I'm An Aspiring Artist, Kinda Any Specific Tips?

I’ve seen a lot of curious people wanting to dive into classical music but don’t know where to start, so I have written out a list of pieces to listen to depending on mood. I’ve only put out a few, but please add more if you want to. hope this helps y’all out. :)

stereotypical delightful classical music:

battalia a 10 in d major (biber)

brandenburg concerto no. 5

brandenburg concerto no. 3

symphony no. 45 - “farewell” (haydn)

if you need to chill:

rondo alla turca

fur elise

anitra’s dance

in the steppes of central asia (borodin) (added by viola-ology)

if you need to sleep:

moonlight sonata

swan lake

corral nocturne

if you need to wake up:

morning mood

summer (from the four seasons)

buckaroo holiday (if you’ve played this in orch you might end up screaming instead of waking up joyfully)

if you are feeling very proud:

pomp and circumstance

symphony no. 9 (beethoven; this is where ode to joy came from)

1812 overture

symphony no. 5, finale (tchaikovsky) (added by viola-ology)

american (dvořák)

if you feel really excited:

hoedown (copland)

bacchanale

spring (from the four seasons) (be careful, if you listen to this too much you’ll start hating it)

la gazza ladra

death and the maiden (schubert)

if you are angry and you want to take a baseball bat and start hitting a bush:

dance of the knights (from the romeo and juliet suite by prokofiev)

winter, mvt. 1 (from the four seasons)

symphony no. 10 mvt. 2 (shostakovich)

symphony no. 5 (beethoven)

totentanz (liszt)

quartet no. 8, mvt. 2 (shostakovich) (added by viola-ology)

young person’s guide to the orchestra, fugue (britten) (added by iwillsavemyworld)

if you want to cry for a really long time:

fantasia based on russian themes (rimsky-korsakov)

adagio for strings (barber)

violin concerto in e minor (mendelssohn)

aase’s death

andante festivo

if you want to feel like you’re on an adventure:

an american in paris (gershwin)

if you want chills:

danse macabre

russian easter overture

if you want to study:

eine kleine nachtmusik

bolero (ravel)

serenade for strings (elgar)

scheherazade (rimsky-korsakov) (added by viola-ology)

pines of rome, mvt. 4 (resphigi) (added by viola-ology)

if you really want to dance:

capriccio espagnol (rimsky-korsakov)

blue danube

le cid (massenet) (added by viola-ology)

radetzky march

if you want to start bouncing in your chair:

hopak (mussorgsky)

les toreadors (from carmen suite no.1)

if you’re about to pass out and you need energy:

hungarian dance no. 1

hungarian dance no. 5

if you want to hear suspense within music:

firebird

in the hall of the mountain king

ride of the valkyries

night on bald mountain (mussorgsky) (added by viola-ology)

if you want a jazzy/classical feel:

rhapsody in blue

if you want to feel emotional with no explanation:

introduction and rondo capriccioso

unfinished symphony (schubert)

symphony no. 7, allegretto (beethoven) (added by viola-ology)

canon in d (pachelbel)

if you want to sit back and have a nice cup of tea:

st. paul’s suite

concerto for two violins (vivaldi)

l’arlésienne suite

pieces that don’t really have a valid explanation:

symphony no. 40 (mozart)

cello suite no. 1 (bach)

polovtsian dances

enigma variations (elgar) (added by viola-ology)

perpetuum mobile

pieces that just sound really cool:

scherzo tarantelle

dance of the goblins

caprice no. 24 (paganini)

new world symphony, allegro con fuoco (dvorak) (added by viola-ology​)

if you feel like listening to concertos all day (I do not recommend doing that):

concerto for two violins (bach)

concerto for two violins (vivaldi)

violin concerto in a minor (vivaldi)

violin concerto (tchaikovsky) (added by iwillsavemyworld)

cello concerto in c (haydn)

piano concerto, mvt. 1 (pierne) (added by iwillsavemyworld)

harp concerto in E-flat major, mvt. 1 (added by iwillsavemyworld)

and if you really just hate classical music in general:

4′33″ (cage)

a lot of these pieces apply in multiple categories, but I sorted them by which I think they match the most. have fun exploring classical music!

also, thank you to viola-ology and iwillsavemyworld for adding on! if you would like to add on your own suggestions, please reblog and add on or message me so I can give you credit for the suggestion!

