welcome everybody
I am Muhammad Imad Abdel Latif Sharab
First, after an aggressive war on Gaza City and its revival, we were displaced from our 3-storey house in which I and my family of 3 members live.
My father's family consists of 8 members
My grandfather, may God have mercy on him, was martyred by occupation aircraft on 12/14/2023.
The one who was martyred while he was leaving the house to check on our house next to him, which could not be reached due to a brutal enemy who does not differentiate between anyone in death, went out to check on our house, which we were not in because of my displacement to Rafah, me, my father, and our families due to the intensity of the fighting in Khan Yunis, and after that A few days ago, our store in which my father and brothers work was bombed by occupation aircraft. He was working to gather his strength from it and meet the needs of our house, which no longer exists due to the bombing. We ask you to help and contribute, even if just a little, by donating to us so that we can compensate for a little of what we lost.
Many thanks to you š¢
š„ŗš„ŗš„ŗš„ŗš„ŗš„ŗ
If you do not understand the words well, because I am not very good at English, but I ask you to help me with money so that I can compensate for even a little of what I lost, and I am very grateful to you, my dearsš¢š„ŗš¢š„ŗš¢š„ŗš„ŗš¢
ā¤ļø
This is a repost and minor edit of a thread I made on Twitter yesterday. This is a topic I have always wanted to talk about because of how often it comes up in TGCF fandom, time and time again.
ā¼ļøCW: mentions of sexual assault, self-harm, bodily injuryā¼ļø
ā ļøMajor spoilers for the entire novel aheadā ļø
---
Saw a question the other day on what relevance Hualian being sexually intimate by the end of the novel had to either the narrative or Xie Lian's character arc.
In short: it bears significant relevance, especially in context of other themes the novel explores like bodily autonomy.
Throughout the novel, we see time and time again that Xie Lian is often dehumanized by pretty much everyoneāincluding himselfāwith the sole exception of Hua Cheng. I've talked more in depth about it in an old twt thread, for those interested. @/stalliondany on twt has also made an excellent recent analysis that goes deeper into the specific ways Xie Lian was used as a physical shield, martyr, or scapegoat for others without thought to his humanity or suffering. I highly recommend reading it first!
But to sum it all up: it's important to Xie Lian's character arc to keep in mind that he is used to seeing his own body as a tool to solve problems. And in crucial narrative moments, he is robbed of his bodily autonomy, and either brutalized or violated in service of others.
One of the plot points that ties together all these concepts is actually... Xie Lian's chastity vows. That will be the main focus of this post.
When he was a young teen (or possibly as a child), Xie Lian took an oath of chastity because such was the norm for cultivators seeking ascension in Xian Le. To Xie Lian, even as he grew older, he never had an issue with this because he just never felt sexual attraction to another person, or any desire to be intimate in that way. Even if he yearned for the concept of being loved. And indeed, at first glance, his chastity vows may seem like nothing more than a side note. Or even a funny gag when it comes to Hua Cheng (later).
In reality Xie Lian's chastity vows are not only used against him, but paint a very disturbing picture with regards to his repeated violation.
The Land of the Tender scene is the most obvious example of this. Xie Lian's vows are directly tied to his spiritual powers, and because it affects how his followers see him. They place a high value on his chastity as being vital to his moral character.
For reference, an excerpt from TGCF vol. 3 of the English print translation, page 135:
Xie Lian's method of cultivation required a pure body. Those who worshipped the ascended cultivators who practiced this path were firmly convinced of the transcendence of gods untouched by earthly desires. If they couldn't protect their purity, their following would no doubt collapse and their powers would be devastated. It wouldn't be as serious as plunging from godhood to back to mortality, and there was still the possibility of recovery after many more years of cultivationābut with things as they were now, there was no time for him to sit behind closed doors and cultivate for years!
As a reminder: it is Bai Wuxiang who orchestrated this whole thing. Him trying to compromise Xie Lian in this way is horrific on many levels, yet that's not the main point I want to make here. It's that to preserve his "pure body," the solution Xie Lian realizes is to severely harm himself. To impale himself with his sword through the abdomen.
The juxtaposition of having to maintain bodily purity versus the gruesome violence inflicted on his body is extremely stark.
This grim contrast is no more evident than in the 100 swords scene. Where Xie Lian's body is literally brutalized and defiled to an unthinkable degree. To the point where he, quote: "no longer looked human." Yet he emerges from that temple physically "pure" all the same. His chastity vows were not broken, his body healed without scars. As though he was untouched.... And yet, he was completely destroyed mentally. It left permanent effects on him as a person. It's even worse when the scene is read analogous to sexual assault, as many have talked about before. I think that interpretation actually hits the nail on the head, especially keeping in mind the Land of the Tender scene and all the similarities between them.
