This drawing is old! I feel like sharing it cos I still love it and is stupidly still one of my favorite portraits I've ever done, because real people are so firetrucking hard to draw. Hng. Plus Bob and Harry (from the Dresden Files) made the most adorable odd couple on tv (more than the actual original one /blasphemy). I'm a horrible person who actually preferred the tv show to the books, even though I love both, but honestly I think Paul Blackthorne's Harry is so much more likeable and it just took me FOREVER to get over book Harry's long black trenchcoat, being one of the things that makes it really impossible for me to like urban fantasy very much LOL
Plus I mean HELLO Terrence Mann, the tv writers giving Bob an awesome human backstory, making him fussy and English, FTW. Also since I'm already opening myself up for some flames I might as well add that Jim Butcher's potrayal of female characters is kind of... gross. THERE I SAID IT
Oh god I'm really rambling here.
I adore her work and she deserves not only better, but the best things. She's already great and has been for ages, and the rest of us need to catch up.
here is her kofi, her artstation, and her website. she also has an instagram & facebook, both of which with descriptive captioning.
who is elicia donze? just one of the most amazing and inspirational pop artists in this current time.
a prevalent yet underappreciated and absolutely slandered fan artist for the spn fandom, she’s a master at not just realism but adding a touch of whimsical beauty and etherealness in everything she does.
her job opportunities are and have been sabotaged by spn fans for years. how many years? over 10 years. i wasn’t a part of her followerbase until a few months ago, but just so you know she goes through so much fucking bullshit every day. just the usual death threats and lost job opportunities and panic attacks and so on that she’s had to manage for longer than i’ve been in school!
she struggles to make ends meet for herself and her two cats, and she’s got pills (? i don’t know for sure, she is mentally disabled though) and bills to pay for. wanna help? here is her kofi, her artstation, and her website. she also has an instagram & facebook, both of which with descriptive captioning.
can’t give her money right now? then follow @eliciaforever and reblog her artwork, reblog the bullshit she has to put up with, listen to what she says. like, actually listen. tell people about elicia. tell people about her art. elicia knows she’s good. she’s a fucking legend. but people don’t seem to like women artists who know their worth, so might as well flaunt it as much as possible.
and also, if you know people who can spare some change, here is her kofi, her artstation, and her website. she also has an instagram & facebook, both of which with descriptive captioning. a third time. just so you all know ;)
Rushed Malfunction cosplay for WWWC4! Not pictured: the ten strands of fairy lights I wove into the wig which broke as soon as I put it on LOL Pictured: post-con carnage xD Wig is maybe 20 percent finished; you'll know when it's done because Ill be shouting from the rooftops, dancing in the streets, etc
"Would you like a second opinion? You are also UGLY!"
HEHEHehehe for the katyamola who I <3 very much. How much? THIS MUCH (I may have overdone the blood but I don't know what I'm doing and too scared to look for realistic ref 8<)
Also OHMYDEARGODFINALLY. "Soon". Ahaha in valve time.
creepyeverything:
villainry:
a day to discuss and ask about your and your creative-type buddies’ stories, characters, concepts, the whole shebang! get talking, ~get inspired~
my ask box: here
reblog with your own!
I know it is not Wednesday anymore but I will remind myself to...
HEY I want to do this too! Worldbuilding is my favoritest topic of anything of all time so yes please, ask me stuff kthxbye
Thank you for being honest about how your college life killed your art. I've completely stopped working on my art. I only doodle at work now. Your art has always inspired me and it's good to know that I'm not alone in feeling stressed anytime I want to sit down and finish something more than a doodle. Someday I will draw again, or maybe I won't but at least I won't feel the same level of shame & betrayal to my supporters anymore. I gotta heal up and find my motivation again, my reason for art.
-octopusowl
I had an old post talking a bit about how much I hated art school… heh. I KNOW YOUR PAIN THOUGH. I UNDERSTAND. I have SO much unfinished art that I think could be really great but I just... can't. I've always avoided persuing art jobs cos it's hard enough for me to draw the stuff I *like*. I see how much even my most talented and well-connected artist friends struggle and they actually love what they do and I'm just like nope. Not gonna.
I'll be real with you, this is gonna freak some people out but I don't love drawing. I hate drawing comics because it is too much damn drawing, and discovered very early that I could never be an animator despite how much I love it because the thought of drawing that much fills me with existential horror. I love CREATING. Drawing is just the best way to get my ideas out. I was driven to draw well so I could convey my ideas clearly. I actually enjoy making stuff so much more, but crafts and fabricating is EXEPENSIVE and drawing is practically free. Making things requires tools and workspace, drawing at the minimum requires a pen and paper and you can do it anywhere. So basically 99% of what I draw is stuff I want to make but can rarely afford to :C My dream is to someday have a props/costumes shop where I just make so much cool shit (for example dyeing and styling wigs with weird colors and crazy anime styles is SO much fun omg- PLUS I'm currently obsessed with the idea of making glowing fiber optic wigs but once I calculated how much it would cost... uh. Augh. Still totally gonna make it happen eventually though). That's why I care about practical costume design, when I'm drawing clothes I've pretty much already drafted the patterns in my head and have chosen the fabrics, etc. I make decent money right now so that's actually what I'm working toward and yes holy cow it costs SO much. And next on my to-get list is a high quality sewing machine I can feel my bank account crying already :C
UM SO my theory is sometimes its possible that the thing you struggle to do is actually tangential to the thing you REALLY love and that's why it can be difficult and unsatisfying, despite seeming like its something you "should" love. I hope you can find that thing. I only just realized this about myself recently. And even if that's not true for you, at some point you may end up in a better headspace and find joy in it again, because if you did once, why not again? I can understand the guilt but just remember that art is a gift, given freely *when you can afford to*, and you don't owe anyone gifts.
