Darling Moon

𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐘 𝐁𝐋𝐈𝐒𝐒 𝐔𝐍𝐁𝐎𝐓𝐇𝐄𝐑𝐄𝐃 𝐁𝐘 𝐓𝐇𝐄 𝐖𝐈𝐋𝐓𝐈𝐍𝐆 𝐖𝐎𝐑𝐋𝐃.    t’was between sisters where angels fell on deaf ears, where their choirs ceased so abruptly it rendered time breathless, drowned out by humming bird songs.  as seemingly humble nothings meant everything amid cosmic malediction, what else could she do than accept sweet offers, which may, one day, stand still at a moment's notice ?    “ how could i say no ?  i am in the mood for a little adventure today, and this book can certainly wait.  to what wondrous place will you guide me, i wonder ? ”

It’s not the whisper of a hymn or a hallowed prayer, but the breath of a dying melody curled along the oracle’s tongue in a hushed hum.  ❝ Would you have time to partake in a sightseeing walk with me, Luna ?  There’s a lovely spot not far from the town. It is but a short carriage ride away. ❞ — @moonichor

𝑫𝑰𝑨𝑳𝑶𝑮𝑼𝑬  𝑷𝑹𝑶𝑴𝑷𝑻𝑺.

↬   THE  INFERNAL  DEVICES  SERIES   (  2010 - 2013  )  by  cassandra  clare.

sentences  taken  from  or  inspired  by  the  dialogue  from  the  series,  including  the  books  clockwork  angel,  clockwork  prince,  &  clockwork  princess.

+   feel  free  to  change  pronouns  /  roles  !

‘  one  must  always  be  careful  of  books,  and  what  is  inside  them.  ’

‘   we  live  and  breathe  words.  ’

‘  if  there  is  no  one  in  the  world  who  cares  for  you,  do  you  really  exist  at  all  ?  ’

‘  they  say  time  heals  all  wounds,  but  that  presumes  the  source  of  grief  is  finite.  ’

‘  requited  love  is  nice,  but  it  doesn’t  make  much  of  a  ballad.  ’

‘  i  am  not  the  one  of  us  who  has  no  heart.  ’

‘  i  haven’t  broken  his  heart  at  all.  ’

‘  you  don’t  know  that  there’s  only  oblivion  after  death.  ’

‘  if  you  have  the  soul  of  a  warrior,  you  are  a  warrior.  ’

‘  i  thought  we  could  at  least  talk  about  books.  ’

‘  there’s  plenty  of  sense  in  nonsense  sometimes,  if  you  wish  to  look  for  it.  ’

‘  pointless,  needless  suffering  and  pain  ?  i  don’t  suppose  it  would  help  if  i  told  you  that  was  the  way  life  is.  ’

‘  you  hurt  everyone.  everyone  whose  life  you  touch.  ’

‘  it’s  all  heartbreak,  death,  and  unrequited  love.  ’

‘  such  harsh  truths  so  early  in  the  morning  cannot  be  good  for  the  digestion.  ’

‘  hell  is  cold.  ’

‘  i  seek  scandal  and  low  companionship.  ’

‘  perhaps  we  do  need  a  chaperon.  ’

‘  death  could  be  imminent.  ’

‘  the  handsome  fellow  that’s  trying  to  rescue  you  from  a  hideous  fate  is  never  wrong.  ’

‘  i  have  lost  everything.  ’

‘  who  said  we  were  owed  happiness  ?  what  about  what  we  owe  others  ?  ’

‘  he’s  going  to  kill  someone.  or  get  us  killed.  ’

‘  clearly  the  word  excellent  means  something  else  on  this  side  of  the  atlantic.  ’

‘  you  may  hide  here  with  me,  if  you  wish.  ’

‘  with  god  on  your  side,  what  does  luck  matter  ?  ’

‘  are  you  highly  intoxicated  at  the  moment  ?  ’

‘  you  wish  to  marry  me  now  ?  ’

‘  entreat  me  not  to  leave  thee.  ’

‘  don’t  be  ordinary  like  that.  ’

‘  is  it  because  i’m  better  looking  than  you  ?  ’

