Sketching Tips

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

Illegal Activity

Examining Mob Mentality

How Street Gangs Work

Domestic Abuse

Torture

Assault

Murder

Terrorism

Internet Fraud

Cyberwarfare

Computer Viruses

Corporate Crime

Political Corruption

Drug Trafficking

Human Trafficking

Sex Trafficking

Illegal Immigration

Contemporary Slavery 

Black Market Prices & Profits

AK-47 prices on the black market

Bribes

Computer Hackers and Online Fraud

Contract Killing

Exotic Animals

Fake Diplomas

Fake ID Cards, Passports and Other Identity Documents

Human Smuggling Fees

Human Traffickers Prices

Kidney and Organ Trafficking Prices

Prostitution Prices

Cocaine Prices

Ecstasy Pills Prices

Heroin Prices

Marijuana Prices

Meth Prices

Earnings From Illegal Jobs

Countries In Order Of Largest To Smallest Risk

Forensics

arson

Asphyxia

Blood Analysis

Book Review

Cause & Manner of Death

Chemistry/Physics

Computers/Cell Phones/Electronics

Cool & Odd-Mostly Odd

Corpse Identification

Corpse Location

Crime and Science Radio

crime lab

Crime Scene

Cults and Religions

DNA

Document Examination

Fingerprints/Patterned Evidence

Firearms Analysis

Forensic Anthropology

Forensic Art

Forensic Dentistry

Forensic History

Forensic Psychiatry

General Forensics

Guest Blogger

High Tech Forensics

Interesting Cases

Interesting Places

Interviews

Medical History

Medical Issues

Misc

Multiple Murderers

On This Day

Poisons & Drugs

Police Procedure

Q&A

serial killers

Space Program

Stupid Criminals

Theft

Time of Death

Toxicology

Trauma

What if tho.....

Dumbledore: This is the mirror of Erised

Harry: *looks in it*

Phantom: I AM YOUR ANGEL OF- Oops wrong mirror

Harry:

Dumbledore:

Phantom: Sorry

All About Writing Fight Scenes

@galaxies-are-my-ink asked,

“Do you have any advice on writing fight scenes? The type of scene I’m writing is mostly hand to hand combat between two experts. I’m definitely not an expert so when I try to write it, the scene ends up sounding repetitive and dull.”

Fore note: This post is coauthored by myself and one of my amazing critique partners, Barik S. Smith, who both writes fantastic fight scenes and teaches mixed martial arts, various artistic martial arts, and weapons classes.

I (Bryn) will tell you a secret: I trained MMA for seven years, and when I write authentic hand to hand fight scenes, they sound dull too. 

The problem with fight scenes in books is that trying to describe each punch and kick and movement (especially if it’s the only thing you’re describing) creates a fight that feels like it’s in slow motion. 

I write…

Lowering her center of gravity, she held her right hand tight to her face and threw a jab towards his chin. He shifted his weight, ducking under her punch. His hair brushed against her fist, and he stepped forward, launching a shovel hook into her exposed side.

But your brain can only read so fast. In real life that series of events would take an instant, but I needed a full eight seconds to read and comprehend it, which gave it an inherent lethargic feel. 

So, we have two primary problems:

How do we describe this fight in a way the reader can understand and keep track of? 

How do we maintain a fast paced, interesting fight once we’ve broken down the fight far enough for readers to understand it? 

(We will get back to these, I promise.) But for now, let’s look at…

Different types of “fight scenes:”

Keep reading

VICTORIAN TEA CAKE!

½ cup unsalted butter softened 1 cup granulated sugar 2 eggs at room temperature ½ teaspoon vanilla 1 ¾ cup sifted cake-and-pastry flour 1 ½ teaspoon baking powder 1 pinch salt ½ cup milk icing sugar

Filling : 2/3 cups whipping cream ½ cup strawberry jam

Grease and flour 8- or 9-inch (1.2 or 1.5 L) round metal cake pan; line bottom with parchment paper. Set aside.

