Megatron made the stunticons mostly by himself and they all desperatley need therapists from the momeent they are activated.
The autobots worked together to make the aerialbots and only ended up with only ONE of the planes being afraid of heights.
Read your post about the black-and-white nature of the show and I see your point, however, I personally would really like to see how they handled the idea of redemption for characters like Adam and Val. Or at the very least, how Charlie engaged with them in a way that encouraged better behaviors. I think the biggest hurdle to any redemption is that not everyone wants it, you have to convince them or let them get there on their own... but (and I think this is personal based on your own morals/culture) I strongly believe anyone is capable of it. Luckily this is taking place in the afterlife, so people have truly unlimited time to self reflect and get to a point of wanting change.
That being said, I think characters with much graver crimes (Adam and Val) make for a far more interesting story within this topic. Due to the nature of what they've done, they require you to really dive into who they are as people, what their past is (what is informing their decision-making), and, importantly, what "improvement" means for them. I think you can still do this with the current cast too (Angel and Sir Pentious) but we never see it, which is frustrating.
How am I supposed to buy into Sir Pentious' redemption when we have no idea what he did in life to end up in Hell? Angel was a mobster... and yet all he has to do to "redeem" himself is stop taking drugs? What about his victims?
I think redemption should be complex, have many ups and downs, and needs to focus on not just the individual (how they got there) but their victims too (especially their victims, actually). And if the goal isn't redemption, it can still be "improvement" with a focus on getting a person to truly reconcile with the impact of their actions and how they can make better choices in the future.
All that said, it is clear to me (sadly) this show does not want to focus on these topics and dissect them in an interesting way. It teases them, which gets a person like me excited (I love the thought exercise because I do absolutely believe there is good in everyone, that is just my own deeply held belief), but then we get such a lukewarm portrayal of it that barely scratches the surface. Would have really enjoyed seeing the show double down on "yes, everyone can be a target for redemption" and then actually explore the impact of that and how Charlie's little summer camp exercises aren't going to cut it.
It's pretty sad how shallow Hazbin's themes feel when there is so much interesting potential to explore from it. But the show never bothers exploring that potential and chooses the most shallow, surface-level execution of it. Charlie trying to redeem Val and Adam could actually be interesting....but Viv doesn't want to give them any more personality or depth beyond them just being one-dimensional assholes so, ya.
Hazbin's themes feel hollow for many reasons I previously talked about but this is the biggest one; the show barely actually explores them, it only touches the surface and nothing else. In a show all about redemption, it's super funny that most of it isn't even dedicated to redeeming sinners at all.
It's just a shame because Hazbin's message is interesting and sweet, but it never bothers deconstructing that message or exploring what redemption truly means. It only explores the surface-level stuff which makes it feel incredibly hollow.
An under-talked about part of Columbo is the way it presents non-murderers. Most episodes have at least a few scenes where Columbo talks to people involved in the case who, you know, aren't the ones who killed the victim, and in those scenes to see a multitude of ways people handle grief (or, if not grief exactly, the simple shock of someone you know no longer being around). I'm watching one of my favorite episodes right now, the one with Leonard Nimoy as the killer, and Columbo is interviewing one of the victim's co-workers, a nurse, and she just keeps going on an on about how much better the victim was morally than her - how the victim really cared about healing people as opposed to herself, who only wants to advance her career. And in this brief, minute-long interaction you get both the comic relief of Columbo quickly realizing this woman will provide almost no useful information but being unable to get her to stop talking without being rude, and a very clear illustration of how the victim was inspiring to others and how this co-worker in particular not only admired her, but feels inadequate for not living up to her. It's a very short interaction, easy to ignore in the scope of the episode (Leonard Nimoy gives SUCH a good performance as a villain it'd be hard to talk about anything else), but it all adds a humanity to the episode that would be sorely missing without it. If you didn't care about the murder before, you sure as hell do now, and you know Columbo is a better person than the killer because he actually cares about the effect these murders have on people enough not to coldly shut down a grieving friend of the victim when she's rambling on about her feelings.
Anyway, I know this is a hot take for Tumblr, but Columbo is really great.
My name is mahmoud mohammed jaafar jaafar i studied computer engineering and graduated from university in 2023 i worked as a software engineer in a local company here in gaza unit the war started, then the company got destroyed and became unemployed and our house is destroyed partially and became inhabitant to live in but nevertheless we stayed in it because we do not else to go i currently live in north gaza where is a scarcity of food and i have 3 brothers and 4 sister one of them died while he was trying to find food for the family so i am the eldest in my family now i have to provide a living for them
Any amount you give me will help me a lot in supporting my family in Gaza in light of the fear and lack of food, medicine and drink
Honestly, I’d doubt Starscream knew or cared what alt modes the Combaticons had in their old forms before he built them new bodies.
So I’d kinda like to see fanart go crazy with their cybertronian alt modes, since we don’t need to care about brand unity.
Heck they might not have even had the same names, I feel the whole “rebuilt get a new name” is a sadly lost part of transformers culture these days.
And heck Starscream probably named them.
I also wonder if they had larger group of members, and how they’d react knowing Starscream blew up the rest when he destroyed the other cabinets.
[ I imagine there are still other cellblocks of prisoners dismantled since Starscream only blew up one. Scary thought.]
tutorial for drawing characters with Down syndrome!
DISCLAIMER... please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People. it's more of an overview of features that are common in people with Down syndrome, not meaning to imply that every person with DS has all of them 👍👍 thanks
if you draw any characters using this feel free to tag me!!
Please use these terms correctly. Not doing so will deeply harm the people who actually have experienced trauma, gaslighting, triggers, and people who have NPD.
As a rule of thumb, don't reblog donation posts or people asking for donations unless they've been vetted and reblogged by Palestinian bloggers. We usually go to lengths to verify this shit because we know scammers have been faking to get people to send them money, using the urgency of our genocide as bait.
It's disgusting this is what we're dealing with, but people are losing money because of some truly evil people out there.
Accounts don't just randomly spring up on tumblr without gofundmes while asking for someone to help them create a campaign. Fuck out of here with that shit.
honestly seeing godzilla minus one just made me even more jaded to the monsterverse fans who act like it doesn't matter if the movies are badly written because "it's just a godzilla movie" as if there isn't physical proof in both minus one and also shin godzilla that godzilla films can be more than that.
but EVEN THEN i'm not even fucking asking that the monsterverse fundamentally change to become poignant pieces about ptsd and survivor's guilt and government inaction, i'm fine with them remaining fun little action movies primarily about big monsters punching each other, literally all i'm asking is that the human plots do something other than (a) put me to sleep or (b) barely hold themselves together long enough to get to the next scene.
pacific rim is a film first and foremost about big robots punching big monsters, but it also has a genuinely well written human storyline with fleshed out characters. it doesn't have a half-baked plot built only to loosely connect the monster battles, it has an actual story.
like you guys "fun action movie about big monster battles" and "decent script" are not mutually exclusive and it's an insult to the kaiju genre to act like they are. and you should also take it as an insult to the fans that studios think they can ship out rushed scripts because audiences will give them money for it anyway. like, besties, i like the monsterverse. i just also acknowledge that the movies are lowkey shit and want them to be better and hope they will be in the future.
Hello, this blog is for posting things I find interesting like critical opinions about media and fanarts. PS: NO spicy fanart on this blog
126 posts