‘  dreams  can  be  dangerous  things.  ’

‘  declarations  of  love  amuse  me.  ’

‘  be  prepared  to  swoon  at  my  finery.  ’

‘  i  don’t  believe  you  can  threaten  people  into  goodness.  ’

‘  finally  broke  down  and  admitted  you’re  in  love  with  me,  have  you  ?  ’

‘  i  say  this  out  of  pure  selfishness.  ’

‘  is  loyalty  still  a  commendable  quality  if  it  is  misdirected  ?  ’

‘  you  must  be  terribly  dull  witted.  ’

‘  you  need  not  be  so  careful.  i  will  not  break.  ’

‘  there  is  more  to  living  than  not  dying.  ’

‘  men  may  be  stronger,  but  it  is  women  who  endure.  ’

‘  was  there  ever  a  more  beautiful  sound  than  your  name  ?  ’

‘  we  do  not  have  to  carry  the  burden  of  their  choices  or  sins.  ’

‘  life  is  full  of  risks.  death  is  much  simpler.  ’

‘  you  serve  a  greater  cause.  your  life  is  not  yours  to  throw  away.  ’

‘  there  are  so  many  worse  things  than  death.  not  to  be  loved  or  not  to  be  able  to  love,  that  is  worse.  ’

‘  you  are  human.  never  think  that  you  are  not.  ’

‘  if  you’re  determined  to  follow  me  into  hell,  i  cannot  stop  you.  ’

‘  i’ve  always  wanted  to  see  hell.  doesn’t  everyone  ?  ’

‘  come  back  to  me,  for  i  cannot  bear  to  lose  all  my  heart.  ’

‘  i  am  catastrophically  in  love  with  you.  ’

‘   i  can  offer  you  my  heart,  though  i  have  no  idea  how  many  more  beats  it  shall  sustain.  ’

‘  our  souls  are  knit.  we  are  one  person.  ’

‘  i  do  not  want  to  sit  by  while  tragedy  comes  for  us.  ’

‘  i  am  leaving,  but  i  am  living.  i  will  not  be  gone  from  you  entirely.  ’

‘  they  say  that  you  cannot  love  two  people  at  once.  ’

‘  i  cannot  leave  you  to  face  death  alone.  ’

‘  when  i  breathe,  i  will  think  of  you,  for  without  you  i  would  have  been  dead  years  ago.  ’

‘  the  world  is  a  wheel.  when  we  rise  and  fall,  we  do  it  together.  ’

‘  you  are  the  first  dream  of  my  soul,  the  only  dream  i  was  unable  to  stop  myself  from  dreaming.  ’

‘  when  i  am  in  the  darkness,  i  want  to  think  of  it  in  the  light,  with  you.  ’

‘  heroes  endure  because  we  need  them.  not  for  their  own  sakes.  ’

‘  if  there  is  a  life  after  this  one,  let  me  meet  you  in  it.  ’

‘  life  is  a  book,  and  there  are  a  thousand  pages  i  have  not  yet  read.  ’

‘  words  have  the  power  to  change  us.  ’

𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 .    //    SEL ACCEPTING .

‘ i seek scandal and low companionship. ’     //    @leadingmcn

𝐏𝐈𝐑𝐀𝐓𝐄’𝐒 𝐓𝐀𝐔𝐍𝐓 𝐋𝐀𝐂𝐊𝐄𝐃 𝐀 𝐅𝐄𝐀𝐑𝐅𝐔𝐋 𝐓𝐇𝐑𝐎𝐀𝐓’𝐒 𝐓𝐇𝐑𝐎𝐁 𝐀𝐆𝐀𝐈𝐍𝐒𝐓 𝐇𝐄𝐑 𝐓𝐑𝐈𝐃𝐄𝐍𝐓’𝐒 𝐒𝐓𝐄𝐄𝐋𝐘 𝐓𝐈𝐏 ;    and neither seethed its owner with scornfulness, although this could have been a matter of personal grudge. through wide-open windows leaked nocturnal breeze, beddings all undone and disorderly, pearls and gems scattered across invaded tilings ;  those were witnesses to a criminal scene which succeeded not according to its plunderish schemes.  this lady’s heritage was both sheltered and targeted, her belongings rumoured and sought after, and within merely a question of ' when ' would she fall victim to games to this extend --- this much she could fathom and for this much she prepared. 

