Here’s some examples awkward accessibility being a thing:
Your at a hotel that has a lift to get you from one sub-floor to another, but the lift can only be unlocked and operated by one specific person that the hotel now has to go find. Sure, they’ve made the entrance to the sub-floor is accessible, but now it’s a thing.
The buses are wheelchair accessible but the driver has to stop the bus, take 30 seconds to lower the goddamn ramp, move passengers out of their seats, hook up the straps and then secure you in the bus. Sure, they’ve made the busses accessible but now it’s a thing.
The restaurant has an accessible entrance, but it’s past the trash room and through the kitchen. Sure, the restaurant is accessible, but now it’s an insulting thing.
Here’s some great examples of accessibility not being a thing:
The train to the airport pulls up flush with the platform. I board with everyone else and sit wherever the fuck I want. Riding the train is accessible and not a thing.
In Portland, I press a button the side of the streetcar and a ramp automatically extends at the same time the door opens. I board in the same amount of time as everyone else. This is not a thing.
I get that it is difficult to design for wheelchair accessibility, but folks need to start considering the overall quality of the experience versus just thinking about meeting the minimum requirements.
When writing a blind character, what are some things to avoid?
Ah! So this is definitely a bit of a broad question, but I can give a few basics:
Blind people don’t actually give a shit about touching faces, so please, please stear clear of that. The only exceptions may be the same way sighted lovers may caress each other’s faces and parents may hold a child’s face in an emotional moment, but it’s just like a sighted lover or parent would, nothing more.
Please avoid giving your character a cure. One of the most crushing things as a disabled reader is to finally have a disabled character, but for them to end up with a fantastic magic cure half-way through. It rarely makes for a good story, and often a much better story is that person’s journey in understanding themselves as equal and learning that they aren’t broken and useless and can do whatever they want, overcoming internalized ableism rather than “overcoming the disability.”
Few blind people actually wear sunglasses or eye coverings, so your character probably won’t either if the likelyhood says anything. Chances are they will not be part of that minority, so probably better not to do that.
Something similar can be said for characters with white or cloudy eyes. The vast majority of blind people will not have very abnormal-looking eyes, so chances are your character will not be part of that minority.
Another very similar thing should be noted about the level of vision they will have. Somewhere between 80 and 90% of blind people have some level of remaining vision, weather it be little more than light perception or enough that they were forced to use their eyes a lot growing up and weren’t taught braille or to use a cane because they could get by well enough not to die most of the time.
So these are just the first several things I can think of at the moment, but definitely feel free to ask about more things!
I bring a real "many female characters also have these traits you love male characters for" and "many of your fave male characters have done the same things you hate female characters for" vibe to the conversation they female character haters don't enjoy
the fact that "eco" and "ethical" are two separate concerns in the global north, and that "eco" is a much more popular concern, with many "eco" products being made in actual sweatshops, is a big part of why i am The Joker
I think there needs to be a balance between making Autobots not perfect and making Optimus’s inner circle so awful it makes no sense he trusts them or consider some of them friends.
People like to pretend I will "get better" so they do not have to think about the deadly lie they are living. Abandoning disabled and high-risk people to preventable death is eugenics.
To clarify, this is NOT just an American issue -- think of the "pan" in pandemic.
The MSKCC Library
The People's CDC (weekly weather reports on COVID in the U.S.)
Image IDs available in Alt Text and written out below:
Image ID begins. A black and white cartoon comic titled Pandemic Year 4. This is panel 1. A boy with short hair — Joey, the author of the comic — is holding a Christmas wreath and handing it to his boyfriend, a boy with long hair and a beard, who is standing in a window while decorating. The text reads: This year, my boyfriend and I got fresh pine wreaths from the farmer’s market — our fist big Christmas decorations together!
Panel 2. A hand holds pine needles. Cartoon stink clouds radiate off of the pine needles. The text reads: I break pine needles between my fingers and it smells hideous. Pain shoots through my head.
Panel 3. Joey stands in front of a table on which there are various foods. He looks disgusted and is covering his nose and mouth with his hands. The text reads: This is how I have lived since my February 2020 COVID infection. COVID caused brain and nerve damage, making everything smell and taste like rot. The condition is called parosmia, and it has no cure. Eating is a nightmare.