Following the 100 swords scene, Xie Lian of course has a complete disconnect between himself and his body. I believe this is part of why he doesn't really feel pain, except when he is with Hua Cheng, who treats him and his body as one. As a person who is cherished, and loved. Hua Cheng is adamant in his adoring treatment of Xie Lian. Small injuries are also something he cannot tolerate because he knows what horrors befell Xie Lian in the past. (He was present at both the terrible moments mentioned above.) He will not let any of that continue, regardless of what Xie Lian says, because he sees it as injustice.
Xie Lian is willing to use himself as a tool to help others no matter the personal cost. He even thinks of it as something he must do, or that he deserves as penance. But Hua Cheng is the one person who asks "what about you?" He's the one that insists "your happiness matters." And it is Hua Cheng that takes issue with Xie Lian's chastity vows as being unfair, unlike everyone else. Regardless of Hua Cheng's reasons for this diegetically, symbolically it means a lot that he is the one opposed to this.
Just thinking about the chastity vows on their own for a moment: Xie Lian can indulge a little bit in stuff like alcohol, which isn't great to begin with for him. But he absolutely cannot engage in "pleasures of the flesh." He can totally have his flesh ripped from his bones, literally, but actually experiencing any kind of sexual gratification? Now that would make him unclean, and lesser.... Why? Because unlike everything else, that's something Xie Lian would do simply for himself to feel good. And what greater crime is there than to ever dare put himself first?
So Hua Chengābeing the one person who puts Xie Lian first above all elseāthinking that such a restriction doesn't make sense is important. Hua Cheng being the person who Xie Lian breaks those vows for in the end is important! (Especially because it seems to have been an easy choice for him.)
And of course, the scene with Jun Wu and the Virginity Detector Sword⢠has to be mentioned. Again, there's symbolism to be had! The perpetrator of two of the most physically violating moments of Xie Lian's life (both of which were sexual in nature; one literally and one allegorically) being the one to "check" Xie Lian's virginity... oof. Yikes. It's dramatic irony. It's deeply uncomfortable. Especially because Jun Wu probably wanted to know if Xie Lian slept with Hua Cheng, as he already knew Xie Lian wasn't the ghost fetus' father.
So it's once again a stark juxtaposition: of Ghost King Hua Cheng disagreeing with the purity vows, wanting Xie Lian to break them for himself and his own freedom. Versus Heavenly Emperor Jun Wu wanting to weaponize those vows against Xie Lian in whatever way he can, intact or not, to keep control over him.
Naturally, there's something to be said for the real-world problem with such purity vows being used against people, to judge their moral character, societal expectations, etc. Elephant in the room. It's very on the nose, so there isn't even much to say about it that hasn't been said already.
In the end, it comes down to how horrible it is that when Xie Lian tries to help others, it results in immense harm to his body every time. Yet he is expected to continue to bear it, for centuries, by others and also himself. Until he meets Hua Cheng, who helps him rediscover what it means to be happy, and to be loved. So yes, it's absolutely relevant that in the end, Xie Lian decides to break his purity vows to be intimate with Hua Cheng. That he's able to put himself in Hua Cheng's hands, and let himself be treated with affection and desire. It's Xie Lian finally forgiving himself, and beginning to heal.
Thousand Autumns with you (from Oct 2022)
hi, iām qiu, my pronouns are he/she/they, and ä»/儹 in mandarin. i speak both english and mandarin. the queer cnovel brainrot hit me like a ton of bricks and the bird app is going to shit, so here we are, screaming it into the abyss.
āIām fine, Iām not getting corrupted by this power! I can control it!ā -guy who is 100% getting corrupted by this power
A story like Thousand Autumns is very subtle in its romance.
Shen Qiao has only ever known his sect. He knows it very well, because of this fact. He knows the people, he knows the rules, he knows the daily doings and who is doing them. He knows every blade of grass and every stone. Heās like a lonely mountain flower, on the highest peak, unseen by any but a few birds and unknowing that thereās more it might never know.
When he finds himself away from his sect for the first time, heās confused. At most, heās gone to the base of the mountain, maybe the fields surrounding that, but no further. The flower was plucked and tossed aside.
For a man stumbling blindly in the world, literally and figuratively, there really isnāt a better guide than one that knows just about everything. And thatās, without a doubt, Yan Wushi.