All About Writing Fight Scenes

@galaxies-are-my-ink asked,

“Do you have any advice on writing fight scenes? The type of scene I’m writing is mostly hand to hand combat between two experts. I’m definitely not an expert so when I try to write it, the scene ends up sounding repetitive and dull.”

Fore note: This post is coauthored by myself and one of my amazing critique partners, Barik S. Smith, who both writes fantastic fight scenes and teaches mixed martial arts, various artistic martial arts, and weapons classes.

I (Bryn) will tell you a secret: I trained MMA for seven years, and when I write authentic hand to hand fight scenes, they sound dull too. 

The problem with fight scenes in books is that trying to describe each punch and kick and movement (especially if it’s the only thing you’re describing) creates a fight that feels like it’s in slow motion. 

I write…

Lowering her center of gravity, she held her right hand tight to her face and threw a jab towards his chin. He shifted his weight, ducking under her punch. His hair brushed against her fist, and he stepped forward, launching a shovel hook into her exposed side.

But your brain can only read so fast. In real life that series of events would take an instant, but I needed a full eight seconds to read and comprehend it, which gave it an inherent lethargic feel. 

So, we have two primary problems:

How do we describe this fight in a way the reader can understand and keep track of? 

How do we maintain a fast paced, interesting fight once we’ve broken down the fight far enough for readers to understand it? 

(We will get back to these, I promise.) But for now, let’s look at…

Different types of “fight scenes:”

Keep reading

On the Shelves in Oxford this week we have two books focusing on two of our favourite things- literature and happiness!

Thinking with Literature offers a new perspective for mainstream literary criticism and the value of close reading, and demonstrates viability of cognitive analysis of all kinds of literature.

Happiness Explained shows how a wide range of factors can contribute to better and happier lives and how, together, they provide a new blueprint for assessing progress in terms of personal wellbeing.

Photos by Yasmin Coonjah for Oxford University Press.

Do you have any voice tips to offer???

OH MY GOD SOMEONE IS REALLY ASKING ME THIS SOMEONE IS REALLY ASKING ME THIS GYAAAAAAAAAAAAAH! 

Okay, composure Emily…composure! 

1.) A common problem that people have when singing is that they think raising their head up when they can’t reach a note will help. Let me tell ya, it really won’t. In fact, it will cause vocal problems down the road and really strain your voice. Tipping your chin down and level to the floor not only works better but sounds better.

2.) Stop using Glottal Attacks. It’s what happens when the edges of your vocal cords strike against each other in over closure. A good way to stop using them is to put soft “h’s” in front of words that begin with vowels. For example: everyone –> hh-everyone, I –> hh-I and always –> hh-always.

3.) VERY IMPORTANT TIP THAT PLAGUED ME FOR MOST OF MY CHILDHOOD: DO NOT I repeat DO NOT BREATHE WITH YOUR SHOULDERS! It used to make me shake while I sang and despite what you think, no it will not give you more air. Instead of breathing like that (vertically) you need to breathe from your chest area (I mean like around your ribs, diaphragm, etc.)  

Cup your hands around your ribs til the point where your fingers are touching. Slowly, and without moving your shoulders, breath from your abdomen. Imagine you are like a balloon being inflated. When you exhale your stomach should go IN and when your inhale your stomach should go OUT despite what cartoons depict. 

This reply is getting really long so I’ll finish it up with how you START up. Warm ups!

4.) Warm Ups. Doing warm ups before you sing is healthy for your voice and makes it easy to sing higher or lower without strain. 

