Visual Development For Pixar’s Onward By Carlos Felipe Leon

「 what was it you said about light magic? good for nothing, wasn’t it? ✨ 」

Oh my god, I just witness the miracle that is “behind the arcana” on Twitter and I pulled out these gems… Oh my god this made my day

That is all…

Rook : So- Ratatouille or Cheese Soufflé? Probably the only time they ever agree on the same thing lol

Every horror game protag: *Meticulously goes through the dilapidated maze-like rooms and hallways of the Horror House, braving its murderous inhabitants and various traps, looking for puzzle pieces that’ll open all the locked doors which will lead even further into the house and to even more puzzle doors*

Me, if I were in the same situation:

+10 Sister Rivalry

I accidentally got a new art style by drawing on that memes to create this comic- Oh well-

I T ‘ S    F I N E

Momtagne and his very, very, VERY  late teens kid. 

@incorrect-r6s

I might be drawing something like this a lot more often since these gave me lots of inspiration lol

Wake up to see the stars collide

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Lion is in coma. Also, there is a rosary in his hand, and a grieving man in the room.

Doc/Lion, 3.4K words, T rated, hurt/comfort, mention of injuries and self-deprecating thoughts.

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IQ : *finds Bandit’s batteries and destroy them all*

I don’t know why I even made this I’m S O R R Y -

Quick little video tutorial! This is a method I use to block in shapes when I’m fighting the urge to polish my lineart at an early stage, especially in rough concept art that doesn’t actually need polished lineart.

I group two layers in photoshop—a rough sketch, and a flat color—and then carve out the negative space by painting into a mask on the group, instead of filling in the positive shapes. From there I can start painting and adding shading into that group, knowing that I’ve already locked down a good initial silhouette for the object/character:

It feels like oil painting, and I end up finding silhouettes/shapes in a way I wouldn’t if I was obsessively cleaning up the linework first. Digital art has a tendency to veer towards cleanliness/polish, so I love finding little opportunities for happy accidents and a bit of mess!

I used it on my unicorn piece last month, for instance, which I think would have lost a lot of its dynamism and charm if I had worried too much about doing a full ink pass:

Hope this is at all helpful!  It’s not a method I use 100% of the time, but it really helps move my process along when I do need it 👍🏼