Marvel, having too much fun. Me, ‘but they’re officially in a relationship?’ *grins*
Awww. Steve would be embarrassed. Poor guy.
today I learned the Avengers’ Chinese nicknames and now I’m crying
I could use some good news
This is my cat, Brigitte.
24 hours after I brought her home, I got a mindblowing job offer. Since I adopted her nine years ago, my life has become an amusement park. She has brought me good luck ever since I took her into my home.
I’m telling you, there’s something about this animal. Good fortune follows her everywhere.
I don’t want to be selfish. I have everything I need and then some. So, I’m sharing her with you.
And when you do, please remember to help your local SPCA and support them in the difficult work they do for wonder animals like Brigitte. Any donation helps your SPCA, even if it’s just five bucks.
Kitties like Brigitte are counting on you to give back when they bring you good luck.
Thanks, and congratulations on your good news!
ship: *exists*
me: okay, it's okay i guess---
shippers: *are full of nasty veil hateful people, who will bully anyone who doesn't ship said ship, forces the ship down other peoples throats, acts like they run the fandom, erases and shits on other characters bc of their ship and are all around toxic to a fandom*
me: ya know what? nvm i hate that ship, that ship is awful.
you know. sometimes i think. in the face of tony’s obvious trauma and ptsd. in the face of the more obvious pain that bucky has suffered. we forget that steve’s motivation in the film isn’t just his tendency to hold stubbornly fast to his ideals, to do what he feels is right and damn the rest.
steve’s hurting too.
like. guys. we are so ready to give weight to tony’s emotional boiling over point at the end of the film, to say “this is why he tried to kill bucky, and it’s not right but it’s understandable.” we are so ready to acknowledge the fact that bucky was a victim and motivated to run by his fear of further persecution and hurt from nefarious forces. what about steve, though? when do we acknowledge that steve’s not just acting with righteous arrogance, but a deep anger, isolation, fear, loneliness, sadness, and hope?
steve died. like, his last memory before waking up seventy years in the future is a few days after watching his best friend fall from a train and he was unable to stop it he willingly flies a plane into the fucking Arctic, ostensibly to his death.
guys. guys. tony was fucked up for years because of untreated ptsd after falling from space and thinking he was dead. why is it so hard to remember that steve probably is fucked up, too?
this dude, he wakes up seventy years in the future and he has to make his way without really anyone or anything familiar, and the only person who is familiar is suffering from memory loss, and he’s now operating under the thumb of shadowy organization that he’s not 100 percent does good things and that continuously lies to him. there’s no war to fight, but that’s all this body is good for. it’s all he knows.
he doesn’t know what makes him happy. guys.
and so he goes through another trauma when he discovers this villain who is trying to kill him is in fact the dead best friend who—surprise!—was actually captured after falling and losing an arm and his brains were scrambled to turn him into a murder assassin. we know for a fact steve feels tremendous guilt over this. but imagine beyond guilt, the sorrow, the nightmarish possibilities, that are turning over in steve’s head. the idea of what his friend suffered. remember when rhodey fell from the sky and tony blasted sam in the chest? imagine the anger in steve’s heart at the idea of what bucky’s suffered and the unwillingness to let that go unchecked and unsaved.
oh, plus. that shadowy organization he’s been fighting for? the people he’s been taking orders from? the top dog in the neat little hierarchy that’s arranged his world? yeah. hydra. everything steve has known turns upside down. he can’t trust anything. imagine the paranoia. the suspicion. imagine the fear that must take seed at that betrayal.
and then! of course, then he begins fighting these battles with the avengers where the collateral damage is on such a bigger scale than it was at war. where there are aliens. aliens, you guys. and he’s tasked with leading this motley crew of superheroes in a world he’s still getting used to and people die, lots of people die, and we know that even if it doesnt visibly affect him like it affects tony (who always seems shocked when he’s confronted with loss, because it’s presented to him on a personal, individual level) it does affect him. that steve feels the guilt of lives lost. imagine that burden. imagine the weight of the shield, the mask, the responsibility. imagine the loneliness. the fear.
so then. then. in the space of a few days. steve deals with more guilt from the deaths in lagos. he shoulders that burden. then he deals with the moral quandary of signing the accords. he wrestles with that decision. peggy dies. he grieves, oh goodness does he grieve. vienna fuckin blows up and that elusive best friend is now the suspect. so steve is grieving, he is confused and conflicted, and now he feels doubly guilty—that’s the person he has been looking for, should he have already caught him? did he do it? he couldn’t have. does he bring him in? does he shoulder this responsibility too? what will they make him do when he catches up to bucky? what should he do? steve might act like he always knows what’s right, but a decision like this isn’t easy. it messes with a person. and when you’re dealing with all that mess in your head, sometimes you don’t think. sometimes…you act.
like when bucky is triggered, when steve stops a helicopter with his bare fucking hands, you can feel the desperation. that’s not ordinary heroics. that’s not steve just trying to stop bucky from escaping and possibly hurting others. it’s steve fighting for bucky. for this piece of his past. for the possibility of an end to loneliness. for the possibility of redemption for letting him fall.
and when they go on the run, when they know they have to stop the supersoldiers, when they clash with tony’s team, can you imagine steve’s sheer frustration that no one gets what is at stake? that no one is willing to listen? and yes, he didn’t even try—but why is that, you think? is it possibly because steve is used to institutions and those in power ignoring what he thinks is right and causing disaster anyway?