This first one is called Lip Trills but I like to call it the Jean Kirschstein exercise. You know how a horse flubs it’s lips? Like BRRRRR! That’s how this works. We all do it when we’re bored but here is an example of it:

Yes, you look like a catfish, but it helps so it doesn’t matter. While you do this you hum different pitches. I do 1-2-3-4-5-4-3-2-1 which is basically like sliding up to the third and back. This may sound complicated so I’ll record a clip of it on vocaroo.

The next one is 1-5-1-9-1. We can sing this using various vowels but I use Ee-Ah-Ee-Ah-Ee.

LAST TIP! YOU NEED YOUR MOUTH TO LOOK LIKE A FISH…somewhat. When you sing things with vowels like “ee” or “ie” you tend to make your mouth wide like your smiling. DO NOT DO THAT. Instead, do this. 

Imagine that painting the Scream? Isn’t that what it’s called? Anyways, the painting of the guy that’s screaming. He holds his hands near his mouth in shock. For the time being until you can break that habit of smiling on those ie and ee words try doing this and see if it helps. 

If you have anymore questions feel free to ask! This is pretty much what I’ve learned from 10 years of singing lessons. 

Once again, I apologize that this post is really long. Thank you for asking! I love talking about singing in general! 

How to pronounce Jungkook's name

Just saw an ask on my TL. The correct pronunciation for Jungkook is Jeong-gug. The Jeong정 rhymes with long and the Gug국 rhymes with cook. That’s why when Jimin calls out Jungkook ah it goes something like “Jeong-gug-gah”. The last consonant kinda sticking to the next syllable. Like french. Lol.

**23rd May add-ons. Please read more for updated version. Cheers!

If you venture into Korean you’ll find that even the grammar’s arranged in a way that makes it easier to roll off the tongue. Like using -eun은 / -eul을 when a word ends with a consonant.. and -neun는 / -reul를 when it ends with a vowel.

Juhng-kook is the westernized way of saying it just like how Orangutan is pronounced oh-rang-ngoo-tan when Orang(Person) is pronounced Oh-rahng (rhymes with strung) & Hutan(Forest) is pronounced who-tahn(rhymes with run).

The Jeong-cook pronunciation is sometimes adapted by JK himself every once in a blue moon for International ARMYs so you can hear him switch back and forth depending on whether they’re speaking in English or addressing I-ARMYs versus speaking naturally in Korean and not thinking much about it.

“Hi, my name is Jung-cook” vs

“Ireumeun Jeong-gug”

Please refer to this video:

** Since a lot of you are still confused over the pronunciation, I thought I’d clarify with more educational videos:

Vowels

Now the issue with the ‘ㅓ’ eo character in 한글 hangul is that a lot of people tend to pronounce it as “uh” like “uh.. idk”. I’ve seen a “how to pronounce” video done by a non-native that said exactly that. Please try to find videos from natives. That would help you with accuracy.

Here’s a good video guide:

I urge you to explore more videos to broaden your knowledge. So long as you keep with the natives, you’ll be fine. Different teachers have different things to offer.

Consonants

This is for the Spanish speaker in my ask who talked about the 'J’ and the 'Ch’. Koreans tend to pronounce consonants more abruptly so you’re kinda there but it’s not as thick as a 'J’ nor is it as thin as a 'Ch’. You have ㅊ for the thin 'chs.

Here’s a good video guide:

Have fun studying!

Simple lineart trick by Looji

Support the artist and check out their commissions!

me: lmao fuckin weeaboos amiright? with all their fuckin animoo-

me: *sees a cherry blossom falling* 

me: *internally* kISS KISS FALL IN LOVE 

Bran: I know everything

Sam: oh ok so you knew rhaegar annulled his marriage

Bran: whaaaAt

Ciel naming Sebastian (.◜ω◝.)

**Please  do not reupload  here/on other sites**

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

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