Revesmecaniques - LOIN D'ICI

•Painting wallpaper•

These, for me, are the two most depressing paintings in western history. They were painted by post-impressionist Henry de Toulouse-Lautrec, a man who, due to inbreeding, was born with a genetic disorder that prevented his legs from growing after they were broken. After being so thoroughly mocked for is appearance, he became an alcoholic, which is what eventually caused his institutionalization and death. His only known romantic relations were with prostitutes. And then he paints something like this which is so beautiful and tender and sentimental. It seems like the couple in bed really loves each other—cares about each other. Wakes up happy to look at each other. And I see that love and passion and I wonder how lonely he must have been. I wonder how he could paint something like this without it breaking his heart.  Maybe they say artists should create what they know, not because its unbelievable when they extend themselves beyond their experiences, but because when they pull it off with such elegance, it’s so damn unbearable to look at. I hate thinking of Lautrec, wondering about the lovers he created and knowing it was beyond his experience. Creating something that he knows is beautiful and knows he’ll never really understand. 

Stop it bitch! You're breaking my soul.

Jon J. Muth's watercolor illustrations 

(previous)

It hurts to know that you belong here.

Poetry isn’t in the verses, sometimes it’s in the heart. And it is such, since words do not always fit.

Jorge Amado (via extramadness)

(by the air in the branches)

Our New Satellite to Study the Edge of Space

We’re about to launch a new satellite called ICON — the Ionospheric Connection Explorer — to study our planet’s boundary to space.

The overlap between Earth’s upper atmosphere and outer space is complicated and constantly changing. It’s made up of a mix of neutral gas (like the air we breathe) and charged particles, where negatively charged electrons have separated from positively charged ions. This charged particle soup reacts uniquely to the changing electric and magnetic fields in near-Earth space, while weather conditions from here on Earth can also travel upwards and influence this region. This makes Earth’s interface to space a dynamic, hard-to-predict region of the atmosphere.

Understanding what causes the changes in this region and how to predict them isn’t just a matter of curiosity. Earth’s boundary to space is home to many of our Earth-orbiting satellites, and it also plays a role in transmitting signals for communications and navigation systems. Unpredictable changes here can garble those signals and even shorten the lifetime of satellites.

ICON, launching on Nov. 7, will study this region with a unique combination of instruments. Orbiting about 360 miles above Earth, ICON will use its cameras to measure winds near the upper edge of Earth’s boundary to space and track atmospheric composition and temperature by studying a phenomenon called airglow. ICON also carries an instrument that will capture and measure the particles directly around the spacecraft, or in situ. 

ICON is launching aboard a Northrop Grumman Pegasus XL rocket. On launch day, the Pegasus XL is carried out over the ocean by Northrop Grumman’s L-1011 Stargazer aircraft, which takes off from Cape Canaveral Air Force Station in Florida. About 50 miles off the coast of Florida, the Pegasus XL drops from the plane and free-falls for about five seconds before igniting and carrying ICON into low-Earth orbit.

NASA TV coverage of the launch starts at 2:45 a.m. EST on Nov. 7 at nasa.gov/live. You can also follow along with the mission on Twitter, Facebook or at nasa.gov/icon.

SOBRE LA INMANENCIA DE LA VIDA

Los seres humanos son capaces de conceptualizarse y pensar abstractamente de sí mismos, imaginarse en situaciones hipotéticas, imaginar realidades fuera de la propia existencia (la conciencia de la inevitabilidad de la muerte). Detrás de la construcción colectiva de conceptos que sugieren la inmortalidad (el cielo, el inferno, la reencarnaciòn etc), existe un miedo visceral a la extinción, a la desaparición completa del yo conceptual. Por qué son tan importantes los legados/proyectos de inmortalidad? No son esos deseos, una extensión del miedo a la inexistencia? Es ese miedo un producto mismo de la negación de la inmanencia misma de la vida?