William Tell Overture- Rossini (Most famous part at 8:45, but why not listen to the whole thing?) I’m adding hints, at least to the ones I recognized culturally. This one is “go, horsey, go!”
Also Sprach Zarathustra- Strauss Slow, dramatic entry scene, IN SPAAACE.
Eine Kleine Nachtmusik- Mozart People running out of a fancy wedding or something. Also known as DUN, dun DUN, dun DUN dun DUN dun DUUUUN.
Symphony 94, Mvt. 2 “Surprise Symphony”- Haydn ?
Toccata and Fugue in d Minor-Bach Halloween organ!
Nocturne Op. 9 No. 2- Chopin Picture a tiny old woman playing piano in a sunlit room with lots of flower vases, about the spill the tragic secrets of her past to some timid young visitor.
Rondo alla Turca- Mozart the babysitter from The Incredibles: “Time for some COGNITIVE ENRICHMENT!”
Sinfonie de Fanfares: Rondeau- Jean-Joseph Mouret Royalty is coming. Or someone is getting married. Or royalty is getting married. Also the PBS Masterpieces theme.
The Four Seasons: Spring- Vivaldi (I just linked to the whole thing because it’s great) Again, someone is getting married, but this one is strings instead and a lot less frumpy.
Jesu, Joy of Man’s Desiring- Bach That one that amateur guitarists love where the notes are all up and down but all the same length. Also used in movie weddings.
O Fortuna (from Carmina Burana)- Carl Orff SONG OF DOOM. Also song of “baby on fire!” in The Incredibles.
Funeral March- Chopin ?
Orpheus in the Underworld: Infernal Galop (A.K.A. Can Can)- Offenbach Well, “aka can-can” says it all.
Pomp and Circumstance (You probably graduated to this)- Elgar Oh yes, Baaaa dun dun dun duun duuuuun… Also if you were a bandie you had to play it for 3 years before graduating to it.
Gayane: Sabre Dance- Aram Khachaturian Comically hectic productivity, a circus clown juggling while standing on a ball, or perhaps a rapidly-approaching termite infestation. Could go any way, really.
A Midsummer Night’s Dream: Wedding March- Mendelssohn The song movies play right AFTER they both say “I do.”
Carmen: Les Toreadors- Bizet I can’t be the only one who remembers when ‘Hey Arnold’ did this. “Bullfights and swordfights, rolling in manuuure!”
The Ride of the Valkyries- Wagner Good song for a naval battle I guess? I can only think of the mini golf course I went to as a kid with the creepy castle on Hole 18 that played this.
Für Elise- Beethoven That one every amateur piano player loves to play because the beginning is just E and E-flat over and over. Also ballet and piano recital scenes in movies.
Dance of the Hours- Ponchielli Hello mudda, hello fadda, here I am at, Camp Granada…
Rigotello: La Donna e Mobile- Verdi More than a few sophisticated movie villains (or snobby good guys) have this playing on a Victrola. Also, tell me you don’t picture Pavaroti no matter who’s actually singing.
Night on Bald Mountain- Mussorgsky ?
Romeo and Juliet: Love Theme- Tchaikovsky More movie-love, usually building up to admitting they live each other.
Entry of the Gladiators- Julius Fucik I have one word for you: CIRCUS.
Lakmé: Flower Duet- Delibes OMG ALIAS. Nadia’s spy backstory in Film Noir!
Peer Gynt: In the Hall of the Mountain King- Greig Mischievous Tiptoeing in Movies song. Also something growing out of control, slowly at first and then quickly, and (comically) exploding.
Rodeo: Hoedown- Copland The title says it all tbh.
Peer Gynt: Morning Mood- Greig Sunrise/waking up Movie Song du jour.
New World Symphony Mov. [2][4]- Dvorak Well now I’m thinking of “An American Tail” and I’m crying…
Ave Maria (You knew this, but did you know that it was by Schubert?) Nothing to add. I’m not a music snob, really, but if you didn’t know this, YOU SHOULD.
Canon in D- Pachelbel This is the one that the pretty Trans-Siberian Orchestra Christmas song comes from. :-)
Add others if you want! Have fun!
suzanne collins social commentary and foresight should be appreciated more
I want to write. I have ideas. I open document. I type four of the worst sentences ever created in the english language. I daydream the rest of the scene. I close document.
My fav quote ever has to be “the quickest way to a mans heart is through the fourth and fifth rib” god bless Amrens immortal soul
That awkward moment, when you finish Clockwork Princess and remember that Ithuriel is also the angel that Valentine held captive :|
A concept: Bingley buying Darcy a golden retriever because once upon a time Darcy had called him that. So now whenever Darcy has to return to Pemberly after tedious work, a golden retriever greets him with enthusiasm just as Bingley would.