Yan Wushi has lived longer than Shen Qiao, has been more places than Shen Qiao, and has fought more battles than Shen Qiao. Yan Wushi is the perfect example of something out of reach even for someone out of reach. Heās the only one who could answer any questions asked of him, but especially the questions that Shen Qiao would want to ask him.
And thereās no question in my mind that Yan Wushi doesnāt fall for Shen Qiao at first sight, but heās certainly attracted to him. Not in an overtly sexual or emotional way, but Yan Wushi, the way his character is set up? Itās impossible for him not to be fascinated by Shen Qiao.
He knows Shen Qiao is the very picture of a peerless immortal. Heās well aware that Shen Qiao is considered untouchable by even the people closest to Shen Qiao. Heās most aware that Shen Qiao is Qi Fenggeās (coughhndisputedcough) favourite disciple, and honestly thatās enough for him to overwhemingly want to mess with Shen Qiao.
There are a lot of reasons for Yan Wushi to fall for Shen Qiao. Most of the people in the novel fall for Shen Qiao, after all, there is a precedent.
But the one Iāve seen questioned is Shen Qiaoās affection for Yan Wushi. Where does it come from? When did it start? Does Shen Qiao even fucking like that asshole?
The easy answer is: yes, he does. The novel tells us that. Shen Qiao, despite everything, does fall for Yan Wushiās, um, ācharmsā in the end. This is made clear.
But why? A thousand voices cry out. Why the fuck would any reasonable person like Yan goddamn Wushi in any capacity?
Well, thereās your first mistake. Shen Qiao is not a reasonable person.
Shen Qiao as a character is absolutely terrifying. He could absolutely destroy the world given half the inclination, but he just doesnāt want to. Heās already considered unmatched before heās pushed unceremoniously off of a mountain, and his journey only increases his strength. He isnāt quite equal to Yan Wushi, but heās the only person Yan Wushi ever sees as equal to himself.
Shen Qiaoās best and worst trait is his patience. Heās unwavering. He really just embodies taoism, especially as itās presented in the novels. He is the picture of a river that doesnāt stray from its path.
Which is why itās hard for him to reconcile his own attraction to Yan Wushi, but letās all be clear here. Yan Wushi absolutely starts seducing Shen Qiao on day fucking one. If he couldāve (if Qi Fengge hadnāt been there) he wouldāve tried to eat that cabbage when it was just a little sprout. Shen Qiao is unpracticed in most social interactions, to be frank, but heās especially unused to romance and Yan Wushi really is his first introduction to being hit on.
Yan Wushi is far from good, at really any point, to anybody but especially to Shen Qiao. But that doesnāt particularly matter because Shen Qiao chooses to forgive him, again and again. And I really think, after giving Shen Qiao to a confirmed terrible, awful person who has already promised to do terrible thing to Shen Qiao, that Shen Qiao himself wouldnāt forgive literally anyone else for doing that. And he shouldnāt, because it was really fucked up, but that still doesnāt matter because Shen Qiao ultimately DOES forgive Yan Wushi.
What am I saying? Iām saying that Shen Qiao fell for Yan Wushi first. It is the only way the story makes any sense. Shen Qiao is annoyed at him, heās furious at him, heās so fucking pissed he could kill that man, but he likes him. He likes Yan Wushiās company. He likes that Yan Wushi gives him a challenge. Heās exasperated, but he likes it.
Shen Qiao forgives Yan Wushi SO MANY TIMES. Yan Wushi humiliates him and mocks him and is the absolute worst, but Shen Qiao forgives him and more than that, Shen Qiao always is waiting for Yan Wushi to come back to bother him more.
Is there more to Shen Qiaoās attraction? Probably. Is it a daddy kink? It could be. But I honestly canāt help but read it as Shen Qiao falling for the absolute pits of a man that is Yan Wushi. Shen Qiao likes that old bastard and decides to spend the rest of his life with the fucker and he is just too much of a block of ice to show it.
table of contents : contextĀ : moral arguments : addressing the legal side of thingsĀ : closing remarks
Context
on March 17, 2018, mxtx posted:
āAs long as you don't split or reverse the top/bottom positions of the main couple, I won't mind what you ship. I myself have a lot of fun shipping couples in mainstream shows, and isn't reading all about finding joy? You can imagine freely or ship whoever you like, just don't break up or reverse the top/bottom positions of the main couple.ā
(I realise that the äøęäøé āno splitting or reversingā rule might be implicit within the entire Chinese danmei fandom, so i do not wish to single mxtx out. for example, i know that Chinese 2ha fans also go around policing people who ship, say, chu wanning with shi mei ā so this isnāt just a mxtx thing. although i do not know if other danmei authors have explicitly stated āno splitting or reversingā since i have not been a part of other danmei fandoms.)
