Manuel Álvarez Bravo
Mexico
Tatiana Samoilova in The Cranes Are Flying 1957 dir. Mikhail Kalatozov
Feelings unspoken are unforgettable. Nostalghia (1983) Directed by Andrei Tarkovsky
inola gurgulia - “when I die, my dear, become a tombstone covering my grave”
tacita dean
Roy DeCarava, Woman walking above, New York, 1950
I fidanzati (Ermanno Olmi, 1963)
Pamela Singh, Chipko Women Hug Tree to Protect it from Being Cut in Northern Uttar Pradesh, 1994
Miklós Ligeti, Csók, 1902
The Black Panther’s Free Breakfast for Children Program is probably their best-known initiative, the press finding an intriguing story juxtaposing the Panther’s tough-guy-in-leather-jacket image with the act of serving small children plates of hot food. Importantly, it was mostly women who led these survival programmes, and women made up a majority of the Panther membership. They served in leadership roles from ‘Officer of the Day’ (essentially the office – and people – manager for each branch), to organising the many details of a location’s breakfast programme to initiating and leading food justice, healthcare and housing programmes within neighbourhoods.
So why does the image of the Panthers as a masculinist and violent organisation persist? The answer lies in part with media distortion, influenced both by the sexism and racism that misrepresented the Panthers. There was also a misinformation campaign by the FBI, led by J Edgar Hoover, waged against the increasingly popular Panthers, which had an enduring impact on how people saw them.