Panel 4. Joey’s boyfriend, a taller boy with long hair and a beard, puts his hand on Joey’s shoulder. They are shown from behind and are both wearing backpacks and winter coats. The text reads: Last week, my boyfriend walked me home from work midday after I had a near-fainting episode. I wear a heart monitor full-time. Doctors say I’m “too young”.
Panel 5. Joey is shown from behind, sitting sadly and gazing out a window. The text reads: I’ve literally been isolated from the rest of the world for four years. One COVID infection destroyed my life, and I can’t risk another. How can I get you to understand? After becoming disabled by COVID at 19 years old, I have been completely shut off from the outside world.
Panel 6. Joey stands in between two maskless and anonymous figures. Joey looks uncomfortable and is crossing his arms and gazing at them. He is wearing a respirator mask and goggles. The figure on the right is holding a bag labeled “food Joey can’t eat”. The text reads: “Friends” and family who have seen the depth of my suffering for four years have stopped masking and can’t be bothered to care. Family Christmas meant that I had to reiterate daily that I would not and physically could not eat at restaurants.
Panel 7. A drawing of an open laptop, next to which lays an N95 mask. On the laptop, a headline from the Washington Post is displayed. The headline reads: Covid kills nearly 10,000 in a month as holidays fuel spread, WHO says. The comic text reads: This winter has been the 2nd highest peak of the pandemic, with at least 10,000 Americans dying of COVID in December. Playing pretend at “normalcy” is profoundly violent and deadly. Under the comic frame, a citation reads: The Washington Post, January 11, 2024. This is an undercount, as there is no more COVID tracking in the U.S.
Panel 8. A drawing of Joey gesturing at an educational chalk board with a pointer. He is wearing a respirator mask, goggles, and a sweater vest. The text reads: COVID is a virus that causes long-term damage to your organs and nervous system. It’s also a Biosafety Level 3 pathogen, like tuberculosis, meaning that is can be lethal upon inhalation and requires special and serious PPE in Laboratories. The Memorial Sloan Kettering Cancer Center has a digital library of research on COVID impacts. https://libguides.mskcc.org/CovidImpacts/Home
Panel 9. An anonymous figure behind an oration desk is trying to cover a pile of bones behind them. On the pile of bones is a flag that says: Just keep buying and working! The text reads: You are being led to enact violence on your community members by a government who is sacrificing you on the altar of capital. You should be terrified.
Panel 10. A drawing of Joey’s head from the side. he is wearing a respirator mask. The text reads: There is no neutrality in a mass-death and mass-disabling pandemic. Wear a mask or forever be complicit. The comic is dated February 3, 2024. Image ID ends.
some of you need to go outside and I dont mean that in a mean or condescending way I mean it in a "you would benefit from talking to real people face to face, and developing social skills" type way
Megatron made the stunticons mostly by himself and they all desperatley need therapists from the momeent they are activated.
The autobots worked together to make the aerialbots and only ended up with only ONE of the planes being afraid of heights.
not to be pretentious, but a lot of stuff you guys complain is being ruined by capitalism/the algorithm/whatever can be solved by consuming something else than the most basic mainstream stuff that's thrown in your lap. "songs nowadays are getting shorter to fit entire tiktoks and it's ruining music" have you tried listening to something else than Spotify's Top 100 my dude? "fanfiction-to-publishing pipeline is churning out mediocre books and it's ruining literature" have you tried reading something outside the NYT bestseller list my dude? This is not a post about how algorithm based industries give visibility to the lowest common denominator art at the expense of actually creative and meaningful art that struggles to make itself known, which is a valid discussion for another time, this is about people actively not giving this kind of art their visibility because they won't get out of their way to discover stuff outside the mainstream radar and prefer to be passively fed what to consume while bitching that is not up to their tastes.
Greetings TFA fandom. We support characters having agency over their actions and not being boringly "perfect" in this house.
Hello, this blog is for posting things I find interesting like critical opinions about media and fanarts. PS: NO spicy fanart on this blog
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