Portrait Of A Lady On Fire, Dir. Céline Sciamma // Doubt Comes In, Hadestown // Eurydice, Sarah Ruhl

ady on Fire. A woman with dark hair and light skin is facing the camera, with a caption that says, "He chooses the memory of her. That's why he turns." END ID
Screenshot of lyrics from the song "Doubt Comes In" from Hadestown: [ORPHEUS: Who do I think I am? Who am I to think that she would follow me into the cold and dark again?] END ID
Eurydice" that says: [ORPHEUS: How will you remember? EURYDICE: That I love you? ORPHEUS: Yes. EURYDICE: That's easy. I can't help it.] END ID
Portrait Of A Lady On Fire, Dir. Céline Sciamma // Doubt Comes In, Hadestown // Eurydice, Sarah Ruhl
Text from Ocean Vuong's poem "Eurydice" that reads: "Who would believe us now? My voice crackling like bones inside the radio. Silly me. i thought love was real & the body imaginary." END ID
Portrait Of A Lady On Fire, Dir. Céline Sciamma // Doubt Comes In, Hadestown // Eurydice, Sarah Ruhl

portrait of a lady on fire, dir. céline sciamma // doubt comes in, hadestown // eurydice, sarah ruhl // metamorphoses: book x, ovid trans. anthony kline // “eurydice”, ocean vuong // talk, hozier

[IDs not found in alt text:

image 4: Text from Metamorphoses: Book X by Ovid that reads: “They took the upward path, through the still silence, steep and dark, shadowy with dense fog, drawing near to the threshold of the upper world. Afraid she was no longer there, and eager to see her, the lover turned his eyes. In an instant she dropped back, and he, unhappy man, stretching out his arms to hold her and be held, clutched at nothing but the receding air. Dying a second time, now, there was no complaint to her husband (what, then, could she complain of, except that she had been loved?). She spoke a last ‘farewell’ that, now, scarcely reached his ears, and turned again towards that same place.”

image 6: Screenshot of lyrics from “Talk” by Hozier that reads: “I’d be the voice that urged Orpheus / When her body was found / I’d be the choiceless hope in grief / That drove him underground / I’d be the dreadful need in the devotee / That made him turn around / And I’d be the immediate forgiveness / In Eurydice / Imagine being loved by me”.

// End ID]

More Posts from Prosemoireia and Others

1 year ago

“when you fall in love- you fall into an ocean. it is vast, it is deep, it is powerful. so, swim a little.”

— swim a little. |(morsus engel)|


Tags
1 year ago
I Would Do Anything You Want Me To
image
I Would Do Anything You Want Me To
I Would Do Anything You Want Me To
I Would Do Anything You Want Me To
I Would Do Anything You Want Me To
I Would Do Anything You Want Me To
I Would Do Anything You Want Me To
I Would Do Anything You Want Me To

i would do anything you want me to

@emptystic // nothing but thieves “lover please stay” // richard siken “planet of love” // normal people (2020) // emily palermo “what i could never confess without some bravado” // phoebe bridgers“moon song” // phoebe bridgers “graceland too” // elisabeth hewer “dove hands” // roger rossel “caitlin ciara and rominuse” // normal people (2020) // stephen adly guirgis “the last days of judas iscariot”


Tags
1 year ago
On Women Haunting The Narrative, Wearing A Dead Girl's Dress, Ill-fated Love Stories, A Wavering Border
Screenshot from Dark Shadows. Victoria Winters standing on cliff. black and white.
Screenshot from Curse of the Black Pearl. Elizabeth Swann being coerced off gangplank. Red dress heightened saturation.
Screenshot of Rebecca (1940). Mrs. De Winter on the rocks on the beach.
On Women Haunting The Narrative, Wearing A Dead Girl's Dress, Ill-fated Love Stories, A Wavering Border
Screenshot of a lyrics page for Hadestown.
[ALL]
It's a love song
It's a tale of a love from long again 
It's a sad song 
We keep singing even so
It's an old song
It's an old tale from way back when
And we're gonna sing it again and again
Screenshot of Dark Shadows. Victoria Winters reading a book.
Screenshot of Curse of the Black Pearl. Elizabeth Swann in bed, reading.
Screenshot of a page of drama.
ORESTES: This was always going to happen
She's been dead since the beginning
Screenshot of Elizabeth Swann. 
Subtitled "Dare I ask the fate of its previous owner?"
Screenshot of Dark Shadows. Josette's music box.
Screenshot of Dark Shadow's, showing Barnabas' hand and onyx ring.
Screenshot of Curse of the Black Pearl. Elizabeth lies back on the docks, Jack's fingers hold the Aztec medallion.
Screenshot of At World's End. Jack toys with his piece of eight, a string of beads and coin.
Screenshot of Curse of the Black Pearl. Elizabeth bends over the chest of gold, Barbossa wields a knife.
Screenshot of Dark Shadows subtitles. "After all, blood is the life force. To surrender even one drop of it is to suggest a partial surrender of one's utmost self."
Screenshot of Curse of the Black Pearl. Chest of Aztec gold, with one coin bloodied.
Screenshot of The Price of Freedom. 

