DAY ELEVEN - BLOG POST #13

Activity One - Blog Post #2

Activity One turned out to be a more fun challenge than I initially thought. I picked up a package that had a hole cut into it and when I unfolded it, I actually found that there were two holes! I was dreading trying to cut it. However, I decided not to worry about it too much and just enjoy the process.

I started out by tracing the package twice on tracing paper. I found I had to be careful with the tracing paper because it crinkled up easily when I used my eraser. I had trouble with tracing the entire package without it moving because it was too long for my hands. Eventually, I realized that if I folded it halfway, it was doable. 

After taking the measurements and making note of all the writing on the little package, I finally decided to draw it out with my ruler using the measurements that I had taken.

Before cutting it, I carefully used my bone tool to create folds in the package. It was actually really good to struggle with getting the same effect in class with a pen lid, only to do it so easy with the actual tool at home. Even so, my tool got a bit ruined by my ruler because it was only hard plastic so I’d like to find a better material to use in the future. 

I decided to opt out for drawing the fold marks, going off the measurements and bone fold lines instead. The hardest part was definitely trying to cut holes into the package and unfortunately, I didn’t do the best job at it. I need to figure out better tricks for cutting holes in the future. 

This time, I tried cutting a pie into the holes, hoping that I could cut them out section by section. This just resulted in a choppy cut.  

Still, it was a joyful experience to fold my little package up and understand just why each flap had to be different, and understand how it fit together. 

While I wasn’t entirely happy with the recreation, I was satisfied with the way it folded together and when I pushed the flaps together correctly, I knew some glue would keep the holes lined up. I decided to leave it unglued for further work in class as it held together perfectly otherwise. 

Reflection: Working with something tactile for the first time in a while was a joyful and happy experience. It reminded me what I love about graphic design, the simple happiness of making something that works. I need practice cutting holes too and I guess I’m going to need a steady supply of fresh blades in order to get through this semester and my fresh pad of bristol paper. 

Client Survey

General Company Info 

What is the name of your company?  Place

What is your business/what do you do?  Place provides a single location for a range of events in Nanaimo’s downtown core. It can be a pop-up market, a venue for a reception, an intimate concert, a wedding, a dance, an art class, the possibilities are endless.

How old is your company?  The company has yet to exist.

What is the size of your company? A small core of people involved in bettering downtown Nanaimo. two people leading a small team of 5-6.

Are there specific dates the project needs to be completed?  No.

Your budget dictates how much time can be spent on your project. What is the budget?  Open

Describe your business in one sentence.  No matter what event you are hosting, this is the place for it.

Describe your business in two words? Convenient, Reliable

Describe your business in one word? Perfect

What doesn’t your business do, or do well? Does not host large concerts, or sporting events.

What differentiates your business from competitors? Ease of access, Place’s main interest isn’t how much money can be made but in creating a place for the community to use without burning a hole in people’s wallets.

Is there a story that is unique to your company? When searching for a location for a grad show, Sara realized that there really wasn't’ anywhere in the downtown core that was appropriately sized or available for a small reception.

Or perhaps a unique story to the company name?  Every city should have a place, somewhere that you can go that would be good for a range of events, but also a safe please for youth to hang out and host community events.

What are your business objectives?  To create a beautiful place to host events that can host a range of things from shows, events, receptions, to tourist attractions in the summer months like a large market or informational sessions.

What do you want the design/redesign to do for your company?  I want it to give the company a modern look and feel that is also welcoming to the community.

General Image of Company 

If you company/brand was a person who would it be? Why? I don’t know if it would be a person so much as a representation or even an animal. Place should be able to represent Nanaimo and the future of Nanaimo and its community. If anything, I’d say that I’d want it to be represented by the Orca because of its sense of community and ties to the Salish sea.

Is there an important object, building or person for your business? The building for this business is what makes the business and it would be located right downtown, on the water.

How do you want the public to perceive your image?  A meeting hall, a place that represents Nanaimo, a sense of place for Nanaimo. It should feel like home but also fresh.

What do you want to be famous for?  Being the place that people go to when they need a place.

What words should the general public associate your business with? Name at least 3. Modern, Inviting, Perfect

How do you want your image to be seen in 2 years? 10 years?  Comfortable, familiar, renowned

Competitors 

Who are your competitors?  Vancouver Island Conference Center, Port Theatre

How are they better/worse than your product/service?  Vancouver Island Conference Center has a larger space to host larger events, Port theatre has better space for theatrical events.

Who might you compete with in the future? More developments. 

The Target Audience 

Who is your customer? Describe in detail. My customer is anyone who is looking to use a space but is having trouble finding a good venue for it. A lot of people in Nanaimo have to settle for a venue that isn’t necessarily ideal and we are lacking a community spot. 

