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Are there other words like egregious where their meanings are antonyms?

you bet your butt there is! they’re called contronyms

(before getting into the words, I should clarify that the following words words aren’t really contronyms. Instead, their new definition is the opposite of the more archaic one)

artificial new definition: made or produced by human beings rather than occurring naturally.artificial old definition: artfully or skillfully made.awful new definition: very bad or unpleasant.awful old definition: inspiring reverential wonder.harlot new definition: a mischievous man.harlot old definition: a prostitute or promiscuous woman.resentment new definition: bitter indignation at having been treated unfairly.resentment old definition: the quality of being thankful.specious new definition: misleading in appearance, especially misleadingly attractive.specious old definition: fair or beautiful.symposium new definition: a drinking party.symposium old definition: a conference or meeting to discuss a particular subject.terrific new definition: of great size, amount, or intensity.terrific old definition: making someone afraid or anxious; terrifying.

then there are words that can mean one of two things which are opposite! (the true contronyms)

bitch: someone who is over aggressive or domineering OR someone who is excessively submissiveclip: to bind together OR to seperatedust: remove the dust from something OR apply dust to somethingoff: to turn off (a light) OR the go off (an alarm)resign: can either be resign or re-signseed: lay down seed OR remove the seeds from somethingstone: throw stones at OR remove the stone from a fruit (peaches, plums etc.)

thank you for the ask

Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

words to describe personality

positive adjectives:

amiable: having or displaying a friendly and pleasant manner.

diligent: having or showing care and conscientiousness in one’s work or duties.

exuberant: filled with or characterized by a lively energy and excitement.

gregarious: temperamentally seeking and enjoying the company of others.

convivial: friendly, lively, and enjoyable.

placid: not easily upset or excited.

adroit: clever or skillful in using the hands or mind.

amatory: relating to or induced by sexual love or desire.

negative adjectives:

boorish: rough and bad-mannered; coarse.

cantankerous: bad-tempered, argumentative, and uncooperative.

miserly: characterized by or indicative of lack of generosity.

pompous: affectedly and irritatingly grand, solemn, or self-important.

shiftless: characterized by laziness, indolence, and a lack of ambition.

parsimonious: unwilling to spend money or use resources; stingy or frugal.

obtuse: blunt; stupid

writers:

break up your paragraphs. big paragraphs are scary, your readers will get scared

fuuuuck epithets. “the other man got up” “the taller woman sat down” “the blonde walked away” nahhh. call them by their names or rework the sentence. you can do so much better than this (exception: if the reader doesn’t know the character(s) you’re referring to yet, it’s a-okay to refer to them by an identifying trait)

blunette is not a thing

new speaker, new paragraph. please.

“said” is such a great word. use it. make sweet love to it. but don’t kill it

use “said” more than you use synonyms for it. that way the use of synonyms gets more exciting. getting a sudden description of how a character is saying something (screaming, mumbling, sighing) is more interesting that way.

if your summary says “I suck at summaries” or “story better than summary” you’re turning off the reader, my dude. your summary is supposed to be your hook. you gotta own it, just like you’re gonna own the story they’re about to read

follow long sentences w short ones and short ones w long ones. same goes for paragraphs

your writing is always better than you think it is. you just think it’s bad because the story’s always gonna be predicable to the one who’s writing it

i love u guys keep on trucking

A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE. 

---

oh and also!!!!

draw what makes you happy. don’t draw for notes or attention. sure, it sucks when people don’t give it as much attention as you want, but don’t do it for that.

don’t draw to get noticed. draw for passion. draw because you want to, not because you feel like you have to. 

you’ll have a much better time if you draw for yourself, rather than others.

i am guilty of this sometimes, but i try my hardest not to fall into that cycle. 

Important ideas to consider when creating characters who are black and indigenous people of color. (x)

Okay I'm not sure if you've posted something like this before but how do I go about designing a character that I have the foundation of in my head but nothing else? Where do I start? How do I keep momentum going?

Hmm. I think I have the perfect set of resources for you:

Giving Characters Bad Traits

Having Trouble Connecting To Your Characters?

Writing People Of Color

Writing Children

Useful Writing Resources

Useful Writing Resources II

Resources For Describing Characters

Resources For Creating Characters

Ways To Fit Character Development Into your Story

Writing Good Villains

Interview As Your Character

31 Days Of Character Development: Wordsnstuff May Writing Challenge

Let me know if it helps, and if there’s still some things you need some extra input on!

–

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I’d also really appreciate it if you would check out my separate blog dedicated to my current work in progress. I also run writing sprints over on snapchat.