When creating/designing anything- fantasy races, settings, clothes- do you prefer to try isolate them from this world and let your imagination flow by itself or do you like to do things like deliberately draw from history, base cultures off other cultures, places off other places, etc?
I would say a mixture of both but I think it's SO important to make the distinction that creativity doesnt happen in a vaccuum ever, springing forth purely from mysterious dark recessess of your mind, everything you think of has a previous frame of reference. I feel as an artist (and ahem as a human being) the goal is to learn and study as much as possible, collect as many experiences as possible, stuff that into your mental reference library and a creative inspiration will do the rest. Even ideas that pop into my conscious are never fully formed, so it is often at that point I work on it more systematically. What are my goals for the idea, what interests me about it, how can I make the idea more effective.
I think maybe an example could illustrate this best? I've been working on a sort of fairytale thing, it's based on a dream I had that had a couple of characters (a singing robot guy, and two witch princesses) but not much else to go on if it would be made into a story, which I totally felt needed to happen as soon as I woke up! So I started with the character, and the starting "facts" of them. And then I had to decide the type of story I wanted, and the tone (fairytale! cute and romantic... possibly... a love story). Then the ideas for setting and genre were important (if one of the characters is a robot, and there are also shenanigans involved that are suspiciously magical, well then let's go with steampunk. Ottoman Empire steampunk). New characters are developed to serve the needs of plot (a protagonist/other half of love equation was needed, so I created Edie and made her a mechanic), and once those things are figured out I start doing lots more research to fill in all worldbuilding details (this is not important to the story at all.. maybe... lol sometimes I am so torn about what is plot relevant or not- but I made up a country for the alternate history timeline and the reasons for its existence, its political system, economy, and culture) so that in the end, everything involved in this imaginary story and world and people is actually coherent. That helps the emotional aim of the work to feel more true, even in fantastical settings and situations. Sometimes the setting is closer to "reality" ( near or distant future perhaps, historical fantasy, urban fantasy, parallel universe), sometimes not as close (making a world from scratch, decidedly NOT in our universe, totally different laws of physics apply- or don't apply- its misleading to think that this type is simpler and requires less research; but that's a whole looooooong extra thing to talk about imo). Either way, things have to make their own type of sense or the story won't be as engaging. If art is self-expression and you are communicating, it's about being a good communicator, making a connection.
BLA BLA PREACH PREACH. Point being is that this is a both/and thing, but also niether. Creativity is problem solving. When its in the form of art instead of say, engineering or even design, people make out the process to be more mysterious and abstract but my personal view on this is that it's not really different, its just that the problems art (and philosophy, etc) try to address are more emotional and existential.
I don't know if I'm making any sense :( But that's how I feel about it and I articulate it as best I can man this ended up long and rambly
tyuran answered your question: Are there any beloved stories/series you’ve read/watched that have heavily influenced the feel or content of any of your own ideas?
Definitely Dinotopia... and DEFINITELY everything Myst. Oh dear god Myst, Riven, URU, even the novels (tho I wasn't impressed with the... quality of writing... just the world itself is so so so so so so so wonderful). I replay all the games every few years because they are just so much everything I love. EVERYTHING. I loved it when I learned the D'ni civilization was in a cave in New Mexico, I love all the damn soundtracks, I love that the ten thousand year political history of the entire civilization is plotted out, I love the beautiful language, the base5 number system (which I will admit I did NOT solve in Riven on my own), and of course all the wonderful wonderful art that has gone into creating the cultures and the Ages. Nfffhfhfhhfhahajdfhkas. MYST.
can’t sleep can’t stop drawing clothes
I noticed that this raised some questions, lol. I did waffle on it for a while but yeah there was some reasoning behind it (no really)
a. rubber bullets.
b. she is a cop (detective NOPD anti-gang, coast guard reservist instead of full time) and feels naked without it /stereotype
c. she has great aim with firearms, not so much with powers.
d. edited her abilities so she has to switch her entire mass to energy form to use her power, no laser hand-blasts.
e. this version of Monica is when she is very new and doesn't have precise control over her ability, her resting energy state is basically a glowy white-light energy being that is diffused over a fairly wide area so she doesnt risk incinerating everything/one around her. When she concentrates it she can tap into the cosmic background radiation to boost her intensity but its like opening power floodgates. This is great for battle against superbeings and giant monsters, not so much against humans. She CAN manifest at more midrange intensities but no matter what area of the spectrum she's at this would be either very annoying to downright dangerous (disrupting radio communications, internet and wifi, being too blindingly bright. Or uh giving everyone around her radiation poisoning/cancer... not really an acceptable form of collateral damage. Everyone tends to draw the line at weaponized throwing cars)
f. IN CONCLUSION, her two current settings are essentially "light show" and "atom bomb".
/nerd
PS- later on she learns to reign it in enough to work as an Active Denial System though :p but takes a level of precision she doesn't initially have and would just microwave everything.
questionstar.org & questionstar@deviantart. I like to make art, friends, costumes, trouble, and history this is an art/creativity/rambling blog where I complain about art more often than I actually post it!
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