What do they do?  Live in Nanaimo and actively work towards bettering the downtown community via productions or events.

What do they watch? Community productions, local musicians, short plays, open mics.

Who is the ideal customer? Someone who perhaps wants to bring more culture to the city but lacks the funding/space.

How old is your ideal customer? 20-60

How do they find out about you? Through advertisements downtown, facebook, Nanaimo’s website

What do they want from you?  A place to host an event.

What customers do you not want to attract?  People who want to host an extremely large event or have the money to do so elsewhere. (Large corporate events that exceed capacity)  

What do you offer your customers that your competition does not? A place that can be molded easily to fit their needs. The place isn’t designed a certain way to format one specific thing so it means its a space that can be used for a variety of things without many spacial issues.

Current identity 

Do you have an identity?  No

What are two identities or logos that you like? Dislike? I like the CBC logo and the CNR logo. I don’t like the Nanaimo Chamber logo   

What colours do you like? Dislike?  I like sunset colours and when you just use multiple shades. I don’t like intense greens or dull colours.

Anything else? 

What did we not ask that you want us to understand? The Place isn’t like anything that’s already in Nanaimo because it isn’t held back by a small size or a regular business, it isn’t meant to make money from events, just enough to cover expenses. It’s meant to be somewhere rentable that people can use to host a variety of events and promote community within Nanaimo.

Having completed my Logo and drafted my brand standards, I began trying to figure out ways to apply my brand. Here’s what I came up with for my presentation.

PROJECT ONE RATIONALE - BLOG POST #9

Project 1 - Environmental Redesign Rationale

ARTG371 - Sara Holmes

Product: Tsubazo Pairing Knife

Project Description: For this project, the goal was to find an overly packaged item and redesign it to create something more environmentally friendly. We were allowed to choose anything we deemed to be overpackaged, even if the packaging seemed alright. My goal was to create a package that could be used again, either as individual components or as one piece. I wanted to make sure that any waste from the project was one hundred percent recyclable. I also wanted to create a package that turned a simple pairing knife into a beautiful gift to be opened.

Environmental Considerations: When walking down the aisle of any store, it is unlikely that you will see more than a couple of packages with no plastic involved. Since the invention of plastic, it has been involved in packaging whether that has been as a plastic sleeve, bubble wrap, slips of plastic, etc. Even if it is made reusable (hard plastic), most of it ends up at the dump where it will take hundreds of years to break down completely. 

I wanted to create a simple enough package that could be completely reused, and if the person has no interest in reusing it, it could decompose naturally. For this project, I used the following:

Scrap Wood - 13 years to decompose.

Wood Glue - 1-3 years. Breaks down over a period of time when exposed to moisture. 

Cloth - 1-5 months to decompose.

Thread - 3-4 months to decompose.

Tracing paper - 1-4 weeks to decompose, could also be reused to wrap a gift, jot down notes, or even as tracing paper!

Recycled paper - 2-6 weeks to decompose. 

While a bit more effort is put into the packaging because of this, my audience could comfortably buy this product without worry of what to do with the package upon opening. The box could be reused to hold paint brushes, pencils, another gift, or even the knife. 

Design Concept and Solutions: 

My goal was to create a package for the product that could do a better job of representing the product inside. I wanted to completely eradicate the use of plastic, make a package that created less of an impact on the environment and was beautiful for the user to look at as well as. The original package that was cardboard and plastic and I did not think that it matched the quality of the product inside, a Japanese pairing knife.

The purpose of the item inside is to be used as an everyday knife for cutting up vegetables and fruit. My goal was to create a package that reflected the rich culture and heritage of the country that it was made in. I wanted to wow the user and make something that they would be inclined to reuse and if not, know with certainty that they could recycle it.

I began by looking at Japanese knives, the beautiful simplicity to the hilt matched with the rich texture of the blade. So much beauty deserved something more. I remembered reading about Japanese joinery a while ago and after reading up about it again, the idea came to me that I should make a box for the blade and use no nails. It would be better for the environment and would reflect Japan. 

I decided that I wanted my audience to be a culinary student or a professional in the industry. I wanted to create something that would give that person absolute joy to open. The idea was that I wanted the person opening it to have the same emotion a design student down when opening their MacBook packaging up for the first time. That feeling of excitement while opening up the layers of the box to reveal the item inside is what I wanted to promote.

Considerations:

Heritage - Japan has a very rich heritage and I wanted to make sure that the design was to that standard.

Environmental - The package should be simple but elegant, easily recycled.

Colour - Japan’s flag is a beautiful shade of red and the initial packaging makes attempts at that.