Description: Kissing and Smiling

Anonymous asked: I’m having a problem when it comes to describing kisses and smiles without using the word lips and still sound natural. Usually, I don’t mind the word, but it seems like I’ve been using it far too often in my writing, especially when it comes to smiles or smirks. Do you have anything to help with that?

Writing smiles and kisses without using the word “lips” is pretty tricky, but it can be done. Just don’t go overboard in trying to avoid using the word. Lips are crucial to both of those actions, so you can’t avoid them entirely. One thing to keep in mind with describing kisses is that lips touching lips or skin isn’t the only thing going on. Hands are roaming, hearts are speed-thumping, and hormones are going crazy—so just spending a little time on what else is going on will both flesh out and lengthen the scene without having to keep describing what the lips are doing. Smiling, at least, gives us a little more to work with. For one thing, there are multiple ways to indicate that someone is smiling:

grinning

beaming

laughing

giggling

chuckling

simpering

sneering

There are also many ways to describe the face of someone who is smiling:

face brightened

face glowing

eyes lit up/sparkled/twinkled

looking delighted/happy/amused/pleased/satisfied

cheeks dimpled

upturned face

And there are ways to describe what the mouth is doing when someone smiles:

mouth upturned

mouth twitched (quick smile)

mouth quirked/quirked up/quirked at the corners

mouth twists with [emotion]

And, instead of smiling, you could describe other visible aspects of the emotion causing them to smile:

doing things with enthusiasm

a bounce in their step, skipping, dancing

swinging arms, tapping feet

showing interest

happy tears

fist-pump, clapping, moving excited

Also, internal aspects that the person smiling might be feeling:

radiating joy

lighthearted

feeling good

being content

(with thanks to The Emotion Thesaurus for help here…) Here are some additional resources for you: Kissing Scenes How to Write a Kissing Scene via letsvvrite Pucker Up! via WriteWorld 5 Steps to Writing the Perfect Kissing Scene via Miss Literati Describing Character Reactions And Emotions: She Smiled, He Frowned

How to Write a Character Falling Out of Love

How to write a character falling in love is a topic that’s been explored a lot on writing blogs, so when I was recently asked how to write a character falling out of love I felt like it needed a full post. Thanks to natashawattswrites for the question!

A lot of us know what it feels like to be infatuated with someone and then look back on the event later in life and say to ourselves, “why did I ever like that person?” It can sometimes be easy to feel that way looking back on something, but when you’re in the moment it’s harder to explain. How to do you explain the process of falling out of love with someone? How can you let your readers know what your character is feeling? Hopefully these tips will help you.

Here are a few ways to write a character falling out of love:

They will become less interested in the other person

One big way to show that your character is falling out of love is that they start to lose interest in what the other person likes or does. Maybe they find that they like to be alone more often. Where they were once excited to hang out with other person, now they never have the urge to.

They might feel annoyed

Focus on your character’s emotions toward the other person. They might snap at their partner easily. They might get annoyed by things they say. These will all help reveal that they might not feel the same anymore.

There was an event that changed their feelings

A great way to have a character fall out of love is to write in a scene that would explain their changing feelings. Maybe they were cheated on. Maybe they’re suspicious. Maybe they just don’t feel like they connect on the same level.

They might hate the thought of being alone with the other person

One major clue that your feelings have changed for another person is if you hate the thought of having to hang out with them. This might seem like a no-brainer, but we often make excuses for these emotions like “I have a headache” or “I’m just grumpy today”—instead of figuring out why it’s happening so often

They find interest in another person

Another good way to show that your character wants to move on is if they start to become interested in someone else. This might reflect what they’re missing in their current relationship or partnership.

They feel guilty

Sometimes when people fall out of love, they feel extremely guilty about their changing feelings. They might feel like they need to give it another shot or something is wrong with how they’re feeling. Have your character analyze these feelings and try to come to terms with their relationship.

They might be afraid to lose comfort

Many people stay in a relationship that’s not quite working out because they’re afraid of being alone and losing the comfort they have in their current situation. Obviously this isn’t true for all relationships, especially abusive situations, but it can be a major factor for your character. Maybe they’re afraid to move on or they feel like they’re making a mistake.

They might feel relief when it’s all over

A character falling out of love won’t be a completely negative experience. Sometimes ridding ourselves of relationships that aren’t working is a huge relief. Consider these feelings when writing your character. They might be happy to move on and admit that they’re no longer in love (or maybe they weren’t ever in love).

-Kris Noel