In large bowl, beat butter until light and pale, about 2 minutes. Beat in sugar, 3 tbsp (45 mL) at a time, beating for 30 seconds after each addition, about 2 minutes. Beat in eggs, 1 at a time, beating well after each. Beat in vanilla.

In separate bowl, whisk together flour, baking powder and salt; sift into butter mixture alternately with milk, making 3 additions of dry ingredients and 2 of milk. Scrape into prepared pan.

Bake in 350 F (180 C) oven until cake tester inserted in centre comes out clean, 30 to 35 minutes. Let cool in pan on rack for 10 minutes. Turn out onto rack; peel off paper. Let cool.

Filling: In bowl, whip cream. Invert cake onto platter. Using long serrated knife, cut in half horizontally. Spread with jam; top with cream. Replace top of cake. Sift icing sugar over top.

“Who Are You”

“I’m You But Stronger”

Top 10 Muffin-Top Burning Exercises 

If you would like some help losing weight, we have compiled a list of the best weight loss products and services that have helped millions of individuals lose weight faster and more successfully. 

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The women of A Song of ice and fire  

The women of Robert’s rebellion  

They forget to tell the stories of them, when without them would be no history.

Quick and dirty hat drawing tutorial

One of my biggest pet peeves is the amount of artists (including many comics professionals) that do not draw hats properly.  Since most of the characters I draw wear them I get a lot of practice. I thought I’d share the basics with you.

Basic Hat Structure- a hat is made up of a crown (the part that covers your head) and the brim (the part that shades your eyes). The crown should be bigger than the head you draw. Always draw the head shape first and work the hat around that. The brim of a hat is NEVER flat. Hats are meant to keep the head warm and the sun off of your eyes. The front of the brim will fold down to give the eyes as much shade as possible. A band or ribbon runs around the bottom of the crown with a faux bow on the left side, mostly for aesthetic purposes.

Top Hats- These are favored by rich ducks everywhere. A proper top hat is made of silk. A lot of top hat-styled hats that are made of wool or felt are more of a coachman’s hat. Fine for cosplay but rather gauche when you’re drawing the Penguin. The traditional top hat will not have a large band and will have a ribbon around the brim. Some top hats have a crown that will collapse flat.

Bowler Hat or Derby- A short brimmed hat. A ribbon also covers the brim. The crown is rounded and made of hard material.

The Fedora- Not the short brimmed, straw trilbys you see hipsters wearing on the back of their heads. A traditional fedora is made of fur felt and has a large crown with a pinch in the front. A larger brim dips in front and traditionally is worn up in back.

Next lesson- we learn about the Homburg!

How To Adult

For those of you who need the nudge, here are some resources that’ll hopefully help you. 

Organization

Things to include when setting up a new planner

How to organize your day

The best pens for planning

Login & password tracker printable

2015′s most popular planners

Questions to help you de-clutter

Brilliant organizing solutions

Career

How to look good in a group interview

An introvert’s guide to self-promotion at work

Career planning 101

36 career tips no one will actually tell you

Best resume tips

What to do if you don’t know the answer to the interview question

A guide to cover letters

Mental & Physical Health

How to become a morning person

Why you feel tired everyday

Water intake and your diet

Finding happiness when life gets hard

Books to read when you need a laugh

Books to read in your twenties

What your gyno really wants you to know

How to wake up happy

Become a morning person

Your guide to medical check-ups (extremely important!)

When you need to get checked by a doctor timeline

Relationships

Free weekend date ideas

9 conversations every serious couple should have

Date ideas for $10 and under

Summer couple’s bucket list

Fall couple’s bucket list

50 things to do besides watch a movie

Miscellaneous 

How to make small talk

Use the Internet when there is no Internet

Which glue should you use?

How to properly tip

Expiration dates of beauty products

How to increase cell phone storage

Clothing care / laundry symbols

A guide to dealing with hangovers

Do I need a photo ID to do this?

