This Is Still One Of The Greatest Things Ever Made.

today my bf and i were talking about visiting my home for the holidays and i was (sadly) wondering aloud if i should cut my hair and our kid was like "why would you cut your hair??? your hair is cool" and not knowing how to explain it to him i said "my family doesnt think boys should have long hair" to which he went silent, wordlessly pulled out his phone and then swiftly held it out with a picture of keeanu reeves on his phone

I need everyone to see this tweet

As tiring as all this shit is, I can't in good faith continue to use spotify.

For anyone else jumping ship, I used to exportify.app to save my favorite playlists.

Here is a free pdf of the players handbook

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

For all your dnd purposes

im gonna fucking cry

Part of the reason I talk about the League of Nine so much aside from my personal hyperfixation and the interest in Korean literature it awoke in me, is that something that is completely lost in like 99% of western users is that Canto IV and the League of Nine's backstory was Heavily based on the Japanese occupation of Korea since this is the time where the real Yi Sang and Guinhoe lived. Even Mili's song for the Ruina collection Salt, Pepper, Birds and The Thought Police is, in fact made in honor of another author from this era Yun Dong-ju who actively stood up against the Japanese forces. Even Ruina's tagline is a reference to his book Sky, Wind, Stars, and Poetry and every chapter of Ruina starts with a quote from him.

It's very much undivorcable from this context but the information is very hard to access for non-Koreans and a lot of people don't really do the research but I want this aspect of the story to be acknowledged more, specially with the Blade Lineage's storyline highlighting more on the kind of displacement, alienation and corruption that led to them having to abandon their roots much like Limbus' reimagining of the Guinhoe. The reason Dongrang and Gubo are so villafied is because as the Guinhoe corrupted under the pressure of oppression those two were some of the worst offenders, actively writing propaganda and abandoning their people for the sake of siding with whoever benefited them best, and as someone who also grew up living through the aftereffects of colonialism and immigration it's all specially clear to me.

Though personally, I'm quite relieved that the fanwiki has also been updating with the proper resources in regards to the real life background and context, I recommend the pages for at least a more simplified rundown of a lot of the key details and the references made by each member in Canto IV (though it doesn't include some things I have talked about here before)

part 1 - part 2

Yi Sang's canon autistic lack of eye contact makes me very emotional actually it gets overlooked way too much like it gets repeated time and time again but it's like it dissapeared from collective conciousness