Typography - Japanese design loves geometrical sans-serifs.

Experience - This should be an exceptional experience for a culinary student.

Using these considerations, I applied myself to this redesign and my goal, which never changed during the entirety of this redesign.

I was planning to seal the box closed with a wax seal to give a sense of elegance. However, someone pointed out to me that this would leave a stain on the box. I also realized as I stood there with it in my hands, that a wax seal was too much, which is why I decided to wrap it in tracing paper instead. A great thing about the tracing paper is the auditory sensation of unwrapping it and the relation it has to actually receive a gift from someone. Suddenly, without me having to nudge anyone into thinking so, the package actually did look like a gift while keeping the box below visible. 

I also considered placing a seal anyway on the paper wrap but decided I loved the simple elegance of the wrap alone. Sometimes, even if you think you have a concrete plan, when it comes to the creation side they fall to the wayside. That is why creating a prototype is so important.  

Initially, I also had lofty plans for painting a beautiful scene on the lid of the box. However, during our feedback week, I had a lot of the students tell me that they loved how simple the box was, that the concept even reminded them of home. One of the girls told me that she was studying in Canada because she wanted to buy and sell products and she would definitely want to sell my product in Japan!

I was pretty attached to the idea of painting, but you learn a lot in design as you go through and build products, that sometimes it’s best to kill your darlings. Getting attached to one concept is a bad idea.

I found instead that I could create a colour pop by taking the wine red from the Japanese flag on the paper wrap and matching it to a fabric, which I then sewed into a handkerchief with the help of my mother and sister. I proudly did the inside seam and ironed it, but when the time came to sew the top, my sister, with her costuming diploma, stepped in for me. 

The end result is a beautiful, simple yet elegant gift. When opening, the user has to first slide off the paper wrap, open the tracing paper, slide back the lid and then finally unfold the handkerchief to reveal the blade inside, safely nestled within the fabric to keep it from moving while in transit.

Design Thinking  - Tim Brown

‘Design Thinking’ by Tim Brown is an article about the development of design thinking in the ideation stage of a project and how it has led to new ideas that have flourished due to the consideration of the human element.

It’s always interesting to discover a new facet of the design process and while I believe that Design Thinking is something that we have been integrating into our learning for the past couple years, it’s nice to take a more in-depth look at it and this article is an easy introduction.

Here are my key takeaways:

Innovation = design thinking. One follows the other, you can invent on your own but it won’t ever get far without other’s input and without thinking of the human element.

The design process has been reimagined in the sense that designers no longer come in late to the project but are involved from the beginning and are often even asked to help with the design of the actual product/program.

Design Thinking is only growing as a ‘trade’ as economies shift from physical products to knowledge-based outcomes.

Succesful design thinkers are empathetic, integrative thinkers, optimistic, experimental and collaborative.

I found this case study for a portable incubator called Embrace. Embrace was developed with the idea of keeping premature babies alive by offering a portable incubator to families that live far from the hospital. What I like about this piece is the objective behind it, and a key message in the article.

“Empathy is at the heart of design. Without the understanding of what others see, feel, and experience, design is a pointless task.”

This project really focuses in on the people using it and went through a couple iterations before being finalized. It took feedback from users in the areas it was wanting to help seriously and that’s what made it successful. If they’d only designed something and sent it out to people without consideration, the project would have failed. This article does a good job of showing that.

Day Nine - Blog Post #11

Project 2 Creative Brief: Granola Package Design for Good Life Juice

Objectives 

My goal is to create a sustainable series of packages for Good Life Juice’s new Granola line that stays true to the brand while being economically responsible for the producer (production costs and impact) and the environment. It should reflect Good Life Juice’s brand while being design smart. By that I mean that the design should be lasting and not follow trends, it should be something that my client can use for many years. I want to make something that will appeal to both men and women because my client said that 80% of her current clientele is female. Interestingly, 75% of her workforce is also female and that is something I want to showcase with the packaging as well. 

The goal isn’t to scare men away from it though. So we’re looking for something more in the middle. My client also specified that she would like the packaging to be ‘classy, beautiful and femme’. 

I already know that I want to make something super environmentally friendly that will match the way Good Life presents itself and strives to be. I found a Canadian Website that prints on seed paper and that’s a route I would really like to go down.

I also want to focus on the life cycle of the granola and the juice pulp involved in it. From start to finish, this granola is environmentally involved and I think this story is important. My client also mentioned that if my package contains plastic, she would like instructions for the user on how to recycle the plastic so that it is eco-responsible as a package and I think that’s really something I’d like to include if I go that route.

