水遁・水龍弾の術 ||  Suiton: Suiryūdan No Jutsu ||  Water Release: Water Dragon Bullet Technique

Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?  5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

Singing Strategies - Master The way to Sing

Listen to a broad selection of singers - the extra singing designs you hear the improved for you personally.

The majority of us love to sing, or at the least hum, while in the privacy of our residences and in no way consider essentially producing our singing talents any further than that. ‘Real’ singing is one thing reserved for the professionals. Should you have been hampered by this small gem of an excuse, chuck it away, far away and be hampered no far more. Singing is often a point of pleasure, something that lightens up the soul and you also shouldn’t let qualified considerations interfere with matters on the soul. In short, do not let any individual tell you it’s beyond you. Correct, a lot of people are born with an innately extraordinary voice, nevertheless it is feasible also to develop a reasonably great singing voice via proper vocal coaching. Keep in mind even though that you can build your voice only as far as your all-natural abilities permit, and you can - and should - sound only like oneself. Under no circumstances try out to sound like any on the established singers, on the other hand much you admire them. Produce your individual exceptional style. There is small point in placing all of your coaching efforts into getting to be an ersatz item.

There are different vocal teaching strategies, based around the kind of music you’d like to discover - classical, pop or anything else - and based as well on the singing instructor or vocal coach you chose. Owning the correct teacher makes an enormous big difference in your vocal teaching improvement, so it truly is essential to choose 1 with care. Preferably, obtain a vocal instructor who is well-established while in the music area and features a good numerous years of teaching experience. Search for a sympathetic, generous character too - you ought to delight in the procedure of singing, not build a dread about it from an over-critical, impatient instructor. Speak for the other students to discover about their practical experience and viewpoint around the singing classes. For those who have a really busy schedule and cannot discover time for you to commute to a vocal coaching studio, you are able to take singing lessons online. There are numerous websites that offer lessons, reside or otherwise, by way of a variety of interactive media. 

When you begin your vocal lessons, allow by yourself be guided by your instructor on the correct breathing and singing tactics. Should you be going the online route, you may communicate with the instructor above the net and get their feedback on your efficiency. You must also listen to a broad variety of singers - if you’re undergoing classical vocal coaching, do not turn your nose up at pop, folk, reggae, rap, hip-hop and so forth, and vice versa; the extra singing designs you hear the better for you personally - and, don’t forget, practice, practice and practice. It is the only strategy to Carnegie Hall (or Broadway, for that matter), as the hoary joke goes. 

Here really are a couple of singing strategies which will assist you sing greater:

Start your singing session by practicing your warm-up vocal workout routines. These will support totally free your vocal cords and you also will be capable to sing substantially much better therefore.

If you are singing standing up, make sure you preserve a great posture. Possessing the correct entire body posture will improve your capability to sing nicely.

When you’re just commencing out with singing lessons, don’t over-strain your voice. It’s critical to strengthen your vocal cords, so in the beginning continue to keep your practice sessions short, not over 20 minutes daily, then you’ll be able to increase these steadily. 

If you are brief on self-confidence throughout a teaching session - it transpires to all of us sooner or later or the other - sing your most preferred song very first to break the ice after which tackle the others. You can find these somewhat easier then.

When finding out to sing from the right pitch, make sure to put in an equal work in creating your emotive variety. The motive great singers, like Pavarotti by way of example, are fantastic is simply because, aside from a great vocal array, they’ve the ability to connect on an emotional degree with their audience. To accomplish this, try out to relate towards the song lyrics. To do that, know the lyrics nicely firstly. Should you do not know what the words are or, worse, what they signify, how on earth have you been going to convey their that means?

haha having flashbacks to class...if there's one thing I don't miss it is school.

