They Get Onto The Ladders When They Emerge, In Swarms, Out Of The Holes...
They get onto the ladders when they emerge, in swarms, out of the holes...
More Posts from Rapalixi and Others
We are in the midst of a horrificly sick planet: everything on it, lifeforms, subconscious, conscious, unconscious, mental, phsyical, emotional, politics, religions, economies, every facet that makes up a livable planet, is violently sick. As above, so below. Our lives are microcosms of a grand macrocosmical disastor.
Now, the irony of this description is that this is the necessary way of world systems, & all the pieces & parts that are modulating their whateverness because of it. The challenge is for each & every one of us to initiate ourselves into whatever gnosis avails itself to accomodate the inevitable transition.
The only certainty is that whatever was, no longer is...
Wheeeee!
What has captured my "investigation" into world system changes is their common denominator: stress. At every point of change was build ups stressing the entire planet & its ecosystems. The build ups are population numbers & whatever their main bioproduction is released. Oxygen started out harmless, built up, & as it is poison to prevaling species, it began destroying all current life. Massive stress, nearly wiped out everything. But this change in energy enabled some lifeforms to survive & repopulate the ecosystems, more efficientlly than before. Many examples of this are the history of Life on our Earth. As if all moves in a Spiral, every level or rung up or inward, the result of build ups that stress the world into a next thing. The human-condition is currently doing what Life has always done, maximizing stress, through every venue of what we think we are. Globally. Simultaneously. So how does the inividual take advantage of this stress phenomenon, or do they?
It's interesting that the world is waking up while at the same time there is increased resistance to that waking up, like the last bitter stance to keep from letting go a once prominent paradigm. The "stress" of leaping transitions.
Ah! Click: I been exploring the "stress/death" as paradigm shifting mechanism for a couple years now... simple, that's the "meaning" behind Scorpio/Atu XIII card. Crowley illustrates this in his Tarot, Life ever forward, spiraling, leaping from stage to stage, as it were... geez, took 50 years to fully grasp!
This is what all Life including the humans are going thru now... if the bible people would wake up, they would grasp this is what their book of Revelation is about, the interim stressing conditions that shift paradigms into alternative narratives...
In Octavia E. Butler's "Parable of the Sower", God is Change/Earthseed: the Book of the Living.
Nun/Fish/atu XIII/Christ
from the Journal called "Changes" kept by an Arcturian Observer
Never mind Hollywood's IGNORANT misuse of the Death card... dumbfuckers...
The right wing losing candidate tries to overturn election result, ala trump.
Congratulations to Romania for upholding your constitution by rejecting false claims of foreign interference in the election.
It’s a page out of the far right playbook.
If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.
The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.
This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!
The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD
The "anti-christ" is not a person, but a wave of darkness that extinguishes the Light of whatever it touches.
Yet, what might be released at Light's extermination than, perhaps, an Otherness surpassing in Necessity both Light & Darkness combined?
"Remember, if you don't stand up for something, you'll fall for just about anything..."
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