Golden retrievers didn’t exist during the Regency, but I see your point.
So my wonderful @uncapedcru5ader pointed out something interesting that I had never noticed before while we were watching Good Omens together:
For the entirety of episode 5 and about half of 6, Crowley stops calling Aziraphale "angel" and starts referring to him only by his actual name.
The first time (chronologically) that Crowley calls Aziraphale "angel" (at least as far as we can know) is during the French Revolution.
So since at least 1793, Crowley has always called Aziraphale "angel". (Except for one time, a very serious time, when he calls him to talk about the beginning of the end of the world.)
And then - they have a fight. And he stops.
Episode 4: Saturday Morning Funtime.
"I'm going home, angel. I'm getting my stuff and I'm leaving. And when I'm off in the stars, I won't even THINK about you."
That was the last time (for a while) that Crowley called Aziraphale "angel."
In the bookshop fire, he calls him Aziraphale.
When he sees him again after thinking he was gone forever, he calls him Aziraphale.
Every time he refers to him, its not "angel", it's "Aziraphale."
Crowley doesn't call him "angel" again until it's (mostly) over, after Armageddon’t.
This is unusual behavior for someone who has been calling his lover friend the same pet name nickname for over 200 years. So why the change?
It's not that he doesn’t want to call him "angel" in front of other people. He's done that loads of times before, and, frankly, they have more important things to worry about then.
It’s not that he’s too mad at Aziraphale to call him a pet name nickname. As seen above and in 1862, he calls him “angel” even during their fights.
No, Crowley’s worried that they aren’t there anymore. He’s worried that Aziraphale really meant it when he said “it’s over”, that he isn’t his angel anymore and is just Aziraphale now.
I am sure that while Crowley was drowning his sorrows after the fire, the last thing he said to Aziraphale kept playing over and over in his mind. Crowley has a temper. He says things he doesn’t mean when he gets angry. He knows that that was a complete lie.
But Aziraphale doesn’t.
Even after the discorporated Aziraphale shows up, Crowley has got to be thinking: “Damn it, I really screwed it up this time. I’ve hurt my best friend and he’s probably still mad at me. Probably the only reason he’s still associating with me is because he needs my help to save the world.”
If you ask me, Aziraphale showing up was the only reason Crowley left that bar to go save it. If Aziraphale needed his help to save the world, than by god satan, Crowley was going to pull himself together and help him save it, whether Aziraphale was mad at him or not. Because, to him, a world with Aziraphale in it was a world worth fighting to save.
But I digress.
So Crowley pulls himself together. He’s not exactly sure where he stands with Aziraphale, but they work together to try to save the world. And the entire time, Crowley doesn’t call him “angel”, because, as far as he knows, Aziraphale is still mad at him.
And then - they win. They stand against horsemen, their respective bosses, and even Satan himself, and they win. That night, after they’ve saved the world together, Crowley and Aziraphale sit at a bus stop. It’s dark and quiet and it’s just the two of them. And Crowley tests the waters.
He gently, ever so gently tries to nudge Aziraphale and himself back to where they were. He doesn’t growl “We’re on our side”, like at the bandstand, he doesn’t plead with Aziraphale to go off with him. He softly remarks that they have their own side now, and offers to let him stay with him, if Aziraphale wants.
For once in his life, Crowley is moving slowly.
And Aziraphale appreciates it and accepts him.
About a week ago I posted this.
I’ve been getting horrible messages like this in my ask for months, including:
and my personal favorite
After getting the message saying “Just go kill yourself” I was completely done dealing with this person’s horrible messages and replied with just an “Okay.” and logged off tumblr.
About a week later I logged back on with 17 messages in my ask, most of them from the anon. I scrolled down and at first when I logged off, the anon messaged me things like
I scrolled up more and all of a sudden they started sending me more and more messages like
This was extremely surprising to me. I thought “After all those horrible messages you sent to me for MONTHS about hating me and wanting me dead, you say ‘sorry’ and that you ‘cant be responsible for someone’s suicide’?”
But I guess the lesson goes like this:
DONT TELL ANYONE TO KILL THEMSELVES UNLESS YOU ARE PREPARED FOR WHAT MIGHT ACTUALLY HAPPEN
ohhhhh I get it now. the "gifted kid" discourse exists because people see it fundamentally as a sign of Privilege and not as a largely meaningless category that puffs up weird children before setting them up for the same unremarkable lives as everyone else; thus they interpret people going "the educational system gave me false expectations before ultimately abandoning me to the same heartless world as everyone else" as "why am I, The Main Character, not getting everything I ever wanted."