Something curious I noticed recently while exploring Farum Azula is that some of the curtains draped around the area share a passing resemblance to the fabrics seen in Marika's bed chamber, and of the ones seen in the depiction of Marika from the opening cutscene.
I'm sure this isn't a particularly new discovery, and the designs aren't exactly the same, but they're just similar enough that it got me thinking.
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Funnily enough Maliketh also shares a very similar veil to Marika's (the thing connected to his elbows and looping around his back.) His even seems to have the same golden edges as the ones from Farum azula.
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To me it seems like black fabric with golden plant detailing's are a bit of a motif with Marika. Which is nice to know, considering how little we actually know about her. (It's also pretty sweet that she has matching outfits with Maliketh)
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But if this design is a running theme with Marika specifically and not just a mistake I'm making then it begs the question. Why does this ancient, timeless, crumbling city in the sky that's presumably much older than every other area in the game have Marika's favourite design decorating its walls?
Is Marika from the time of Farum Azula? The time of Placidusax? Is Marika his missing god who he's been waiting for? That should be impossible, and maybe it still is, but she seems to have some sort of connection to this place. If not for her design adorning its walls then certainly for her godly appointed body guard living here.
Her body guard who, by the way, uses a weapon that has cultural significance to the society of Farum Azula.
You know, the society that was blasted off the map by a meteor long before the age of the erdtree even began.
This was just supposed to be a nice little post about a small detail I noticed, and now it's turned into this. I don't even know if any of this actually makes sense but I've tried my best to put it together in an understandable way.
There's still so much to go into regarding this theory (why did Marika wage war against the dragons if they have a history like this? could the meteor that destroyed Farum be one of the ones the GW sent down to bury the eternal cities? If so then could that event possibly be one of the first things that shook Marika's resolve in the GW?)
But for now I think I need to just post this and let it simmer for a while. If you got this far then thank you for coming down this rabbit hole with me. I'd love to hear your thoughts because I am thoroughly lost in just what this could mean.
My personal undertale headcanon is that Flowey isn’t emotionless and incapable of connecting with others because he lacks a soul or is inherently “bad”, it’s because he was deeply traumatized from watching his best friend/sibling kill themselves in an incredibly painful way only to die violently himself hours later at like, the age of 11?
That would break anybody. To make things even worse, he woke up an undisclosed amount of time later in a body wholly alien to him, unable to move, completely alone until Asgore found him. If that wasn’t bad enough he then had to directly face the consequences of his and Chara’s plan, and the deep pain that it caused everyone in the underground. His father, the king? Broken. His mother? Missing. His people? Devastated and hopeless. Chara? Gone.
And to make things just that much worse, when the pain and grief of everything gets too much for him, and he deems himself broken beyond repair and decides to take his life he finds out that he has complete control over time itself.
He then spends an unimaginable amount of time experimenting with this power, constantly trying to do the right thing, constantly trying to help people and make the world better. But he’s never satisfied. He’s never happy. He does this, again and again and again. He grows older and older but never actually ages, he sinks deeper and deeper into his own tiny world, becoming even more distant and disconnected from the people around him as situations repeat themselves and peoples lives loop and loop without end.
Eventually he becomes so unbearingly bored of the endless, unescapable cycle that he starts to experiment with more negative situations. Afterall, his actions no longer have consequences, right? Anything he does, he can and will undo eventually. Even the most horrific actions hold no weight in Flowey’s impermanent world. The only person who ever has to deal with the consequences of Flowey’s actions… Is Flowey himself.
So he does it. Slipping deeper and deeper into his delusions. Falling deeper and deeper into genuine insanity as the years repeat themselves onto eternity and Flowey disconnects completely from the world around him.
At this point, he feels that he’s experienced quite literally everything the world has to offer. He probably lived as Flowey far longer than he ever did as Asriel by now. He’s befriended everyone, he’s hurt everyone. He’s saved everyone, he’s killed everyone. He’s done everything. Even violence doesn’t interest him anymore. So what does he do? He stops.
I’ve always wondered how Frisk even had the chance to fall into Mt. Ebott and usurp Flowey of his powers if he was constantly resetting the timeline, but I think I finally get it.
Flowey probably just… Stopped completely at some point. He stopped resetting, stopped interacting with the world and sat himself at his best friend's grave and just… waited. Waited for something, anything new to happen. Eventually enough time passed for a new human to fall, a human who inherently overpowers Flowey’s control of the timeline and so, for the first time in what must have felt like eternity Flowey was finally free from his power.