I’ve seen a lot of curious people wanting to dive into classical music but don’t know where to start, so I have written out a list of pieces to listen to depending on mood. I’ve only put out a few, but please add more if you want to. hope this helps y’all out. :)

stereotypical delightful classical music:

battalia a 10 in d major (biber)

brandenburg concerto no. 5

brandenburg concerto no. 3

symphony no. 45 - “farewell” (haydn)

if you need to chill:

rondo alla turca

fur elise

anitra’s dance

in the steppes of central asia (borodin) (added by viola-ology)

if you need to sleep:

moonlight sonata

swan lake

corral nocturne

if you need to wake up:

morning mood

summer (from the four seasons)

buckaroo holiday (if you’ve played this in orch you might end up screaming instead of waking up joyfully)

if you are feeling very proud:

pomp and circumstance

symphony no. 9 (beethoven; this is where ode to joy came from)

1812 overture

symphony no. 5, finale (tchaikovsky) (added by viola-ology)

american (dvořák)

if you feel really excited:

hoedown (copland)

bacchanale

spring (from the four seasons) (be careful, if you listen to this too much you’ll start hating it)

la gazza ladra

death and the maiden (schubert)

if you are angry and you want to take a baseball bat and start hitting a bush:

dance of the knights (from the romeo and juliet suite by prokofiev)

winter, mvt. 1 (from the four seasons)

symphony no. 10 mvt. 2 (shostakovich)

symphony no. 5 (beethoven)

totentanz (liszt)

quartet no. 8, mvt. 2 (shostakovich) (added by viola-ology)

young person’s guide to the orchestra, fugue (britten) (added by iwillsavemyworld)

if you want to cry for a really long time:

fantasia based on russian themes (rimsky-korsakov)

adagio for strings (barber)

violin concerto in e minor (mendelssohn)

aase’s death

andante festivo

if you want to feel like you’re on an adventure:

an american in paris (gershwin)

if you want chills:

danse macabre

russian easter overture

if you want to study:

eine kleine nachtmusik

bolero (ravel)

serenade for strings (elgar)

scheherazade (rimsky-korsakov) (added by viola-ology)

pines of rome, mvt. 4 (resphigi) (added by viola-ology)

if you really want to dance:

capriccio espagnol (rimsky-korsakov)

blue danube

le cid (massenet) (added by viola-ology)

radetzky march

if you want to start bouncing in your chair:

hopak (mussorgsky)

les toreadors (from carmen suite no.1)

if you’re about to pass out and you need energy:

hungarian dance no. 1

hungarian dance no. 5

if you want to hear suspense within music:

firebird

in the hall of the mountain king

ride of the valkyries

night on bald mountain (mussorgsky) (added by viola-ology)

if you want a jazzy/classical feel:

rhapsody in blue

if you want to feel emotional with no explanation:

introduction and rondo capriccioso

unfinished symphony (schubert)

symphony no. 7, allegretto (beethoven) (added by viola-ology)

canon in d (pachelbel)

if you want to sit back and have a nice cup of tea:

st. paul’s suite

concerto for two violins (vivaldi)

l’arlésienne suite

pieces that don’t really have a valid explanation:

symphony no. 40 (mozart)

cello suite no. 1 (bach)

polovtsian dances

enigma variations (elgar) (added by viola-ology)

perpetuum mobile

pieces that just sound really cool:

scherzo tarantelle

dance of the goblins

caprice no. 24 (paganini)

new world symphony, allegro con fuoco (dvorak) (added by viola-ology​)

if you feel like listening to concertos all day (I do not recommend doing that):

concerto for two violins (bach)

concerto for two violins (vivaldi)

violin concerto in a minor (vivaldi)

violin concerto (tchaikovsky) (added by iwillsavemyworld)

cello concerto in c (haydn)

piano concerto, mvt. 1 (pierne) (added by iwillsavemyworld)

harp concerto in E-flat major, mvt. 1 (added by iwillsavemyworld)

and if you really just hate classical music in general:

4′33″ (cage)

a lot of these pieces apply in multiple categories, but I sorted them by which I think they match the most. have fun exploring classical music!

also, thank you to viola-ology and iwillsavemyworld for adding on! if you would like to add on your own suggestions, please reblog and add on or message me so I can give you credit for the suggestion!

Writing Character Relationships

Character relationships are important to add dimension to the characters and can help make them and the plot more realistic. This isn’t just for romantic relationships because building the characters’ platonic and familial relationships are important as well. So here are a few tips on creating believable and endearing relationships your readers will love.

Don’t rush into it. This goes for platonic relationships as well as romantic ones. A big cliché complaint with romance stories is that the two characters tend to meet and fall head over heels in love with each other after two conversations or one loving glance across the room (sorry Romeo and Juliet). While romantic connections can begin on the first date, the characters probably shouldn’t be professing undying love and devotion to each other an hour after meeting. The problem isn’t so much the length of time that they’ve known each other as it is how well they know each other, which is why character friendships need time too. If your characters spend two full days together where they really get to know each other deeply and we can see the progression from strangers to people who understand each other, great. If their relationship spans a year but all they do is check each other out then you have a problem. Make them know each other and interact in meaningful ways to create the relationship and show how it came to be.

