Honestly, the last episode of Andor was so fucking great, and it’s all in the eyes.
Bix’s eyes as the torture helmet is slipped into her head and the horror slowly crashes over her. I love that they didn’t include the sound and just let us as the viewers imagine it as we looked into her eyes.
Derdra’s eyes as Syril grabs her outside of her work, a place where she’s supposed to be powerful and in control of everything, and he’s not letting her go.
Kino Loy’s eyes as the news comes filtering through about what happened on Level Two, how he’s scared shitless, but knows that he has to keep it together for the sake of his guys, because if he loses it, then his whole team will lose it too, and then they’ll all get fried. How he insists that as long as they keep playing the game correctly, everything will be fine and they’ll all get out eventually.
Kino’s eyes as Ulaf dies and the medic tells him exactly what happened on Level Two, when he realizes that the game has been rigged all along and that he’s never going to get out and see his family again. How he silently makes the choice to throw his lot in with Cassian and damn the consequences.
It’s just such fucking good acting, and it’s SUCH A FUCKING GOOD SHOW.
lgbt heart dividers pt. 2
please rb if saving! credit is appreciated ❦
part 1 here
part 2 here
more here
I recently saw this resurface a bit, in the context of Ruby's regrets in Volume 9. Basically, taking the fact that she felt like she'd failed as the show saying that yes, actually, she was wrong to go against Ironwood's plan in Volume 7.
I feel like I went into thinking about this trying to debunk it on a logical level. Like, is it actually a good idea to fly off into the sky in one big long stalling measure when your opponent is literally immortal? What's stopping Salem from grabbing all the rest of the relics and then just waiting as many generations as it takes, until the people of Atlas forget why they came up there in the first place and return to Remnant out of curiosity?
The thing is, treating it as an argument about what's the more "rational" choice is missing the point that like. We're talking about a story. We don't know exactly how many people are in Atlas and in Mantle and where they are and how many more trips they'd have to take to finish the evacuation, because details like that would just bog things down.
This is not a trolley problem with x number of people from Mantle on one side and y number of people from Atlas on the other. This is a trolley problem with a wealthy and powerful person on one track, and a disadvantaged person an alternate track, and Ironwood choosing to pull the lever instead of trying to stop the trolley. The point is not "how many." It's not about math. The point is that there is a fundamental difference between dying in the central location while a bunch of Huntresses and Huntsmen do absolutely everything in their power to protect you, and dying abandoned in the mines you used to work while the city built off of your labor flies away to safety.
The question this conflict is asking is about whether or not other people can be sacrifices. Ironwood says yes—team RWBY disagree. That's the actual crux of this argument. Does Ironwood have the right to decide who deserves protection and who isn't worth the risk? Do we get to give up on other people before we've even tried to save them? It's about the idea of certain people being disposable. Mantle's wall isn't important, Amity is. Amity will protect all of Atlas, and that wall will only help the people in Mantle. It implies that their safety is an acceptable sacrifice for the greater good. It treats them as disposable.
There's a reason it was Nora who spoke up and pointed out that it's always Mantle being asked to bear the burden for the greater good. Nora has been a disposable person before. Hell, Cinder has been a disposable person! The way Atlas (through the madame) treated a living person as a resource to be exploited or sacrificed is the entire reason that Cinder is trying to burn the kingdom down. Thematically, Atlas cannot escape the danger she poses by sacrificing more disposable people.
One of the biggest themes of this show is cooperation. It's all about how Salem can only be defeated by working together. But working together is not possible if certain people are taking on all of the risk, all of the sacrifice. Everyone has to be willing to put some skin in the game. Like, imagine trying to do a group project if you knew half of you were guaranteed to get an A no matter what and the other half weren't.
So the idea that Volume 9 is supposed to come back around and say that actually, that plan that would have literally divided a city in half and cut loose the poorer half like fucking ballast, that was the right thing all along and Ruby Rose was wrong to challenge it... that would be an absolute disaster of a thematic statement.
This is not a show about hard military men making hard military choices. It's not going to contrive a situation where cold-blooded calculation determines that the right thing to do is to pull up the ladder. Because outside of weird philosophical experiments about trolleys, the right thing to do usually has more to do with empathy. Compassion. Cooperation. All that gay shit.
when you finish a fic that was everything you could of hoped for and you click on their user to see that they’ve written dozens of fics for that pairing
PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin or that Babel was too heavy-handed just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here
Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn
although it is sad that we stopped blogging like this, i feel like it's only natural to let dean and cas live their lives. we made them get married and we gave them a lakehouse and now we are letting them live in peace happily ever after. the narrative is theirs now and we check in on the 5th each year to see them be happy.
"Are you comfortable, sir?"
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Adding scars, coloring page and adding some extra panel... done!!
now i can continue with my life~
*bonus: quickie bed hair Tseng*
writing is like this is the best idea i’ve ever had that’s the worst sentence i’ve ever written i’m a fraud i’m a genius i’m unable to focus i’m going to sleep
well you can read so (I have a writing blog on here check it out @rwritingblog)
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