Ayo Edebiri is special to me because bluntly speaking, every time a young actress of colour blows up in Western media spotlight it's usually a light skinned woman or a biracial person with very Eurocentric features and beauty. It's almost like clockwork every time, and the standards of beauty are carefully upheld by colourism even while maintaining a guise of "diversity". But in Ayo's case, it's really great having a gorgeous and talented dark skinned actress be successful, beloved and hailed as a sapphic icon in a way that does not feel like audience paying lip service or being performative.
Like idk how to articulate but it's just so goddamn rare seeing an actual young dark skinned woc thrive in fandom spaces and in terms of commercial or critical success. I really hope people can learn to accept dark skinned young women in comedies, romances and mainstream show business more often because everywhere in movie and shows fandoms, from edits to fanart to fancasts to *actual* casts are BRIMMING with light complexioned actresses of colour. And dark skinned women are expected to grovel and be grateful for getting those crumbs of representation.
really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.
Fallen Angels (1995) dir. Wong Kar-wai
Omfg I love this scene so much. I did not expect Eun-yu to headbutt him at all. I really liked her character during seasons 2 and 3.
"What are you doing? I don't know. What should we do? What do you want to do? You crazy bastard!"
Sweet Home Season 3 스위트홈 시즌3 (2024) // Episode 1
I just watched Paprika (2006). The storyline was interesting, and I loved the animation. However, the fatphobia throughout the film was disappointing to see, especially coming from Chiba during that elevator dream scene.
Kodama:*Comes out as aro and starts lecturing her family on how harmful putting expectations on marriage can be.*
Takahashi:
While I’m here ... you’ll hear/read a lot about Stephen Graham in this newish British film, and of course he’s good, but Vinette Robinson is totally brilliant and the best reason to see it. Just saying.
Say what you want about Saltburn but the color aesthetics are amazing. Some of the cinematography is almost ethereal. The movie is 50 shades of fucked up but the setting was beautiful!
Also.... Everyone is talking about the bathtub scene and the grave scene, but the menstruation vampire scene had me crossing my legs and scrunching my face into a knot.
i just saw perfect days and i don't want a smartphone anymore. like, i genuinely don't want this thing anymore. i'm starting to think about all the times i've missed something beautiful existing in front of me because i felt the need to look down at my screen. how much time have i wasted getting quick hits of dopamine instead of getting true enjoyment from something as simple as the sunshine rippling through the trees? i'm wondering when my appreciation for real beauty met its death by way of an addiction to artificial blue light. there's no surprises or moments of amazement when you're constantly attached to the interwebs.
but i want to be surprised. i want to be amazed. i want to feel life again through my own skin, not another mindless swipe or tap.
“What you eat represents your social status. It has nothing to do with love.” HUNGER (2023) dir. Sitisiri Mongkolsiri
She/her | 22 | 🩷💛🩵-💚🩶🤍🩶💚Blogging about my various interests including TV shows, film, books, video games, current events, and the occasional meme. My letterboxed: https://boxd.it/civFT
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