one night, to her dismay, she failed to read the warning signs : the silence of owls, the flutter of crows, the peering balcony-glares shadowing behind her tender shoulder before she rested ‘pon her familiar mattress, all that ignored only for them to wake her with a rustling of treasures.  the following miniscule wrestle amounted to a moment ‘twixt oddly opposing personas of parallel nobility, and the grin of yours ; a mischief, socially offensive like any other theatric trickster in tales, pinned against ornamental walls.   “ and you concluded to find those by trespassing my private chamber ?  well, at the very least, you are an intriguing character, albeit a thieving one. ”    cold jest, dry lips, bruised dignity. lungs may be pressed by inconvenience, but her hands, firmly clenched 'round weapon's pole, shan’t afford to waver nor shiver.   

“ you have accomplished the scandal ; now, the latter explains the pitiful deeds. ”

But where was my body? Where was I in these words? What of this belonged to me?

Jasminne Méndez, from Night-Blooming Jasmin(n)e: Personal Essays and Poetry (via lifeinpoetry)

munday asks!!!

at what age did you start RPing?

do you RP anywhere else, other than tumblr?

on what platform did you start RPing?

what made you choose this muse?

is there any other muse in this fandom you RP?

is there any other muse in this fandom you’d like to RP?

is there a muse you played on more platforms or in different moments of your life? 

did you have a muse you tried to play, but didn’t feel connected to?

did you have muse you tried to play, but ended up dropping for various reasons? (the rpc wasn’t active, you lost interest, etc)

would you be interested into playing a crossover? if yes, do you have any limits?

would you be interested into playing with doubles? 

what do you think about AUs?

what do you think about OCs?

what do you think about roleplaying with personals?

what do you think about roleplaying with anons?

what’s the best way to approach you to start playing together?

what was your first muse?

did you ever play a muse for more than a year?

do you have ship bias?

what’s a ship you don’t want to roleplay at all with this muse? (except Bad Illegal And Gross Stuff, of course)

what do you think of your muse’s popular fandom ship?

what do you think of your muse’s canon ship, if they have one?

would you play a OC x canon ship?

would you play a crossover ship?

do you play smut? do you play it only with characters you’re shipping with, or are you open for “one night stands”?

are you multiship?

are you interested into poly relationships for your muse?

is your muse canon divergent in any way?

what are your honest thought about your muse’s canon?

what are your favorite RP tropes to play? (angst, hurt-comfort, etc…)

do you regularly play crack?

do you regularly do dash commentaries?

what are your thoughts on dash commentary?

what are your thoughts on reblog karma?

if you aren’t a native english speaker, do you play in your first language too?

do you feel similar to your muse in any way?

do you feel different to your muse in any way?

what’s the best inspiration for your muse?

what’s a song that reminds you of your muse?

[ OBLIGATORY FREE SPACE!!! Ask anything you’d like! ]

@battleshot​  :   He will *try* to flatter akjsfceimjga

ah, he is struggling a little.  it is quite adorable, indeed, how he resembles a shy chocobo chick ;  and upon noticing so she hardly can suppress the urge to pet his hair.  in fact, she does it anyways.  there, there.

𝐂𝐎𝐍𝐓𝐈𝐍𝐔𝐀𝐓𝐈𝐎𝐍  ;  x.

