So Much This.

About to see The Talking Heads, 57 feet high and 72 feet high!

TIME OUT! I called time out!

A hero in more ways than one

NOW it's truly classic Trek.

“Captain’s log, supplemental: the Enterprise has encountered an alien life form who has identified himself as ‘Ziggy’”

Wrestlemania 41 Night Two predictions

√ Woman's World Championship Triple Threat Match: (c) Iyo Sky defeats Rhea Ripley and Bianca Belair. Iyo has been pretty much ignored by the other two competitors leading up to this match, which will continue during this match too. Iyo pins Rhea so the "Rhea can't beat Iyo" story can continue. Plus it also keeps the "Bianca has never been pinned or submitted at Wrestelmania" story going too.

√ Sin City Street Fight: Drew McIntyre defeats Damian Priest. The sad part is both of these guys desperately need a win. But I think Paul HHH has decided that Priest is not main event worthy and with this loss will be dropping back down to the mid card. If this match opens the night, then maybe Priest wins. But I don't think so.

√ Intercontinental Fatal Four-Way Match: Dominik Mysterio defeats (c) Bron Breaker, Penta & Finn Balor. It's time to move Dom up. He's still great on the mike and his in ring work has improved greatly. Either Dom pins Pinn Balor or Balor hits his move on Penta only for Dom to attack him and steal the pin. This leads to the break up of the Judgement Day and gets the title off of Bron without him losing so he can move up the card.

√ Randy Orton Open Challenge Match: Despite who his opponent is, Randy is taking the win here. The next PLE is taking place in St. Louis, Randy's hometown, so he'll be challenging the winner of Rhodes/Cena there. Rumor is his opponent will be the returning Rusev (thanks for the spoiler Big E) or maybe Solo Sikoa. I hope it's not Rusev. He should return on the RAM or SAM and certainly shouldn't take a loss in his return match.

√ Logan Paul defeats AJ Styles. Short and to the point, Logan hasn't won in quite a while and AJ, nearing the end of his career, can take the loss. My prediction for who's in the Prime bottle this year is Karrion Kross.

X Woman's World Tag Team Title Match: (c) Liv Morgan & Raquel Rodriguez defeat Lyra Valkyria and a mystery partner (most likely Becky Lynch). I don't think Becky is coming back full time, which is why I'm picking the champs to retain. I suppose they could do a thing where Becky is just "filling in" for Bayley and then Bayley becomes the co-champion. But I think the champs win with Shenanigans which makes Aldis put the match on the SAM with a suddenly healed Bayley and they win them there.

√ Undisputed WWE Championship Match: John Cena beats (c) Cody Rhodes. This match will be loaded with shenanigans. But Cena winning is the much more interesting option. Then he takes on Randy at Backlash (in Randy's home town), then CM Punk at Money In The Bank (c'mon, this HAS to happen). I'll be honest, I have no idea what they'll do with Cody afterwords, but I'm intrigued to find out. Also, Cody got pretty boo'd on Smackdown by the Las Vegas crowd. Curious to see if that will continue tonight.

In 1960, SAG and WGA struck to force management to adapt to the new technology of television. Without that strike and the agreement it birthed, residual use payments would not exist.

My parents stole nearly all of my salary from my entire childhood. My Star Trek residuals were all I had, and they kept me afloat for two decades while I rebuilt my life. I have healthcare and a pension because of my union. The AMPTP billionaires want to take all that security away so they can give CEOs even more grotesque wealth at the expense of the people who make our industry run.

To give some sense of what is at stake: There are actors who star in massively successful, profitable, critically acclaimed shows that are all on streaming services. You see them all the time. They are famous, A-list celebrities. Nearly all of those actors don't earn enough to qualify for health insurance, because the studios forced them to accept a buyout for all their residuals (decade of reuse, at the least) that is less than I earned for one week on TNG. And I was the lowest paid cast member in 1988. They want to do this while studio profits and CEO compensation are at historic highs.

I mean, if not now, when? And I haven't even touched on AI and working conditions.

We must fight for the future of our industry in the face of changing technology, the same way our elders did in 1960. So today, my Spacemom and I went to the place where it started for us, way back when, to do just that.

I see all your support. It means so much. Thank you.

Joe Morello

• An Oxford comma walks into a bar, where it spends the evening watching the television, getting drunk, and smoking cigars.

• A dangling participle walks into a bar. Enjoying a cocktail and chatting with the bartender, the evening passes pleasantly.

• A bar was walked into by the passive voice.

• An oxymoron walked into a bar, and the silence was deafening.

• Two quotation marks walk into a “bar.”

• A malapropism walks into a bar, looking for all intensive purposes like a wolf in cheap clothing, muttering epitaphs and casting dispersions on his magnificent other, who takes him for granite.

• Hyperbole totally rips into this insane bar and absolutely destroys everything.

• A question mark walks into a bar?

• A non sequitur walks into a bar. In a strong wind, even turkeys can fly.

• Papyrus and Comic Sans walk into a bar. The bartender says, "Get out -- we don't serve your type."

• A mixed metaphor walks into a bar, seeing the handwriting on the wall but hoping to nip it in the bud.

• A comma splice walks into a bar, it has a drink and then leaves.

• Three intransitive verbs walk into a bar. They sit. They converse. They depart.

• A synonym strolls into a tavern.

• At the end of the day, a cliché walks into a bar -- fresh as a daisy, cute as a button, and sharp as a tack.

• A run-on sentence walks into a bar it starts flirting. With a cute little sentence fragment.

• Falling slowly, softly falling, the chiasmus collapses to the bar floor.

• A figure of speech literally walks into a bar and ends up getting figuratively hammered.

• An allusion walks into a bar, despite the fact that alcohol is its Achilles heel.

• The subjunctive would have walked into a bar, had it only known.

• A misplaced modifier walks into a bar owned by a man with a glass eye named Ralph.

• The past, present, and future walked into a bar. It was tense.

• A dyslexic walks into a bra.

• A verb walks into a bar, sees a beautiful noun, and suggests they conjugate. The noun declines.

• A simile walks into a bar, as parched as a desert.

• A gerund and an infinitive walk into a bar, drinking to forget.

• A hyphenated word and a non-hyphenated word walk into a bar and the bartender nearly chokes on the irony

- Jill Thomas Doyle