Nevertheless, āno splitting or reversingā became the constitution in Chinese mxtx fandom. Fans parade around with the slogan āęéę»ā which means ākill yourself if you split or reverseā. Since the pronunciation of ęéę» (chai-ni-si) sounds like āchineseā, some fans on the Chinese internet have been putting āchineseā in their bios to mean ākill yourself if you split or reverseā.
From now on I will be referring to split/reverse ships as cult ships, as Chinese fans like to call them.
There are two main consequences of the āno splitting or reversingā rule (on the Chinese internet):
You will receive permanent bans with no option for appeal if you post cult ship fanworks in the novel communities on Weibo
It is implicitly agreed upon that you are not allowed to use individual character tags, the novel tag, or the author tag when posting cult ship content on any platform. So, for example, if you write Wei Wuxian x Jiang Cheng, you are not allowed to use #weiwuxian #jiangcheng #mdzs #mxtx. The name given to this conduct of tagging only your cult ship is åå°čŖč, which means āenclose a piece of land and amuse oneself within itā. You are not allowed to step out of your land.Ā
However, not everyone agrees with the practice of ādonāt step out of your landā ā this includes people from both sides of the debate. Some official shippers believe that cult shippers should not have any land to begin with, and purposefully leave the cult ship tag unblocked so they can police cult shippers at every opportunity. Some cult shippers believe that because their ship involves the individual characters, originate from the novel written by the author, they are in the right to use the individual character tags, the novel tag, and the author tag, and that people who dislike their ship should just use the block function.Ā
-
Moral Arguments
There are two main types of moral arguments that Chinese official shippers make.
1. If you split the official ship, you condone cheating behaviour and that makes you a bad person.
The first argument is too trivial so I will leave the refutation as an exercise for the reader to do at home /j
2. You are not respecting the author's wishes and that makes you a bad person.
The author has wished many different things. For example:
Screenshot 1 translation: I strictly forbid any crowdfunding or fundraising related to me, my works, or my characters, regardless of the purpose, whether it be for celebration, group buying, rankings, charity, or any other named activities.
Screenshot 2 translation: Once again, I emphasize: No new social media pages related to my works are allowed, nor organizing readers in a roundabout way, whether it be for celebrations, group buying, rankings, charity, or any other named activities. Please also refrain from flamboyantly organizing any collective birthday events.
Screenshot 3 translation: I've repeated many things many times and do not wish to repeat myself. Could everyone please just listen to my words occasionally.
(A brief aside before I address the second argument, something I used to say when debating Chinese fans: āI donāt think people who violate the author's wishes mean any disrespect. I donāt think theyāre shipping or hosting charity events or birthday parties out of spite, but rather, it just so happens that the author prohibits a ship they enjoy or an event they organise. Just because I cult ship, for example, doesnāt mean I hate the author.ā And they would respond: āif you really liked the author, you wouldnāt go against her wishes. You do not deserve to like the author. You are a mxtx anti.ā And I would say, āI like my mom a lot, but I wonāt listen to everything she says, simply because I donāt think everything she says is right. Plus, I donāt think the world can simply be explained by like vs. dislike. Also, Xie Lian said this: [For instance, if you admire or like someone, you won't always treat them well, no matter what happens.]ā But then the most hilarious thing happened, in the revised version, a rebuttal for that scene was added:
ćāFor instance, if you admire or like someone, it doesn't mean you will always treat them well, regardless of what happens."
"Why not?" San Lang questioned. "If that's not possible, it only shows that this so-called 'liking' isn't anything significant."
Xie Lian shifted the conversation, asking, "Then... does it mean that aside from liking someone, the only other option is to dislike them? Are these the only two attitudes one can choose from?"
San Lang chuckled and retorted, "Why not? Right is right, wrong is wrong. To love is to love, to hate is to hate. Why can't things be clear and straightforward?āć
⦠ah.)
To address the second argument for real, i believe that producers retain no moral authority over the methods by which consumers engage with their products. for instance, i believe that choosing not to follow the official ātwist, lick, and dunkā method when eating oreos does not constitute disrespect towards the oreo brand. Or to use another analogy, suppose a farmer selling apples insist that you peel the apples before eating them. I believe that it does not make you a bad person if you choose to eat the apples unpeeled, despite the farmer being the one who watered and harvested the apples from their trees.