‘ 𝐒𝐎𝐌𝐄𝐎𝐍𝐄 𝐇𝐀𝐒 𝐓𝐎 𝐏𝐀𝐘 𝐀 𝐏𝐑𝐈𝐂𝐄    /    𝐓𝐇𝐄𝐑𝐄 𝐈𝐒 𝐀𝐋𝐖𝐀𝐘𝐒 𝐀 𝐏𝐑𝐈𝐂𝐄. ‘    eos’ populus harbored its own awareness regarding tribute in exchange for divine boon, and so, too, had children who were necessitated to grow solitary into the rule of cruel fate.  among the silent pantheon favored their king the concept of sacrifice specifically.  a haloed body, offered to redeem the sins of many, a structural rite as old as time.  for such, she was ne’er taught alternatives, too holy the word that she could ever question blood-soaked blessings.    ( should one call this bravery or, rather, lunacy ? )    in fact did the practice of oblation burn deeply into each mundane obligation, a life baptized and groomed and molded based on pure devotion ;  how ought she ever entertain another route ?  and in spite of such unthinkable idea, must she admit appreciation for its innocent source.  you, of self-preserving stubbornness against hardships, might not have imagined the consequence in withdrawing from the preordained journey toward the sacramental altar.  

upon the stone of the chosen site for rest had minor struggles manifested.  with slight amusement conducting her laugh did she assist ;  ropes tied to knots, poles pillared against, covers succumbed to her neat tug.  it was a clumsy little ordeal, but a cheerful one as well, she noted, as blankets unfurled within the interior of this tent-shelter.     “ it is not so bothersome.  i understand my position, the distance between them and me, and it would be unfair to not acknowledge that, for plenty of the people, to address me so is an expression of respect, but formalities are not a strict requirement for me.  to foster relations with allies on a personal basis and equal grounds can be a wonderful thing, too. ”    to unravel her own stance in a matter that exposed her lonesome did not come with ease.  in all the reverence called she herself anything but admirable, not by far could she qualify as a noble-driven figurehead ;  yet mused every story the same thing :  somewhere, somehow, someone must manufacture softness to a crown and compassion to a shepherd’s crook.    “ nonetheless, i am curious, and particularly worried, about your circumstances.  how is it that a young boy such as you is committing to such dangerous tasks ?  is there no guardian who would be concerned for your safety ? ” // @hamadaxfighter

You know what would have been neat ? A dramatic wedding scenario

   *  //   𝐏𝐄𝐀𝐂𝐄𝐃𝐎𝐆 .

NOVEMBER 19TH,   1970,   18:27PM ███████ MANOR,   WESTCHESTER COUNTY,   NEW YORK,   UNITED STATES.

