You’re standing in a room you used to know so well, a hand on the doorframe when it starts. The walls blur and your shirt’s off; there’s a hand reaching for your waist. Almost an invitation. Almost something more. How many times has this body been almost touched? The world rights itself and you’re past the first exhibit. You move inside, past the books, the poems, the lists you almost finished. You’re sitting on the edge of a bed when it hits you again: a mouth on your mouth, a hand on your thigh. Almost an argument. Almost a mistake. You could call this the exhibit of personal significance. You move toward the window, making note of the sideshows playing out around you. The time you almost saw the streets of Spain. All the nights you almost saw the sun rise. All the times you almost reached out to someone but didn’t. Your mind’s moving someplace else now, to a series of snapshots. Eyes in different colors, blurry faces thrown back in laughter, hands poised around drawing pencils. Freckles on shoulder caps, tattoos in small corners of the body. Tell me, how many people have you almost loved? Call this the art gallery. Call this the main attraction.
Kelsey Danielle, “Call Me a Series of Almosts” (via pigmenting)
“we saw the edges of all there is — so brutal and alive it seemed to comprehend us back” Tracy K. Smith, My God It’s Full of Stars (via: skinthepoet)
Messier 78: a reflection nebula in Orion js
The letter be
I do not think I’ve ever told anyone this story. Right after it happened, the memory lived then left, trespassing the dark edge that neighbors the mind: the void at the back of our head. I once read somewhere about a neurological effect, one in which memories forever stay inside our heads; they linger camouflaged into the wallpapers of our minds until abruptly popping into thought again. Like this morning when I woke up to the bright lights of this story you’re about to read; it seemed to be the only thing to fit inside my head: omnipresent as the blues in the sky; self-evident as sin in a church.
It happened in New York City a while back when a lady on the N train sat by my side. Books laid on both of our laps, only none of us read. She asked me if like her, I stopped my reading when the tracks of the train rose above ground. I can’t remember what I answered, but next thing I knew her words were walking me through her world: 67, a widow, avid reader, a walker when her knees cooperate.
She seemed to have a predilection for the affirmative; a sort of soft spot for full stops. At some point in our talk she voiced “You’ll think me a lunatic, but I’ve spent a great chunk of this day thinking about the letter B”. “How it comes second in the alphabet; how nobody acknowledges its prominence despite being of more consequence than any other letter there is. Do you ever think like this?” I said I didn’t, her eyes spotting my lie.
“It has become my favorite letter, the more I think of it” she added, then moved on to explain —through the deafening shrieks of the tracks—how many words beginning with the letter B were pivotal to illustrating the nuance of a life. “Think of the bright & the burned, the born & buried, the blessed & the blamed, the bountiful & the broke, the balanced & the belligerent. It goes full circle, doesn’t it? A cycle where opposing extremes slip their skins into the same gown. Black & white, beginning & ending are just that: sisters” Her eloquence, exquisite.
I stopped listening to commuters and their pressing chatter, the train’s wheels in the tracks screeched the weight of friction. My thinking surrendered to the dragging strengths of the wave this lady had spilled out of her mouth. I flicked through a million thoughts. “You’re absolutely right” I uttered.
“And isn’t that how we conjugate an existence? With the verb to be?” she topped her previous words.
This lady's imagery & clever murdered me unready. For a split now the world paused, our bodies yanked to the rhythm of inertia bred by our train hitting the brakes.
Awestruck & blank, I didn’t know how to react. Her analogies were skilled.
“Oh BBBBBrooklyn, this is me”.
She walked out, sly as a cat, and stood on the platform looking back into my eyes. Her lips spread a smile whilst the MTA guy begged for the 50th time to stand clear of the closing doors, please.
As the rubber edges of the doors rushed to a close, she mouthed:
“BBBBBBYE” & laughed.
I do not want to name it, / I want to watch it faint / heart-beat, pulse-beat / as it quivers, I do not want / to talk about it, / I want to minimize thought / concentrate on it / till I shrink, / dematerialize / and am drawn into it.
H.D., from Selected Poems; “Tribute to the Angel,” (via xshayarsha)
note to self: don’t stop fighting
Tell him, only say my name if you can swallow it dead.
Kristin Chang, from “In the Dead of Spring,” published in Vagabond City (via lifeinpoetry)
I know I used to live without you but that was before I knew the brown speckles of your eyes or the softness of your lips. Before your laughter became my favourite sound and your smile the brightest part of my day. That was before I fell in love with you. Now you’re a part of me like the blood in my veins or the air in my lungs and I need you just as bad. I can’t imagine a day without you and I hope I’ll never have to again.
(via ifthenightcouldtalk)