"That's Why I Don't Have Any Friends"

James & Lily.

Song: [x]

oh my god!!!! this is the sweeeteest!!!! i wish you and your family a very happy life <33

“May I?” “You may.”

buzzfeed should look at tumblr for thirst tweets!!! we are so much MORE creative! dammit.

Andrew Garfield is so fine it makes me damn near suicidal

this is the cutest!!! i'll go to the corner and cry. bye!

i rewind the tape but all it does is pause on the very moment all was lost

other version here and my shop

Sirius and Remus have a coffee in the sunset, good vibes only for @starstruck4moony thanks for the suggestion! X

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

this is so important

so i just kinda realized (now, after all these years) the scene where draco is supposed to kill dumbledore and snape is like pushes him away, dumbledore says a weak "please"! i just realised it was a permission, a permission for snape to go ahead and do the deed!

FUCK-!

!!!!

on my knees BEGGING for dorlene ff recs cause ever since i’ve caught up on thtf i’ve been craving a fix

ngl i am also on my knees begging 🤧 i have not yet found like a longer multi ch dorlene fic that i personally vibe with so if anyone has recs please send them my way!! in the meantime here are my favorite dorlene single ch fics/oneshots

Hey Dorcas by moonymoment on ao3 (@blurryayse)

14k words, beautifully written friends to lovers fic that follows marlene + dorcas at hogwarts slowly growing together and falling in love. v sweet and good if you want a happy ending!!

let the ghosts sleep tonight by outlaw_baby on ao3 (if anyone happens to know whether they have a tumblr pls lmk so i can tag them!)

7k words, gut-wrenchingly poetic fic about dorcas and marlene getting together during the first wizarding war. rewired my brain chemistry but super heavy on the angst

As The Light Disperses by blanketed_in_stars on ao3 (@blanketed-in-stars)

4k words, following dorcas and marlene’s relationship during the first wizarding war. also beautifully written, also very heavy on the angst

marlene mckinnon is not a coward. by AllThisAndLoveTooWillRuinUs on ao3 (@wishingitwerewolfstar)

6k words, also following marlene and dorcas during the first wizarding war so there is once again plenty of angst but this one has a slightly happier ending 💕

sweet as rot by vaindumbass on ao3 (again, if anyone happens to know their tumblr pls lmk!!)

7.3k words, au where dorcas and marlene are the ones to kill peter and go to azkaban instead of sirius. super super heavy angst but i love the writing it cracked me like an egg and scrambled me in a pan

‘81 by an anonymous ao3 user

4.7k words, au where marlene survived the war but everything else stayed the same, so it’s not dorlene so much as marlene figuring out how to move on after dorcas’s death which…yeah heavy angst once again lol (but beautifully written, of course 💕)

- James's birthday was an elaborate affair. Everyone James had ever spoken to, looked at, breathed in the direction of, was invited to celebrate his birthday (and not just for posterity or formality; because James genuinely noticed when so and so from Ravenclaw who gave him a spare quill once wasn't around for the festivities. James would apologize the next day for not including them). James's birthday might as well have been a holiday at Hogwarts it was so widely celebrated. With something active and engaging planned by Sirius. Like the year he turned the grounds by the Black Lake into a makeshift seaside, covering the grounds with sand and lawn chairs. Everyone played Beach Volleyball that year, a school-wide tournament, James grinning from ear to ear even as the sun went down and the colder temperatures set in. No one complained of too much activity or opted out of playing on James's birthday. They just did.

- Sirius's birthday used to look like James'. For the first few years. Because what better way to know how loved you were than having everyone you've ever met come celebrate you? Admire you? Pay attention to you on a day that was usually wasn't acknowledged at all. Other than a milestone--a year closer to being of age, of being a proper heir. The first few years, it was loud and obnoxious. A disruption that Sirius didn't even want in the first place but thought he should have. The last few years...weren't. The numbers dwindled as Sirius realized having a lot of people he didn't care about wasn't nearly as great as having a few people he did. Birthdays became smaller at fifteen--but were still filled with loud music, and alcohol and the fattest joints Remus could roll. Parties that went until well past midnight, James stifling yawns behind his hand, the night ending looking up at the stars, just as Sirius liked to do.

-Remus's birthday? The quietest, the slowest, the joy of doing nothing. The only day of the year James and Sirius didn't get up at the crack of dawn and stayed in bed until they had to get up for class. When Remus's birthday fell on weekend, it was an entire day, made up of blanket forts and too much smoke coming out of the Gryffindor tower window. Snacks and sweets and plenty of coffee in bed, three heads for one pillow, sharing a flask, giggling, and shooting the shit until the sun went down. Sirius didn't worry about the crumbs on the bedsheets, James didn't start fidgeting and trying to think of something to do. They just were. Dozing in and out of sleep, waking up to repeat the process. Remus's birthday was a slow day. A slow spinning record. Long cuddles. Wishes made on candles that burned far too long because Remus took forever to think of something he could possibly want that wasn't right there in front of him already.