ZERO:   𝚢𝚘𝚞 𝚘𝚞𝚐𝚑𝚝 𝚝𝚘 𝚎𝚗𝚓𝚘𝚢 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏 𝚏𝚘𝚛 𝚘𝚗𝚌𝚎,  𝚓𝚊𝚌𝚔. BIG BOSS:   𝚒’𝚖 𝚗𝚘𝚝 𝚘𝚗𝚎 𝚏𝚘𝚛 𝚙𝚘𝚕𝚒𝚝𝚒𝚌𝚊𝚕 𝚙𝚊𝚛𝚝𝚒𝚎𝚜. ZERO:   𝚙𝚘𝚕𝚒𝚝𝚒𝚌𝚜,  𝚊𝚜 𝚢𝚘𝚞’𝚕𝚕 𝚌𝚘𝚖𝚎 𝚝𝚘 𝚏𝚒𝚗𝚍,  𝚒𝚜 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚝𝚑𝚊𝚝 𝚌𝚘𝚖𝚎𝚜 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚝𝚎𝚛𝚛𝚒𝚝𝚘𝚛𝚢.    𝚒𝚝’𝚜 𝚒𝚗𝚎𝚜𝚌𝚊𝚙𝚊𝚋𝚕𝚎 𝚠𝚒𝚝𝚑 𝚊𝚗 𝚞𝚋𝚒𝚚𝚞𝚒𝚝𝚘𝚞𝚜 𝚘𝚛𝚐𝚊𝚗𝚒𝚣𝚊𝚝𝚒𝚘𝚗 𝚜𝚞𝚌𝚑 𝚊𝚜 𝚘𝚞𝚛𝚜.    𝚢𝚘𝚞’𝚛𝚎 𝚊 𝚗𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚑𝚎𝚛𝚘,  𝚓𝚊𝚌𝚔.    𝚒𝚝 𝚠𝚘𝚞𝚕𝚍 𝚋𝚎 𝚐𝚘𝚘𝚍 𝚏𝚘𝚛 𝚞𝚜 𝚒𝚏 𝚢𝚘𝚞 𝚜𝚑𝚘𝚠 𝚢𝚘𝚞𝚛 𝚏𝚊𝚌𝚎 𝚘𝚗𝚌𝚎 𝚒𝚗 𝚊 𝚠𝚑𝚒𝚕𝚎. BIG BOSS:   𝚒’𝚖 𝚗𝚘 𝚑𝚎𝚛𝚘,  𝚍𝚊𝚟𝚒𝚍.    𝚒’𝚖 𝚓𝚞𝚜𝚝 𝚊 𝚌𝚘𝚕𝚍-𝚋𝚕𝚘𝚘𝚍𝚎𝚍 𝚖𝚞𝚛𝚍𝚎𝚛𝚎𝚛. ZERO:   𝚓𝚊𝚌𝚔,  𝚕𝚒𝚜𝚝𝚎𝚗 𝚝𝚘 𝚖𝚎.    𝚙𝚎𝚘𝚙𝚕𝚎 𝚗𝚎𝚎𝚍 𝚑𝚎𝚛𝚘𝚎𝚜.    𝚝𝚑𝚎𝚢 𝚗𝚎𝚎𝚍 𝚊𝚗 𝚒𝚌𝚘𝚗,  𝚊 𝚕𝚎𝚐𝚎𝚗𝚍𝚊𝚛𝚢 𝚏𝚒𝚐𝚞𝚛𝚎 𝚝𝚘 𝚞𝚗𝚒𝚝𝚎 𝚞𝚗𝚍𝚎𝚛      ——      𝚢𝚘𝚞 𝚜𝚊𝚟𝚎𝚍 𝚊𝚖𝚎𝚛𝚒𝚌𝚊 𝚏𝚛𝚘𝚖 𝚊 𝚗𝚞𝚌𝚕𝚎𝚊𝚛 𝚊𝚛𝚖𝚊𝚐𝚎𝚍𝚍𝚘𝚗,  𝚢𝚘𝚞 𝚊𝚛𝚎 𝚎𝚡𝚊𝚌𝚝𝚕𝚢 𝚝𝚑𝚎 𝚝𝚢𝚙𝚎 𝚘𝚏 𝚖𝚊𝚗 𝚠𝚎 𝚗𝚎𝚎𝚍 𝚏𝚘𝚛 𝚝𝚑𝚊𝚝 𝚓𝚘𝚋. BIG BOSS:    [𝚐𝚛𝚘𝚠𝚕𝚒𝚗𝚐] ZERO:   𝚝𝚑𝚎𝚜𝚎 𝚖𝚎𝚗 𝚊𝚗𝚍 𝚠𝚘𝚖𝚎𝚗 𝚑𝚊𝚟𝚎 𝚌𝚘𝚖𝚎 𝚏𝚛𝚘𝚖 𝚊𝚕𝚕 𝚊𝚛𝚘𝚞𝚗𝚍 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚝𝚘 𝚖𝚎𝚎𝚝 𝚝𝚑𝚎 𝚕𝚎𝚐𝚎𝚗𝚍𝚊𝚛𝚢 𝚋𝚒𝚐 𝚋𝚘𝚜𝚜 𝚒𝚗 𝚙𝚎𝚛𝚜𝚘𝚗.    𝚝𝚑𝚎𝚢’𝚕𝚕 𝚜𝚝𝚞𝚖𝚋𝚕𝚎 𝚘𝚟𝚎𝚛 𝚝𝚑𝚎𝚖𝚜𝚎𝚕𝚟𝚎𝚜 𝚝𝚘 𝚜𝚑𝚊𝚔𝚎 𝚢𝚘𝚞𝚛 𝚑𝚊𝚗𝚍.    𝚜𝚘 𝚝𝚛𝚢 𝚝𝚘 𝚋𝚎 𝚙𝚕𝚎𝚊𝚜𝚊𝚗𝚝.    𝚜𝚖𝚒𝚕𝚎,  𝚐𝚊𝚛𝚗𝚎𝚛 𝚝𝚑𝚎𝚒𝚛 𝚎𝚗𝚝𝚑𝚞𝚜𝚒𝚊𝚜𝚖,  𝚖𝚊𝚔𝚎 𝚌𝚘𝚗𝚟𝚎𝚛𝚜𝚊𝚝𝚒𝚘𝚗.    𝚠𝚑𝚘 𝚔𝚗𝚘𝚠𝚜,  𝚙𝚎𝚛𝚑𝚊𝚙𝚜 𝚢𝚘𝚞’𝚕𝚕 𝚖𝚊𝚔𝚎 𝚊 𝚏𝚛𝚒𝚎𝚗𝚍.

