Two Dogs, 3/24/2018
Ten thousand miles
Between us
Threads of photons
Connect us
Streams of heart words
Inspire us
Unsought blessings
Enmesh us.
@soulreserve
My Australian Muse and I are reading the words of you and sealanehill to each other. She stops and says, "Oh Adam, I think they're like us". I don't really have anything to ask, but I think it's worth saying.
aww <3 thank you for that.
Well, I am learning a lot from @sealanehill and it’s a friendship I enjoy.There is much musing involved, sure :P
In the solace of mist
Rhine full of emaciated ghosts , clear faces with manic hatchets , disappointed trunks , floating flowers , agonizing masks , rustling dreams , palpitating empty baskets , plodding branches & thoughts of blithe martyrs
Like all the rivers
Equation of Time II: Noctilucent Clouds at the Dark of the Moon Handmade collage. Cut Anthropologie lookbook 10/2015, p. 16, Marie-Agnès Gillot, prima ballerina of the Paris Opera Ballet and choreographer; and laser print of online image: "Pamela Anderson Vamps It Up in Saint Tropez" W magazine online, 8/2/2017, photo by Luke Gilford (https://www.wmagazine.com/story/pamela-anderson-activism-feminism-interview/amp). Tissue paper, marker paper, rubber stamp image, color marker, ink pen, and gold paint pen on a white sketchbook page, with artist and studio seals. ~7.5x10 inches (~19x25 cm), 10/8/2017.
“The older I get, the more intense is my interest in the various ways and forms in which light appears in nature. I am amazed, I learn from that, and I am aware that it is the light of the sun that illuminates the buildings I envision. I hold spaces, materials, textures, colors, surfaces, and shapes up to the light of the sun; I capture this light, reflect it, filter it, screen it off; I thin it out to create a luster in the right spot. Light as an agent, I’m familiar with it. But when I really start thinking about it, I understand hardly anything.”
— Peter Zumthor, Thinking Architecture
Read to Me, My Darling. Handmade collage. Torn magazine and catalog illustrations (NY Times T Magazine 3/5/2017 and Anthropologie lookbook 4/2017), tissue paper, acrylic paint, and gold paint pen on a white sketchbook page, with artist and studio seals. ~7.5x10 inches (~19x25 cm), 4/16/2017.
A non-sorted terrigenous deposit of large clasts in a matrix of fines.
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