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After everything that Asriel experienced leading up to and during his death, he probably would have needed intense therapy to overcome the trauma. But that’s not what he got was it? He didn’t get therapy. He didn’t get the chance to heal. He got the powers of a god and the curse of his actions no longer having consequences. I don’t believe Flowey is incapable of connecting with others or feeling true happiness or love. I think that’s just a lie he told himself so his situation wouldn’t hurt as much.
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But, even after all of that I believe Flowey still has a chance at happiness. We see his character shift dramatically after the Omega Flowey fight. After he is once again stripped of his power over time, he has an intense moment of vulnerability that shows what I believe to be his true colors, followed by him coaching Frisk on how to get a better ending for everyone.
Sure, this was likely a trap for Flowey to take everyone’s souls, but once again, after his defeat as Asriel and returning to Flowey’s form, he has yet another character shift.
He’s genuinely happy at this ending. He’s happy that everyone escaped the underground, happy that Frisk gets to live their life. He begs the player to just leave everyone to their lives and to move on themselves. He doesn’t want his power back, he doesn’t want the cycle to continue anymore.
For the first time in god knows how long, Flowey is satisfied.
And maybe if the alarm clock dialogue is anything to go by, given time Flowey can finally heal. Flowey can finally find happiness and love again.
There is one more thing I’d like to add to this theory.
In the chapel of anticipation, if you’re skilled enough to strike down the grafted Scion, you can actually avoid being killed by it and chucked over the side of the island. Now why is this important?
Because if you do manage to do this, then you can progress slightly further into the area, where a lone set of butterflies will likely lead you to your fall, where things continue as normal.
Specifically a set of Nascent butterflies.
The butterfly that represents Miquella and by extension, St. Trina.
Right there at the start of our journey.
To guide us towards Torrent.
To guide us towards Trina.
Thinking about how St. Trina only talks to the player tarnished despite Thiollier's undying loyalty to her.
Thinking about how before traveling with Melina, Torrent belonged to Miquella (and by extension, also Trina)
Thinking about how at some point Torrent was sent out in search of a new master
Thinking about how Ranni's doll body requires her to sleep
Thinking about how St. Trina can visit people in their dreams
Thinking about how “torrent’s former master” asked Ranni to deliver the spirit tuning bell to whoever he chose to serve next
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Did St. Trina put everything in motion? Was she the one who set Torrent out on his search for a new master? Was she the one who asked Ranni to give us the spirit tuning bell? Could it have been one final, desperate plea to find anyone capable of stopping her other half before it was too late for him? Does St. Trina only commune with us because she knows that we're the one who Torrent chose as his new master? Is that why this character, that we never meet before now seemingly has full faith in requesting our aid? because her trusted steed was the one to bring us to her? From the very moment Torrent found us washed up in the lands between, were we destined to find our way to Miquella's/St. Trina's path?
Honestly I think my general opinions over the ATLA netflix show can be summed up as "In an attempt to make the show appeal more to older audiences they made it much more violent, dark, serious and gritty instead of actually making it more mature."
They removed a lot of the humour and charm and doubled down on the darker parts of the story, which imo just made it incredibly dull and boring.
After a copious amount of time looking into the topic, cross referencing interpretations and reading item descriptions I think I've finally solidified my stance on the nature of the whole "Radagon is Marika" twist.
As far as I'm aware, it seems that Radagon and Marika used to be the same individual before being split apart for some reason. Enia says how all the demigods are direct descendants of Marika, which would only really be possible if Radagon was a part of Marika from the beginning. Even while split apart he would still be Marika to a certain extent. This goes even further with the fact that Radagon gifted Rennala with a great rune when he was leaving to become elden lord, which is something he'd only have access to if he was part of Marika.
The story doesn't work if they used to be two separate people who somehow became one, which was what I originally believed to be the case. It only works if they were the same and got split at some point.
The thing I'm puzzled on however is when were they split apart and why? And when and how did they remerge into one being with two minds?
I'm also curious about how Radagon, despite being Marika wasn't a god himself.
The line "Thou'rt yet to become me. Thou'rt yet to become a god" has stumped me for the longest time, and continues to do so because it seems to imply the idea that the two aren't the same individual split into two... But everything else does seem to imply that.
