Florence Henri (Swiss, 1893–1982) Composition Nature Morte, 1939-5

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5/24/2022

Botanical Study N° 4 |  Fawn DeViney  

Statues of Endre Ady and Miklos Radnoti. Budapest, Hungary. June 2019,

The Night Porter

Dir: Liliana Cavani

Cin: Alfio Contini

‘Concrete Mirrors’

Concrete Mirrors deals with the iconography of space conquest during the 60s, back to a climate of suspicion and paranoia linked to the cold war. Presented as a fake photograph-documentary, this project puts together three corpus of images of different nature and status, combining types of reality, these are documents, and virtuality, those are places.

David de Beyter Photography

Pamela Singh, Chipko Women Hug Tree to Protect it from Being Cut in Northern Uttar Pradesh, 1994

Zeus Leonardo

Guerrillera de la "Organización del Pueblo en Armas en las montañas." Guatemala. Junio, 1982. Photo: Pedro Valtierra

“How quickly we exile the truth of love from the love of truth.”

—

Richard Jackson, from “The Rivers,” The Heart as Framed: New and Selected Poems (Press 53, 2022)

“Sevginin hakikatini nasıl da çabucak ayırıyoruz hakikatin sevgisinden.”

Yani diyor ki gerçek sevgi hakikatin sevgisinden (doğruluğa bağlılıktan) ayrılamaz. Ama genelde şöyle düşünmeye meyilliyiz: “Doğruyu bildiğim halde ona uygun davranamam. Eğer doğruyu söylersem dışlanırım (dokuz köyden kovulurum), daima doğruya bağlı kalırsam zarar görürüm, yoksa ben iyi biriyim ve gerçek sevgiyi hak ediyorum.” Hayır, etmiyorsun.

Pierre Boucher, Femme-fleur, inversion négatif-positif, solarisation et photogramme, 1937