Show their history. Not every relationship your characters have is going to be created in the span of time in which the story takes place. Your character might have a best friend they’ve known for ten years or three older siblings. Just because these predate the beginning of the story doesn’t mean you don’t have to show what kind of relationship they have. You can say that so-and-so is the best friend but you have to make us believe it. Are they the kind of friends that tell each other everything, like even what they probably shouldn’t? Or are they more the kind that have fun and leave the drama when they go out? Show what kind of relationship the characters have rather than just telling.

Give the reader a sense of why the relationship fits. In some stories you read about the guy and the girl who are just so cute together and they’re falling in love but…why? Why does this pairing work? Having things in common is important, particularly in things that are important to the character, like values. But they can and should also have differences, some of which serve to make the other better. Together they should push each other and support each other. If you make them connect in this way it makes the connection much stronger to the reader and that makes them want to cheer them on more. If it’s all about the smooching it can get rather boring quite quickly.

Make them complete without the other(s). I know I just said that making the characters push each other is a good thing, but they still need to be complete characters on their own. If the only real thing you can say about the character is that they are X’s soulmate or best friend, then they’re not a character. It’s more interesting to see how people interact with each other than Love Interests™ following each other around.  

“It might not be a popular thought… but not everyone wants to be alive.”

Happy Birhtday Jason Todd🎂 (August 16)  

Top 10 Muffin-Top Burning Exercises 

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How to Pack Luggage?

Very true

My best of winter 2017

Kuzu no honkai

Personally I was quite thrilled for this one since I was folowing the manga. The wait was worth it

Reasons to see it

Great story

Beatiful visuals and art

The ost is so onpoint like damn

The damn feels

I will give you a 5 cmx second vibe sometimes

GREAT CHARACHTER DEVOLPMENT

The human strugles about love are so real

The really hot nsfw scenes lol

Kobayashi-san Chi no Maid Dragon

Ok I was literally expecting nothing from this anime , moe appart ofc . And It actually turned to be one ot the most batiful slice of life/ comedy I’ve seen in a while

Reasons to see it:

Great charachters

I will make you laugh out loudly ad give you some hapiness

The osts and the gags

Some good lessons about life and stuggles

And the most important reason

Whatch it for this godess. Literally lol

Little Witch Academia

My dark horse of the season. I just love this anime and the vibe it gives so much. Expecially ako and her expressions. Precious child.

  Reasons to whatch it:

One of the best female leads

The great sucy ( we all know she is best girl)

The simple but yet great animation

The comedy that alys hides some deep messagge behind it

Whatch it you want to fall in love with magic and innocence

  Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen

The first season hooked me up. the second one made meworship and love it. Seriously what a magnificent anime

Reason to whatch it:

This is a little masterpiece, You don’t really need more than this lol

Great and unprecditable drama

Memorabe characters

Amazing animation

Best opening I’ve seen in a while. One of my all time favorite op

The feels are real and will et you alive

PLEASE DO YOURSELF A FAVOR AND GO WHATCH THIS

3-gatsu no Lion

This anime once again proved me that underrated anime are the best. This anime strugges are so real that it just breaks your heart. Once again umino chika (Hachimitsu to clover) lived up to her name

Reason to whatch it:

Rei. One of the best devolved protagonist I’ve seen

His problems are so deep and real you can’t help to cheer for him

Great side characters and  charachter devolpment

Amazing art

Great balance betwen comedy/seriousness/sad scenes

Come for the charachters and stay for the feels

Gintama

Hands down to one of the most beatiful shonen’s ever made. You don’t need the sad past from the 1 episode to pity the charachters . Afer 400 episodes is more epic

As the precedent arc Gintama was the anime that made me laugh and cry more than everything. The  great balance between commedy and serious scenes is what makes gintama so special.

You don’t need reasons to go and whatch this. Just do it , you will thank me later. It’s probably better than any overated shonen anime like one piece ( yeah I said one piece) , Fairy tale, and even Naruto which I love with all my hear.

-My favorite part of the season was about zura’s bacstory and fight scene. I already loved him but the deepness sorachi added to him left me spechless.