Documents you need before you die

100+ things to throw away

How to buy a car

Cooking / Food 

Using your hand to find portion control sizes

How to cut a recipe in half

Grocery shopping like an adult

Kitchen measurement cheat sheet

Meals on the go

The shelf life of food infographic

Helpful kitchen cheat sheet

What pasta goes with what sauce?

How to pair candy with alcohol

Foods that are hazardous to dogs

Home / Apartment

Apartment inspection checklist

Planning a move in advance

Make moving easier

How to keep a clean home

Cleaning schedule printable

Car cleaning hacks

Things to do before moving out of your home

Checklist for changing your address

How to take care of your car

First place checklist

Things you can clean in the dishwasher

Finding an affordable apartment

Rental walk-through checklist

What to handle first after moving

Finances

Making and living on a budget

How to start couponing

Making a budget binder

Credit score basics

Save money on utilities

Financial habits to start right now

Get help with medical bills

How to save money every week

When airline tickets are the cheapest

Couponing for beginners

Budgeting in your home

Create a calendar budget

Get your finances under control

How to Write Successful Dialogue

@albino-troll-ninja asked:

Got any feedback/advice/links for someone who wants to make lengthy, relatively action-less dialogues between characters more than just “‘Loren ipsum,’ he said.” “'Ipsum lorem’, she replied.” for forty paragraphs?

No problem!  I love dialogue, so I’m happy to be of assistance in this department.  

Here are my personal rules of thumb:

1.  Allow the dialogue to show the character’s personality.

If you really think about your conversations, it can be telling exactly how much of someone’s personality can shine through when they speak.  

Allow your character’s persona, values, and disposition to spill over when they speak, and it will make for a significantly more interesting read for you and your reader. 

For example:  let’s take a look at a mundane exchange, and see how it can be spruced up by injecting it with a good dose of personality.

Exhibit A)

“How was your day, by the way?”  asked Oscar, pouring himself a drink.

“Not too bad,” replied Byron.  “Cloudy, but warm.  Not too many people.”

“That’s nice.”   

Exhibit B) 

“How was your day, by the way?” asked Oscar, pouring himself a drink. 

“Ugh.  Not too bad,” groaned Byron, draping himself on the couch.  “Warm, but dreary.  Gray clouds as far as the eye could see.  Not anyone worth mentioning out this time of year.”  A pause.  “Well, except me, of course.”

“Hmmph,” said Oscar, glancing over his shoulder.  “If it were me, I wouldn’t want it any other way.”

Isn’t that better?  Already, the audience will feel as though they’ve gotten to know these characters. 

This works for longer dialogue, too:  allow the character’s personal beliefs, life philosophy, and generally disposition to dictate how they talk, and your readers will thank you.

Of course, this example is also good for giving the reader a general sense of what the characters’ relationship is like.  Which brings me to my next point:

2.  Allow the dialogue to show the character’s relationship. 

Everyone is a slightly different person depending on who they’re around.  Dynamic is an important thing to master, and when you nail it between two characters, sparks can fly.

Work out which character assumes more of the Straight Man role, and which is quicker to go for lowbrow humor.  Think of who’s the more analytical of the two and who’s the more impulse driven.  Who would be the “bad cop” if the situation called for it.  

Then, allow for this to show in your dialogue, and it will immediately become infinitely more entertaining.

Example:  

“Alright,” said Fogg, examining the map before him.  “Thus far, we’ve worked out how we’re going to get in through the ventilation system, and meet up in the office above the volt.  Then, we’re cleared to start drilling.”

Passepartout grinned.  “That’s what she said.” 

“Oh, for the love of God – REALLY, Jean.  Really!?  We are PLANNING a goddamn bank robbery!”

Some more questions about dynamic to ask yourself before writing dialogue: 

Who is more likely to talk and who is more likely to listen? 

Who would talk with their mouth full of food and who would politely wait to swallow?

