exactly
Fans: We didn’t like X-Men The Last Stand because it didn’t focus on Jean Grey or the Phoenix force and just made it about Xavier’s guilt and her love interests’ grief, there was no need for Jean to join Magneto, and the movies didn’t set up a team dynamic with any history that was sad to watch be tested.
Fox Executives:
you know. sometimes i think. in the face of tony’s obvious trauma and ptsd. in the face of the more obvious pain that bucky has suffered. we forget that steve’s motivation in the film isn’t just his tendency to hold stubbornly fast to his ideals, to do what he feels is right and damn the rest.
steve’s hurting too.
like. guys. we are so ready to give weight to tony’s emotional boiling over point at the end of the film, to say “this is why he tried to kill bucky, and it’s not right but it’s understandable.” we are so ready to acknowledge the fact that bucky was a victim and motivated to run by his fear of further persecution and hurt from nefarious forces. what about steve, though? when do we acknowledge that steve’s not just acting with righteous arrogance, but a deep anger, isolation, fear, loneliness, sadness, and hope?
steve died. like, his last memory before waking up seventy years in the future is a few days after watching his best friend fall from a train and he was unable to stop it he willingly flies a plane into the fucking Arctic, ostensibly to his death.
guys. guys. tony was fucked up for years because of untreated ptsd after falling from space and thinking he was dead. why is it so hard to remember that steve probably is fucked up, too?
this dude, he wakes up seventy years in the future and he has to make his way without really anyone or anything familiar, and the only person who is familiar is suffering from memory loss, and he’s now operating under the thumb of shadowy organization that he’s not 100 percent does good things and that continuously lies to him. there’s no war to fight, but that’s all this body is good for. it’s all he knows.
he doesn’t know what makes him happy. guys.
and so he goes through another trauma when he discovers this villain who is trying to kill him is in fact the dead best friend who—surprise!—was actually captured after falling and losing an arm and his brains were scrambled to turn him into a murder assassin. we know for a fact steve feels tremendous guilt over this. but imagine beyond guilt, the sorrow, the nightmarish possibilities, that are turning over in steve’s head. the idea of what his friend suffered. remember when rhodey fell from the sky and tony blasted sam in the chest? imagine the anger in steve’s heart at the idea of what bucky’s suffered and the unwillingness to let that go unchecked and unsaved.
oh, plus. that shadowy organization he’s been fighting for? the people he’s been taking orders from? the top dog in the neat little hierarchy that’s arranged his world? yeah. hydra. everything steve has known turns upside down. he can’t trust anything. imagine the paranoia. the suspicion. imagine the fear that must take seed at that betrayal.
and then! of course, then he begins fighting these battles with the avengers where the collateral damage is on such a bigger scale than it was at war. where there are aliens. aliens, you guys. and he’s tasked with leading this motley crew of superheroes in a world he’s still getting used to and people die, lots of people die, and we know that even if it doesnt visibly affect him like it affects tony (who always seems shocked when he’s confronted with loss, because it’s presented to him on a personal, individual level) it does affect him. that steve feels the guilt of lives lost. imagine that burden. imagine the weight of the shield, the mask, the responsibility. imagine the loneliness. the fear.
so then. then. in the space of a few days. steve deals with more guilt from the deaths in lagos. he shoulders that burden. then he deals with the moral quandary of signing the accords. he wrestles with that decision. peggy dies. he grieves, oh goodness does he grieve. vienna fuckin blows up and that elusive best friend is now the suspect. so steve is grieving, he is confused and conflicted, and now he feels doubly guilty—that’s the person he has been looking for, should he have already caught him? did he do it? he couldn’t have. does he bring him in? does he shoulder this responsibility too? what will they make him do when he catches up to bucky? what should he do? steve might act like he always knows what’s right, but a decision like this isn’t easy. it messes with a person. and when you’re dealing with all that mess in your head, sometimes you don’t think. sometimes…you act.
like when bucky is triggered, when steve stops a helicopter with his bare fucking hands, you can feel the desperation. that’s not ordinary heroics. that’s not steve just trying to stop bucky from escaping and possibly hurting others. it’s steve fighting for bucky. for this piece of his past. for the possibility of an end to loneliness. for the possibility of redemption for letting him fall.