𝐓𝐇𝐈𝐒  𝐈𝐒  𝐇𝐎𝐖  𝐘𝐎𝐔  𝐅𝐈𝐍𝐃    𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇   𝒘𝒊𝒕𝒉   𝒂   𝒕𝒆𝒏   𝒕𝒉𝒐𝒖𝒔𝒂𝒏𝒅   𝒅𝒐𝒍𝒍𝒂𝒓    champagne flute in your hand,  putting a convenient face whilst mingling  ‘midst a room of serpents and pink-cheeked sycophants,  the crowd of self-christened ‘elites’.    here you are,  their  concocted idol,  exchanging  forced smiles  and  ingratiating salutations  with utmost reticence as they gather around you like a  band of hawks   /   suffocate you   /   make you feel  less  like a man and more like a dangling pound of  fresh meat  on display for the ravening masses,  salivating   /   eager to feast off  carrion fame.    you nod mechanically   /   uncomfortably,  move out of every casual touch,  a drunken shoulder clap,  a girl trying to chat you up      ——      they are  blind  to the blood clots  on your teeth   /   the hands smirched  red-matricide-regret   /   the mutilating grief transmogrifying your heart into one great abscess    [    it refuses to go away.    ]      ——      you do not need their emptied congratulations,  seeds of anger sprouting at the accursed title of ‘big boss’ spilling reverently from forked tongues,  an epithet so sorely  pyrrhic-won.

𝐓𝐇𝐈𝐒  𝐋𝐀𝐕𝐈𝐒𝐇  𝐖𝐎𝐑𝐋𝐃  𝐖𝐀𝐒  𝐍𝐄𝐕𝐄𝐑  𝐌𝐄𝐀𝐍𝐓  𝐅𝐎𝐑  𝐘𝐎𝐔.     you have never been good at feigning  normalcy,  wearing ill-fitting human skin,  civilian clothes unbecoming of a man that wild.    you feel like a twarthed   /   naked   /   trapped animal.    (    no,  you don’t need any of it      ——      what you need is to clear your head because your chest is too tight,  the crowd is  too close   /   too loud,  they are taking up all the oxygen and it’s gotten too hard to breathe and you want to escape   /   lash out   /   rip at muscle and bone and claw your way out before you   -    )    check your blindspot,  case the room  :   there is no clear through-line to the exit.    east,  there is a door      ——      but you cannot say where it leads.    (    better to make for the kitchen,  take your chances in the service tunnels.    they checked your gun at the door,  but you’ve made do with  a knife  in worse situations.    you   -    )    see a window of retreat near the banquet table.    you turn,  make your way there in a hurried stride,  wholly undismayed by the expressions of annoyance you receive at the  rudeness  of your escape. 𝒚𝒐𝒖   𝒄𝒂𝒏   𝒔𝒆𝒏𝒔𝒆   𝒐𝒄𝒆𝒍𝒐𝒕’𝒔   𝒔𝒕𝒂𝒓𝒆   𝒐𝒏   𝒚𝒐𝒖𝒓   𝒃𝒂𝒄𝒌    as you evade the throng of bodies and approach a lengthy table brimming with saccharine delicacies.    you stop   /   breath   /   tamp down  instincts  to flee when the burgeoning leonine hunger pangs.    frowning,  you stare at the multicolored appetisers   /   most of which you have never seen before   /   till you take a pair of  meat skewers  and start gnawing at them like a  beast of prey.    a sudden presence at your side provokes chin to rise   /   eye to meet a crown of gold,  wintry blues  peering at you under the heliacal glow of a crystalline chandelier,  and you   -    (    remember the passive  coldness  of her face,  standing in that field as white petals whipped around your ankles.    she gave  her body  and  her child  to her country,  carried her scar as proof,  was willing to mactate herself upon  flowered altars  for a purpose beyond comprehension.    how does she expect you to do the  same  ?    you don’t understand,  you   -    )    see red,  press your eye shut but the petals remain,  like they’re stuck to the flesh of your eyelid.

