To Be Fair, His Mentor Did The Same Thing (from Inside A Pit No Less) With Ease. I'm Sure He Grew Up

People are sleeping on The Fare (2019). I stumbled upon it when researching time travel movies and it has an interesting take on Persephone and the Underworld. Her costume design is subtle and I love it!

He reinforces the theme when Sarah nearly kills Miles Dyson. She's methodical and cold and ready to kill him without a thought. It's when she realizes what she's doing - murdering an as-yet innocent man - that she pulls back in horror and needs to be comforted by her son.

Although as a side note, the first time I ever saw this movie was on TBS and I missed the first 30 minutes (and the first movie). I legitimately thought that John was lying about Kyle Reese's existence. I thought John Connor had been the one to travel back in time and save his mother and he'd simply given a pseudonym. I totally got these incest vibes from how overly concerned John seems about his mother.

"During the writing process, he was in his living room excitedly explaining the T-1000 to his friend and collaborator Stan Winston when Winston raised a concern. "I don't know who the bad guy is," Winston said. "I need a specific character, a specific image." To Winston, what Cameron was describing sounded like a blob of goo, not an iconic evildoer. "From a story standpoint, I thought it was a problem," Winston later recalled in an interview for the picture-book history of his story, "The Winston Effect." Cameron respected Winston's instincts for creating memorable characters, and he started reconsidering how he would shape this one. Later that same night, the effects artist got a phone call from his friend. "I've got it!" Cameron said. "He's a cop!" The form the T-1000 would take for most of the movie was a Los Angeles police officer. This solved the storytelling dilemma Winston had raised and also gave Cameron an opportunity to underline a central theme in both of the Terminator movies - how people, especially those in violent jobs, like soldiers and cops, can become barbarized. "The Terminator films are not really about the human race getting killed of by future machines. They're about us losing touch with our own humanity and becoming machines, which allows us to kill and brutalize each other," he says. "Cops think all non-cops as less than they are, stupid, weak, and evil. They dehumanize the people they are sworn to protect and desensitize themselves in order to do that job.""

Source: https://www.amazon.com/Futurist-Life-Films-James-Cameron-ebook/dp/B0034184U0

One of the reasons I loved Sunshine so much was because it highlighted the enormity of the Sun and its awesome power. And because it tried to walk a line between entertaining movie and accurate science.

For all the writer's tips and tricks I've read advising not to head hop, it's very irritating to read a bestseller novelist do it. Here I was thinking that I'd imagined it or misunderstood as a child, but here it is!

Clearly, the lesson here is to do what you want!

I have never liked the the skill versus luck debate, but it's acquired an intolerable dimension with the self-publishing groups I've joined.

The argument is deceptively simple, if you work hard, you should be successful. If you aren't, you aren't working hard enough. It doesn't take into account that luck has a part as well. A chance meeting with the company president may get me noticed. Or coffee spilled on my shirt means I miss that same meeting. Butterfly effect. Neither of those examples take into account how good I am at whatever I do; it's based things outside of my control. It gets more complex when you take into account economic background, education, race, gender, etc., but that's beside the point here.

This blindness gets worse when it comes to self-publishing because it involves two different skill sets: writing and marketing. I could be the best author out there, but if no one knows I exist, then I'm not selling anything. Likewise, I could be a marketing guru with a crappy book to sell and while I might do better initially, people will catch on and I'll not sell anything.

You can sharpen both skills, but only so far because luck is still a factor.

Perhaps I'm just frustrated by the lack of awareness that working hard doesn't always equal results.

About once a year I revisit Event Horizon. I love this movie, but each time is for a different reason. Sometimes because it's a ridiculous horror. Sometimes because it's a great horror. Because I love the actors in it. Because the Lewis and Clark's bridge set was NOT designed with the approach to the Event Horizon in mind.

This last time when I watched it I noticed the cinematography. This movie was definitely written and budgeted to be a crappy summer film, yet there was a beautifully effective dolly zoom when Weir was in the tunnels. It helped demarcate the line between "this ship is old and malfunctioning" and "this ship is haunted". It set the tone for the rest of the visions the crew experienced. I've tried for years to recapture the terror in that scene.

I was looking at D&D spells today and I realized how much of a menace I'd be if I get isekai'd and returned. Fireball has limited uses in the Real World. Otto's Irresistible Dance? The possibilities are endless.

The problem with not having writer friends or friends who read books is that when I'm really excited, I have no one to share it with.

My BFF is an artist and they can show me drawings that they've been working on for days. I LOVE to see the sketches and evolution from the beginning to the finished product. We don't have the same visual process for writing. Instead, I end up holding my BFF hostage and sound like a nerdy loon while they desperately try to make sense of my rantings. I could work for an hour on a sentence and it looks about the same as when I started to an outsider! >.<

Books I'm working on/completed:

Operation Blackout (2018)

Special Agent Morgan Connor's job is simple: track down humans with supernatural abilities and assess their threat level. When he looks into the Starr family, he stumbles upon more than he was expecting- sibling Others. The youngest, Cassie, is taken into protective custody while the elder, Orion, is forced to become the Bureau's newest asset. But the government isn't the only one interested in the siblings. Connor and Orion must contend with a group of renegade Others and the mysterious Mr. Lionhart while trying to uncover why both are so interested in the Starr family.

Whisper Glen (Forthcoming - Querying)

Aimless Rachel Brooks always wanted to have an exciting adventure like the heroes of her favorite books, but living in 1998 rural West Virginia limited her prospects to mere daydreams. Until the ghost of her Nana tells her about the town's population of magical creatures and Rachel finds her little world completely upended. Rachel begins studying under Nana to learn her responsibilities, but things quickly become complicated. Whisper Glen has been without a guardian since Nana's death and several Legends have taken advantage of her absence. Nana also hasn't been completely honest about the Guardians' history. Will Rachel master her new role or will things spiral out of her control?

The Melograno (2026)

When Amaryllis Volans and Rafferty Dodgeson wake from cryogenic slumber, they have no memories and no idea how they got on board the abandoned luxury liner Melograno. Unsettling visions of the crew and passengers plague the pair as they try to retrace their steps and signal for rescue. But the first ship to dock with them isn't there to help- pirates have laid claim to the floundering ship. Amaryllis and Dodgeson must work together to find a way to escape before they're killed or enslaved.

Operation Blackout: Lies and Convictions (Forthcoming)

After explosive Waterfront Incident six months ago resulted in euthanasia for all captured Others in the interest of public safety, Morgan Connor decided to work from within BSI to keep harmless Others safe. But his personal mission becomes complicated when he is partnered with old acquaintance John Reeves. And Reeves has a secret mission of his own: he's been tasked with determining if Connor should also be "euthanized". As the lies keep piling up, Connor is unexpectedly reunited with Orion Starr. Can Connor keep Orion's presence secret or will his lies be exposed?