ALT
Flash by Matthew DeMino
In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.
From this point forward – at least for the next half year – you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.
The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those, later.
Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”
Instead, you’ll have to Un-pack that to something like: “The mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.”
Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.
Instead of saying: “Adam knew Gwen liked him.”
You’ll have to say: “Between classes, Gwen was always leaned on his locker when he’d go to open it. She’d roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her ass. And the next break, Gwen would be leaned there, again.”
In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.
Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later) In a way, they state the intention of the paragraph. And what follows, illustrates them.
For example:
“Brenda knew she’d never make the deadline. Traffic was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…”
Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.
If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.
Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Don’t tell your reader: “Lisa hated Tom.”
Instead, make your case like a lawyer in court, detail by detail. Present each piece of evidence. For example:
“During role call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout: ‘Butt Wipe,” just as Tom was saying, ‘Here’.”
One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.
For example: Waiting for the bus, Mark started to worry about how long the trip would take..”
A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”
A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.
Oh, and you can just forget about using the verbs forget and remember.
No more transitions such as: “Wanda remember how Nelson used to brush her hair.”
Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”
Again, Un-pack. Don’t take short-cuts.
Better yet, get your character with another character, fast. Get them together and get the action started. Let their actions and words show their thoughts. You – stay out of their heads.
And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”
For example:
“Ann’s eyes are blue.”
“Ann has blue eyes.”
Versus:
“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”
Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.
And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.”
Please. For now, hate me all you want, but don’t use “thought” verbs. After Christmas, go crazy, but I’d bet money you won’t.
[ Essay by Chuck Palahniuk on August 12, 2013]
There currently is not a perfect solution to help the Iranian people but WE CAN STILL SPREAD AWARENESS!!! We can still bring change but the first step is to educate!
Please share and do whatever you can!
We need to get this out there!
You've heard of the fan bros
But have you ever heard of
The traumatised bros
*Distant sobbing*
Greetings,
My name is Mohammad Abu Swierh, and I’m reaching out to you from Al-Nuseirat, Gaza, where my wife and I are raising our three precious children: Mira, Bakr, and Maria. Our lives have been upended by the relentless conflict that has plagued our home for over 11 months. 💔
The daily reality we face is beyond what words can express. We live with constant fear and uncertainty, and our once-comfortable home has been severely damaged, leaving us to grapple with unimaginable challenges. My children have been deprived of a normal childhood, and we now find ourselves in a desperate struggle for survival. 💔😔
After much thought and heartache, we have made the difficult decision to leave Gaza in search of a better future for our children, a future where they can grow up safe, free from the shadows of war. But we cannot make this journey alone.
Here’s how your support can make a difference:
- 20,000$: To cover the expenses of leaving Gaza and starting a new life.
- 19,000$: For a year’s worth of housing, living expenses, and other essentials.
- 1,000$: Approx. GoFundMe transaction fees.
This is not just about escaping danger; it’s about giving my children a chance to live, to learn, and to hope. Every contribution, no matter the size, brings us one step closer to a life of safety and dignity. 🙏
Your generosity can be the beacon of light that guides us through this dark time. Please consider donating and sharing our story with others who might want to help. 🌹
From the depths of our hearts, thank you for standing with us. ❤️🍉
Note: Unfortunately, my previous account was unexpectedly terminated for reasons that remain unclear to me. Despite this setback, I am determined to continue my journey and my efforts to raise the necessary funds to provide a brighter future for my family.
@90-ghost @sayruq @riding-with-the-wild-hunt @fairuzfakhira @kaapstadgirly @dimonds456-art @plomegranate @commissions4aid-international @communitythings @palestinegenocide @ghost-and-a-half @feluka @toughknit @flower-tea-fairies @vivisection-gf @communistchameleon @troythecatfish @the-bastard-king
The missing perspective
yue qingyuan, holding up a portrait of shen jiu: have you seen my shidi?
random cang qiong disciple: is peak lord shen missing? do we need to search for him??
yue qingyuan, looking at the portrait and sighing wistfully: no, I just wanted to show you how handsome and elegant he is.
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(Source)