and when they go on the run, when they know they have to stop the supersoldiers, when they clash with tony’s team, can you imagine steve’s sheer frustration that no one gets what is at stake? that no one is willing to listen? and yes, he didn’t even try—but why is that, you think? is it possibly because steve is used to institutions and those in power ignoring what he thinks is right and causing disaster anyway?
when steve says, “pal, so are we.” when steve acknowledges to natasha that he’s 90 not dead, when he openly references the fact that he and bucky are 100, can you imagine knowing that? adjusting to that? being 20-something in body and memory but 100 in actuality? living in a body that people perceive as a weapon so strongly that you’ve become a weapon when you are still longing to rediscover the man you were? steve’s not just cap. steve’s steve, and he doesn’t know what makes him happy you guys. he’s a guy, he’s a human, and he’s dealing with A Lot.
i get that he makes some bad calls in the movie. so does tony. my beef is that while tony’s decisions are often supported by his very obvious trauma and emotional burden, we rarely seem to give enough weight to the very real and very similar turmoil that is going on inside of steve.
when tony is fighting him in siberia. when steve says, “he’s my friend,” so simply, so sadly, without any righteousness, just clean tired truth, that’s steve as steve. when he hid the truth from tony, that’s steve as steve. when he drops the shield, that’s steve reclaiming himself as steve. we expect cap all the time, because often, steve is cap. it’s easy to see him as the moral police that way, if reductionist.
but we forget to see steve as steve. that he is a kid, in some ways. and a grieving, lost, lonely kid with a lot of anger, sadness, confusion, and power boiling under the placid-seeming surface.
@giftober 2024 | Day 14: stairs
Ah... This is a painful topic. I felt it was a problem with a screenplay on a fundamental level. Not everything to do with RDJ’s brilliance (though that too. He is RDJ). It’s just that... All It was “Tony’s family“, “Tony’s youth”, “Tony’s grief“, “Tony’s girlfriend left him“, “Tony’s PTSD“ “Tony’s heart problems”. Yes they made sure we understood Tony’s motivation. I loved his arc in this. But what about Steve? He deserved to be on the same level of character study. But they couldn’t even give him half decent monologue about his worldview. In his own last film! (Yeah, and why would we need his family and childhood in this? It’s not like they had an influence on him as a person. We’ll better see Howard for the tenth time). And now next time we see Steve it will be in Avengers and there won’t be any time for him as a character. Sorry but I really don’t understand how Tony’s fans can be unhappy with his treatment in mcu when he basically had 6 films where he is the no.1 character and there is a “Homecoming“ on the way.
That was the problem with Civil War. It wasn't a Cap film. The emotional arc came from Tony and overshadowed Steve's arc. Which would have been fine for an Iron Man movie. But not a Cap movie.
I do think that Steve’s character had an emotional arc and would argue that he actually went through the most change by the end, giving up the Captain America mantle, but I agree that Tony’s role and RDJ’s wonderful acting allowed him to be far more obviously emotional, which naturally drew the viewer to what he was going through. I know a lot of people felt the same way as you, Anon. Definitely a lot of Cap fans feel that he didn’t quite get his due, and I would agree with that.
As I’ve said, I loved the movie and am glad we had it, but I would like a Cap movie where Captain America is the focus and we see him and his team fight actual Captain America bad guys. Of course, I know there is a whole overreaching MCU that CACW had to work into, but yes, I’d love another Cap movie. Well, and IM4. Basically, give it all to me! I know these movies do have to end someday, but I still feel like there are more stories to tell. Maybe Tony could actually defeat his own villain in IM4? Just throwing that crazy thought out there.
I have been having an argument with a friend and he says that Marvel is for guys, please help me prove to him that there are lots of women who like Marvel!
I don't understand. There are sports where people wear skintight suits all the time. Like skiing, for example. What's the problem? She looks fantastic in it.
“One must respect the game”, but when is French Open going to respect Serena?!
China..you’re doing it right.
that’s would be like “the good the bad and the ugly“ xDDD
Does fanfiction count? I think they’ve done pretty much anything there...
Is it kiss?
Please say it’s kiss
steve rogers + symptoms of post-traumatic stress disorder, as requested by @heyhosers