Audience

My client is expecting a wider range audience than she usually gets for her juices so I’m going to say that my audience ranges from the late twenties to people in their mid-sixties who are focused on their health and do not mind spending a little bit more on their granola! I have my parents as the perfect test audience as they are both on a health kick right now and have started to take an interest in good design because of my field of study.

In my head, I have three basic users I want to design for. Here is a quick set of notes on each:

Karen Whitmarsh - 28

Interests include maintaining mental and physical health through juice cleanses, yoga and daily exercise. She shops at Whole Foods because she likes buying locally and organic. She’s on the market for a new granola and already drink Good Life Juice. She’s considered GLJ’s granola before but has yet to buy it because the package underwhelms her in comparison to some of the other more sustainable packaging found at Whole Foods.

Jordan Bickeridge - 35

Jordan spent most of his twenties binge drinking at parties, smoking cigarettes and not really worrying about his health and now regrets it. He is brand new to the world of health foods and just wants to buy a granola that will be healthy for him and is worth his money. He wants to go into the granola/cereal aisle at Whole Foods and just grab a package probably based on what it says. 

Elia Yang - 62

Elia has been eating raw and organic for the last five years and has finally gotten her wife on board with her. The two of them love drinking smoothies in the morning and are now looking for a filling snack that also satisfies their sweet tooth. They read online that granola was a great thing to just toss in their purse. Both of them love pretty packaging but hate waste and will likely buy packaging that appeals to them environmentally as well as aesthetically. 

As you can see, this is a pretty wide range but that was the vibe I got from our client meeting today. I think it will be a fun challenge to meet these audience expectations.

Desired Response

I feel happy buying this granola because I know that it is eco-friendly and has the ingredients I want from it to make me feel healthy and whole. 

Creative Considerations

This is NOT Mom n’ Pop’s granola. The packaging must be beautiful, high-end and gorgeous. 

My client wants to be transparent with her customers, she hates it when packages say things like ‘all-natural’ and hates pushy packages.

HAS TO BE CLASSY.

No trends, no geometry, chevrons or primary colours as per my client’s taste.

Must be careful of food packaging regulations to Canada standards.

The packaging must have the essence of the Good Life Juice brand.

I can’t go overboard with materials, it needs to be affordable for my client. 

The package should be sustainable but not look ‘hokey’. 

Place Brand Brief Schematic

We’ve Got Shapes

So step one was to make some rough shapes on my ipad and then bring them into illustrator to make them into vectors. I tried to keep the style similar to the circle so that they would all match well and ended up with this:

Alright, not bad. You’ve got a square to promote balance, structure and in a more abstract sense, community and integrity. The circle represents wholeness, infinity, oneness. The triangle is known to be the strongest shape to build with as any weight placed on them is evenly distributed amongst the sides. Triangles also represent harmony.

Placing them in a line like this makes them look a little like building blocks, or children’s toys. The idea is that you can build Place into a space you need it to be.

Rough: verb.work or shape (something) in a rough, preliminary fashion."flat surfaces of wood are roughed down"

That’s a cool meaning and it applies well to Place because it’s supposed to be a space that you can make your own during use. 

Just to be sure, I also tried out smoothing out the shapes so that I could see whether a rough shape or a smooth shape would be better.

At this point, I’m still undecided. I feel like rough and smooth have very different meenings to me. I like the way the rough one looks because it feels more organic and handmade, which is the type of community I’m trying to promote and reach with place. I want Place to be like a community hub and don’t want it to come across too polished.

On the other hand, I want Place to still appeal to higher-end events as well, despite the playful atmosphere of the logo shapes. In that sense, I think the smoother shapes could do better. I also know that the smoother shape would shrink down easier, and probably be easier to work within the long run. That being said, I don’t think it’s necessary to choose one or the other. There may be opportunities to use both styles depending on the event. 

Erin Gibbs Response

This past week, we had Erin Gibbs join our class and present her process to us. She was extremely knowledgable and very thorough about her process. As someone who creates items for a customer base already, I found it really cool and helpful to learn about how she creates and how her items get manufactured. It was our task to come up with a piece in response to her work or inspired by it. I remember immediately scratching out this phrase after the class, perhaps the fact that she showed us a jungle-inspired line was to blame. Either way, I had a lot of fun making this piece though it alone took me 5+ hours. I can’t imagine creating a whole line based on it! 

When I think about Design Thinking, I mainly just think about a circle. A circle represents fullness, infinite and the feeling of being complete. It also has no actual beginning or end, much like the design thinking process. Sure, you start with a problem and you end with a solution to the problem (hopefully) but your path to get there isn’t always linear and can involve a lot of back and forth. Or, you get there in one full turn. Either way, each step of the process is connected. Whether you choose to believe in design thinking or not, you most likely have a loose concept of it that you follow anyway.