Is their relationship fraternal/sororal?  If so, who would be the “little sibling?”

Is one of them a bit of a mother/father figure to the other? 

Who more frequently gets irritated with who?

Who has the more understated sense of humor?  Who’s a bit more juvenile?

Who’s better educated?  Does it show when they speak?

Who’s a bit more pretentious/full of themselves?

Who interrupts more?

Who swears more?

This can also be a valuable tool to cluing your reader in on who the characters are as people: 

3.  Think about what this dialogue can tell the reader.

It’s better to fill the reader in more gradually than to waist your valuable first chapter on needless exposition, and dialogue is a great way to do it.  

Think about what your characters are saying, and think about ways in which you can “sneak in” details about their past, their families, and where they came from into the discussion.  

For example, you could say:

Tuckerfield was a happy-go-lucky Southern guy with domineering parents,

and bore everyone to death.  

Or you could have him say: 

“Sheesh.  All this sneakin’ around in the woods late at night reminds me of being back in Kansas.  Good times, man, good times.”  There was a pause, before he added,  “‘Course, it wasn’t nearly so fun when I came home late for curfew and had to sleep on the front step, but y’know.  Life happens.”

Isn’t that much better than the omnipresent monotone?

Dialogue is also a great way to fill in potential plot holes early on, by having your characters talk them out and explain them. 

Moreover, dialogue can also be used to foreshadow, offer relevant hints about the climax, or provide information necessary for the resolution.  

So use it wisely!  

4.  Sprinkle in mini-actions throughout. 

Even in actionless dialogue, no one actually does nothing.  In my case, for example, I stim a lot.  I play with my hair.  I play with eating utensils.  It’s probably very annoying for those around me, but you get the point.

Less fidget-y folks might not do this as much, but they rarely sit totally still during conversations, either.  So occasionally add in these mini-actions, and it will make your characters feel a bit less like disembodied voices or floating heads.

For instance:  

Jo leaned back in her chair rolling her stiff neck from sitting still for so long.  “…So the way I see it,” she continued.  “Even if Pheris Beuller’s Day Off didn’t take place in Cameron’s imagination, Pheris was clearly a sociopath whose behavior shouldn’t be glamorized.”

“Ha.  As if.”  Avery paused to sip her root beer.  “Pheris,” she began, raising an index finger.  “Was clearly emblematic of counterculturist movements such as the Beat Generation, and his disregard for the capitalistic dogmas imposed upon younger generations is something to be admired.” 

“For Christ’s sake, will you two lighten up?”  scoffed Leo, counting out bills for the pizza.  “We were talking about which movie we wanted to watch tonight.  Jesus.”

5.  Remember how people actually speak.

In real life conversations, people don’t speak in paragraphs.  Alright, some people might, and this can actually be interesting as the personality aspect of a certain type of character.  

But generally speaking, people don’t speak in paragraphs, or as though they’re writing thought-out prose or letters.

In real conversations, people stutter.  They laugh at their own jokes, repeat words or phrases, and lose their train of thought.

Naturally, you don’t have to illustrate in your writing exactly how chaotic and mundane human speech can be, as writing would be pretty boring in general if it was strictly limited to miming reality.  But it’s good to keep in mind that your characters are talking, not writing in purple prose.

Exhibit A: 

“When I was a young boy, my mother and I had a most tumultuous relationship,” said Marcus.  “She saw me as a hallmark of her past failures, and took every opportunity to remind me as such.”     

Exhibit B:

“My mom, when I was kid, we had what you’d call a sort of tumultuous relationship,” said Marcus.  “Nothing I ever did was right for her.  She, uh – I think she saw me as sort of a hallmark of her past failures.  Took every opportunity to remind me of that.”    

Which of these is more organic, more easy to visualize, and more telling of character?  Unless the point of this dialogue is to illustrate that Marcus is a gentleman crook of some kind with pristine speaking mannerisms, I’m going to say the latter. 

Best of luck, I hope this helps, and happy writing!  <3