant these types of relationships are as Sam (Jared Padalecki) and Dean Winchester’s (Ackles) story came to a close. Nothing against romance, of course, or the importance romantic love does obviously play in many people’s lives. But for those of us whose main connection with love stems from platonic or familial connections, or who at least recognize what makes non-romantic relationships special on their own, Supernatural’s dedication to telling a different kind of love story was refreshing and welcome from beginning to end.
It is not just forever, it is also forever growing. If your coffee shop shuts down, it failed. If it runs with a steady standard flow, it's a modest success and cute. Only if you expand to become a chain, it is considered a success. This "growth" model of finance and society is just crazy.
I think a lot about how we as a culture have turned “forever” into the only acceptable definition of success.
Like… if you open a coffee shop and run it for a while and it makes you happy but then stuff gets too expensive and stressful and you want to do something else so you close it, it’s a “failed” business. If you write a book or two, then decide that you don’t actually want to keep doing that, you’re a “failed” writer. If you marry someone, and that marriage is good for a while, and then stops working and you get divorced, it’s a “failed” marriage.
The only acceptable “win condition” is “you keep doing that thing forever”. A friendship that lasts for a few years but then its time is done and you move on is considered less valuable or not a “real” friendship. A hobby that you do for a while and then are done with is a “phase” - or, alternatively, a “pity” that you don’t do that thing any more. A fandom is “dying” because people have had a lot of fun with it but are now moving on to other things.
I just think that something can be good, and also end, and that thing was still good. And it’s okay to be sad that it ended, too. But the idea that anything that ends is automatically less than this hypothetical eternal state of success… I don’t think that’s doing us any good at all.