Is it a Millicent/Malenia situation? Where part of Marika was shed and became its own person? If so then why?
At this point I'm sort of at a loss and would love to hear the opinions, so what do you guys think?
mfw I completely rejected Harpae in my first playthrough, expecting her to turn on me at some point and ended up latching onto Enjel instead because "the only person you should trust is yourself"
(I feel like I've been played like a damn fiddle)
having a little refresher of the pocket mirror's main storyline with manly's let's play and look who's finally here!!
Personnal storyboard based on my favorite scene of @eldenring shadow of the erdtree, the tragic confrontation with former comrades… The music of the fight (Those United In Common Cause - Elden Ring Shadow Of The Erdtree OST) is so beautiful I had to do something with it. It was a totally different exercise than the previous storyboard, with one simple arena but many different characters.
Radagon and Rennala’s marriage is so fucking funny to me and I am shocked people don’t bring up the absolute absurdity of it more often.
I mean, this man strolls into Liurnia looking to invade it with presumably an entire army, gets his ass absolutely handed to him by Rennala and like 10 dudes, proceeds to propose to her (possibly on the spot)! And she says yes!
And then they get married by a turtle!
Probably the mildest head cannon I'll ever share on here, but I like to think that Miquella grew his hair out so long because it was literally the only way he could show his actual age with his appearance. He may have been cursed to never grow, but his hair would always be a clear signifier to his peers that he was much more than he appeared.
Considering the vast majority of the fandom calls Ranni a spoilt, selfish little princess for not wanting to play nice with the god and order that destroyed her home and drove her mother insane, it really doesn’t surprise me in the slightest that many would also not see what’s wrong with how the other races in the lands between are treated.
It seems like anyone who tries to break the status quo in the lands between is often painted out to be a villain in the fandom's eyes, unless they do it in a purely pacifistic way. Including the tarnished themselves.
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Side note but this is also why I feel like any ending that reninstates the golden order as it was (including goldmasks ending) are some of the worst in the game. The persecution of many of the other races in the lands between aren’t going to stop if the golden order is put back in power. The golden order at its core was about trying to brute force control and "order" into the world by assimilating everyone else into it.
It kind of shocks me how people in the Souls fandom do not see Albinaurics as real people. Or even the Misbegotten rebelling in the Castle Morne as something they had to do.
It's absolutely heart breaking.
something else that I can't stop thinking about is how good Ansbach is despite being a follower of the Mohgwyn dynasty. Throughout the entire base game, all of Mohg followers are so cruel and twisted. All they care for is shedding blood, no matter who's it might be. But Ansbach is different. He's kind, and loyal and forgiving. And seeing someone like that hold Mohg in such high regards… It just makes me wonder what he and his dynasty might have been like before Miquella sunk his claws into Mohg's heart.
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This isn't even touching upon the fact that Radahn himself almost definitely rejected Miquella's request to be his consort. The dude's a golden order loyalist that thrives on the battle ground. I don't see him suddenly siding with Miquella to make the world a "gentler place." Especially since him and Malenia got into such a violent battle during the shattering. And how there's no record anywhere in the game about the connection between Miquella and Radahn.
Because it's entirely one sided.
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I feel so incredibly bad for everyone Miquella used his powers to manipulate. They all deserved better.
Mohg deserves an apology
Knowing that he was used and manipulated all along hurts, but the fact that his corpse was violated and disrespected in such a way actually makes me want to vomit. Mohg didn't deserve this. He didn't deserve to be bewitched he didn't deserve to be fed pretty lies that made him go mad he didn't deserve to be used as fodder for the tarnished and he didn't deserve to treated like this in death. It makes me so sad. At least morgott had a choice, at least morgott died in his father's arms. Mohg gets nothing. Nothing but desecrated and disrespected. The only one who fought for his honor was ansbach. the amount of pain he must have felt knowing his beloved lord and master was used as a puppet for so long, only to be desecrated and used to feed miquellas selfish wish. Miquella was never once a victim. Mohg was the victim all along. And we don't even get a fitting consolation prize after avenging him.
Do you know how grossed out I am. I was like wait why does radahn have horns on his arms and then the realization hits me because it's mohgs body they used. Miquella used mohgs dead body as the vessel for radahn. And you kill them both. In the end I guess radahn got what he wanted he wanted to be related to Godfrey. Just sucks he had to violate mohgs body to do that.