I am thinking of potential counterarguments, and the strongest one I came up with is: ābut products like oreos and apples are fundamentally different from intellectual property.ā And I think the main issue here is that, to employ economics terminology, the content of novels like tgcf is a non-rivalrous good (not the novels themselves but the abstract content), which means that my consumption of it does not reduce availability to others. In other words, unlike Oreos or apples wherein after I purchase them, the specific items I bought are no longer physically in the hands of the vendor; after encountering characters like Shen Qingqiu, Shen Qingqiu still exists abstractly in MXTXās head. This gives the illusion of ownership on the authorās part. I want to be very careful here because I think itās easy to equivocate between different uses of the word āownershipā. I am not arguing that the author fails to retain ownership in negation of all the blood, sweat, and tears that went into the creative process, i.e. their copyright. Instead, I am contending that, just as I paid for my Oreos and apples, upon my purchasing of the Seven Seas version, the paperback Chinese version, and the revised uncensored version of TGCF on JJWXC, the author does not own the ways by which I choose to engage with these fictional entities. Once a work is made public, its ontology becomes independent of the authorās intent, and in all its readersā heads exist distinct versions of the characters, in effect making them belong to all of us.
(There. As a bonus I have also resolved the issue of not being āchineseā enough. Ah, is this a bad place to make a communism joke?)
Addressing the legal side of things
In 2022 I wrote to the legal team at AO3, and here is their response:
Regarding the āmoral rightsā, thatās actually a thing. Upon receiving lots of spam from 12-yr-old readers that āyou are breaking the lawā, I did a quick Baidu search (Chinaās Google) concerning the legality of splitting/reversing ships. Surprisingly, the search results yield āyes, itās illegalā, and hence the 12-yr-olds' confidence. But that is akin to getting a cancer diagnosis from searching symptoms on Google. So I dug deeper.Ā
After reading tens of published papers and court cases, here are the key takeaways of what I found:
Given that intellectual property rights are a bit behind in China, they have largely based their laws on US copyright law. As organizations like OTW continue to fight for the rights of transformative works in the US, China probably will just follow suit.
The semantics of ādistort, mutilate, or otherwise harm the integrity of their works in a way that harms the authorās reputationā is very vague and debatable. There are at least three ways to interpret it (I think one of the papers I read offered four). The first is that they only have to prove that you distorted the integrity of the work. The second is that you satisfy the condition of harming the authorās reputation. The third is that you satisfy both conditions (integrity of work and authorās reputation). It depends on the court.Ā
None of the court cases pertained to unserious, just-for-fun fan works. Usually what happens is someone makes a film out canon, for example, and sell it for profit, or someone publishes their own novel which contains characters from another published work.Ā
And that is for China only^ if you live outside of China, you are under another country's jurisdiction.
-
Closing remarks
I am addressing this issue because it has impacted me and my friends in many ways. "kill yourself if you split/reverse the official ship" is probably the least of our concerns, mainly because it is such a popular phrase that we've become desensitized to it. @/Eleven receives private messages on Lofter on a weekly basis of people wishing her entire family to get murdered. A hualian main friend of mine has been posted to Weibo for following me; and I had to pull a Shi Qingxuan with "hey let's not be friends anymore if being associated with me is gonna get you cancelled".
mxtx has been through a lot and i understand where she's coming from. and maybe, the people who identify as "kill yourself if you split/reverse the official ship" don't truly mean it -- maybe they're just expressing their love for the official ship.
Recently i've been seeing the sentiments I used to only witness in Chinese fandom surface on Twitter and sometimes I worry that western mxtx fandom is going to turn into Chinese mxtx fandom, with the in-group/out-group mentality -- you're either with us or against us. At the end of the day, I do like mxtx, I admire her tenacity and I think she's a brilliant author, I love her works and the characters in them. I simply do not want to be backed into the corner of "anti" due to not following every order she gives.
ē„墨é¦å儹ēē²äøä»¬å¹³å®ć
reblog with reasons in the tags!
*ignore the grammer error in the title, itās supposed to say āis the mostā dijdkdksk
Song Qingshiās voice sample from MISVIL Audio Drama out now! Link: https://youtube.com/shorts/HIsWJnFKZO0?si=-Yq1Y2iUUCz8oGGN
(qiÅ« lĆn): autumn rainqiu (they/any): sqx fannovels + podcasts mostly
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