when steve says, “pal, so are we.” when steve acknowledges to natasha that he’s 90 not dead, when he openly references the fact that he and bucky are 100, can you imagine knowing that? adjusting to that? being 20-something in body and memory but 100 in actuality? living in a body that people perceive as a weapon so strongly that you’ve become a weapon when you are still longing to rediscover the man you were? steve’s not just cap. steve’s steve, and he doesn’t know what makes him happy you guys. he’s a guy, he’s a human, and he’s dealing with A Lot.
i get that he makes some bad calls in the movie. so does tony. my beef is that while tony’s decisions are often supported by his very obvious trauma and emotional burden, we rarely seem to give enough weight to the very real and very similar turmoil that is going on inside of steve.
when tony is fighting him in siberia. when steve says, “he’s my friend,” so simply, so sadly, without any righteousness, just clean tired truth, that’s steve as steve. when he hid the truth from tony, that’s steve as steve. when he drops the shield, that’s steve reclaiming himself as steve. we expect cap all the time, because often, steve is cap. it’s easy to see him as the moral police that way, if reductionist.
but we forget to see steve as steve. that he is a kid, in some ways. and a grieving, lost, lonely kid with a lot of anger, sadness, confusion, and power boiling under the placid-seeming surface.
About Zemo’s vision. He met Steve earier and much closer in Germany and it’s a reference to that time. As for the phrase itself I thought it was not about eyes exactly (or not only about eyes) it was more about this difference between Steve Rogers and Captain America persona.
When I watched TWS I noticed one thing. When we see Cap’s painting in museum it’s so perfect in every way. What we see is a very beautiful angelic blond boy, so pure with those sky blue eyes directed upwards. It doesn’t have character. Because they didn’t want him to have personality. They wanted him to be a perfect symbol. They just made him a set of averaged “perfect“ (in someone’s opinion) characteristics in terms of his looks and personality. And Zemo just says that CapAm is a big lie if Steve Rogers is so real and imperfect as any mortal human.
PS I really hope I expressed my thoughts adequately because I’m not that good at English
One of the things I love about Steve Rogers is that he goes against the archetype of good/optimistic characters only being – and deriving their goodness/optimism from being – innocent and naïve.
Steve isn’t naïve. Steve grew up in hardship. In the comics, he was abused and watched his mother be beaten by his father. In the movies, he had no father, but was violently bullied and dirt poor. Steve grew up in the school of hard knocks, in the middle of the Depression; any naïveté about how cruel the world could be got beaten out of him as a child.
And then, Steve signed up to go to war. He fought on the front lines of WWII, and witnessed untold violence. Some comics and cartoons show him helping to free concentration camps. And he fought – Steve never had the luxury, as Cap, of having a “no killing” rule like Superman. He’s never relished taking lives, but he’s done it when necessary. Steve is no unsullied innocent.
From all this hardship, all this violence, Steve could easily be a character who has a grim, cynical outlook on the world. He’s seen and experienced the absolute worst of humanity; he’s borne witness to genocide, after all, and horrors of war. And usually, the characters who have endured brutality are the ones who are the bitter anti-heroes, or dark and angsty heroes – the Batmans and Daredevils, the Wolverines and Punishers. Meanwhile the hopeful, optimistic heroes are often the ones who have had warm and loving homes, and who haven’t been broken yet by the world.
But Steve, despite everything, stays hopeful. Steve believes in the best of humanity, in spite of having seen it at its worst. Steve believes in the importance of Good, because he has looked deep into the heart of Evil.
Steve has suffered all his life, but he refuses to let the world break him.
That refusal, that strength of outlook and principle, and that subversion of archetype with a rejection of the increasingly popular grimdark hero narrative, are all reasons I love Captain America, and find Steve Rogers a truly interesting and inspiring hero.
Uh, I'm so envious of people who know what they want from life. She is so young and already so sure of herself. And here I am who is supposed to be a grown up woman well on the way to her 30s and I actually have no clue. People like her are an inspiration
Now at the age of 13, she had already: Attended Space Camp 7 times, Space Academy 3 times and Robotics Academy 1 time. Became the first person to complete all the NASA Space Camps in the world, including Space Camp Turkey and Space Camp Canada. Witness 3 Space Shuttle launches. Attend Sally Ride Camp at MIT, and three Sally Ride Day camps. Speak several foreign languages: Spanish, French, Chinese and some Turkish. She also delivers motivational speeches to other children.
She is determined to be the first person to land on Mars & NASA is already training her.
(Fact Sources: 1 2) Follow Ultrafacts for more facts
#dontyoudare #stony #superfamily
I just saw a post about Tony, Stephen Strange, and Peter Parker tagged as Superfamily. So I thought I’d send out this PSA that that tag is already used to refer to Tony, Steve Rogers, and their Spider-son; and has been used that way for years.
May I suggest Facialhairfamily or Ironstrangefamily? Either way I’m sure whatever you guys come up with will be cool. ;)
things tony got in civil war:
+ a flashback to an important moment in his past
+ a look at his parents and their relationship
+ a non-action/character driven scene to catch viewers up on what our hero has been doing
+ time given to his closest friendship, including a heartfelt/respectful scene at the end
+ an apology
things steve got in civil war:
+ none of that