𝐘𝐎𝐔 𝐁𝐑𝐄𝐀𝐓𝐇   /   𝐇𝐀𝐑𝐃   /   𝐇𝐄𝐀𝐕𝐘,    shake your head      ——      she is not here.    she is dead.    this is reality.    you turn back to your food   /   get a proper sidelong look at the woman,  recognize her  for who she truly is  ;   lunafreya nox fleuret,  the  sovereign  of a protectorate in the middle of a political scuffle,  more of a  figurehead  on their machinations than a queen    [    much like you.    ]    her brother is a soldier,  acting as her dutiful custodian      ——      you recall shaking his hand briefly in the crowd,  he seemed as  disinclined  to be here as you.    you store the  information  away   /   attempt to be conversational:             ❛    leurs brochettes ne sont pas mauvaises.    mais je préfère encore manger du serpent que ça.    ❜    you say,  french fluently falling off your lips without much pondering.

@moonichor

𝐀 𝐒𝐀𝐍𝐆𝐔𝐈𝐍𝐀𝐑𝐘 𝐖𝐎𝐑𝐋𝐃 :   painted thickly with a layer of varnish, framed in pale fools gold  —  and she, a simple corner ornament.  she was made for this ;  noble-bred, a carefully hand-crafted icon.  wrought for the masses and self-appointed deities to utilize.  they seized and struggled for symbols in order to secure the slightest figment of influence, and if it were not over her, then they would compete over someone else.  they picked their gemstones to toss in the treasure chamber, leaving them without the glimmer, adulterating them within the shadowy obscurities, never to be seen on the television screen.  their ghastly tongues prattled inconceivably, in unison, to attribute to a synchronized white noise. 

with appetite did they seek her attention, too ;  ignorant of the tattered brims which remained proof of military sin and the crime to weaponize innocence like a volatile explosive.  it was a slow killing of a girl who had come to understand this as the typical behavior of hierarchical leeches, demonstrating their feigned relief to have just barely so slipped through the war-cracks.  of course, this was merely show, as they so blithely monetized the shed gore and radioactive bones.  this enormous gauge of politics spanned itself over each head, slithered with haughty threat, ‘twixt the pillars of it all where one specific chancellor watched over every singular motion of hers.  in sickening amounts so, that she urged to swiftly disappear among the crowd, toward the other side of these halls where she found …  you.    (  a trojan paradox, agonized with frauds, and praises for valor, and terrible expectations.  )    curiosity begged for satisfaction and dictated her walk, feather-light, beside you, only to sense a deeply rooted pain projected and carved into her marble-frozen apparition.

then  —  a perplexing dialogue.

“ pardon ? ”    unexpectedly widened brows and eyelids for commentary this macabre.  she fell through clouds.  etiquette quickly revised and staggering back into composure.  here she stood, not a single inch moved, silver-graced and primly kept, soft-handed and crystal-adorned —  in audience with a beast :    a rawed-up, wild child, clad in a man’s muscular structure, bearing its patron status like an ill-fitting crown, which it’s been so compelled to remove.  aggressively.  something equivalent to horror and awe struck her still, an astonished sentiment, existing between a deer and a bear.  suddenly, illogically, her personal tatteredness did not matter.  someone was always frayed more crudely, the eyes more bloodshot, the lungs more filled with desert-dust, the flowerbeds more stained with a carmine shade.    “ vous semblez être un homme avec un sens du goût incomparable. ”    at last, a response to indulge the attempt.  it might also be her individual attempt to shake off the paralyzation.    “ forgive me if it was my approach that caused you to jolt.   but you gave the impression to be in distress.  are you unwell, sir ? ”

Aphelion • Jesper Kyd feat. Melissa Kaplan