Jack smiled. “That’s beautiful.” He touched her hip again. “This…it’s some kind of sacred symbol?”

She nodded. “It’s an ancient design. The legends say it was imprinted on the blood money demanded by Cortés.”

Jack’s eyes opened wide. “Are you talking about the lost treasure? The one they say is on an island of the dead somewhere?”
Screenshot of Dark Shadows subtitles. "Where even the limits that separate the living from the dead become obscured."
Screenshot of Rebecca (1940). Woman standing in front of a large historical portrait of a woman in an antebellum dress.
Screenshot of Dark Shadows. Victoria and David stand in front of a historical portrait of Josette.
Screenshot of Rebecca (1940). Mrs. de Winter stands in front of the historical portrait wearing the same dress.
Screenshot of Dark Shadows. Victoria wears Josette's dress.
Screenshot of Curse of the Black Pearl. Elizabeth wears the burgundy dress Barbossa gave her.
With dreams of lovely ladies jumping off cliffs
Screenshot of Dark Shadows. Josette pulls away from Barnabas in the moments before she falls from the cliff.
Screenshot of Rebecca (1940). Mrs de Winter, distressed, leans from a window, with a woman behind her.
Screenshot of Curse of the Black Pearl. We see Elizabeth from below as she falls from the fort.
a section of the curse of the black pearl script.
COTTON'S PARROT: Dead men tell NO tales! Dead men tell NO tales! Dead men tell NO tales! 

a screenshot of subtitles from Rebecca, 1940. 
Rebecca's dead, she can't speak.

a screenshot of subtitles from dark shadows. 
Have your ghosts been talking to you?

on women haunting the narrative, wearing a dead girl's dress, ill-fated love stories, a wavering border between life and death. ft. victoria winters & josette dupres, elizabeth swann & esmeralda de sevilla, mrs. de winter & rebecca de winter.

dark shadows 233 / dark shadows 5 / curse of the black pearl (2003) / rebecca (1940) / dark shadows 233 / "road to hell (reprise)" hadestown / dark shadows 157 / curse of the black pearl (2003) / the oresteia, t: anne carson / curse of the black pearl, deleted scenes / dark shadows 285 / dark shadows 214 / curse of the black pearl (2003) / at world's end (2007) / curse of the black pearl (2003) / dark shadows 245 / curse of the black pearl (2003) / the price of freedom, a.c. crispin / dark shadows 494 / rebecca (1940) / dark shadows 70 / rebecca (1940) / dark shadows 280 / curse of the black pearl (2003) / dark shadows 281 / dark shadows 425 / rebecca (1940) / curse of the black pearl (2003) / curse of the black pearl (2003) / rebecca (1940) / dark shadows 15


Tags
1 year ago
image

X

image

M. A. Thompson - I Won’t Write My Poem ‘Till I’m In My Right Mind X

image

Mary Oliver X

image

Richard Siken - road music

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George Sand (Amantine Lucile Aurore Dupin) in her letter to Gustave Flaubert X

image

Ada Limón - The Carrying X

image

Nikki Giovanni - Mirrors X

“I just want to be kind in a world that isn’t”


Tags
1 year ago

“Forgive my fingers for when they find your body they will lose themselves.”

— Tyler Knott Gregson


Tags
1 year ago
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.
The Love Was There.

The love was there.

(NOT BASED OFF ANY CURRENT EXPERIENCES)

Jeanette Winterson / Ashe Vernon / Clementine von Radics, "In a Dream You Saw a Way to Survive" / P.D, "there is no absolution for the fallen, only dying" / Sky Ferreia, "Sad Dreams" / ? / Lidia Yuknavitch, "The Chronology of Water: a Memoir" / ?


Tags
1 year ago

                                   Everyone is a monster to someone.                             Since you are so convinced that I am yours,                                                       I will be it.


Tags
1 year ago
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving
A Dialogue Between The Unloved And The Loving

a dialogue between the unloved and the loving

neil hilborn // miranda july // @orpheuslament // aaron o’hanlon // natalie wee “least of all” // @fridayiminlovemp3 // maria petrovykh “love me. i am pitch black” // “the seven husbands of evelyn hugo” // sylvia plath “johnny panic & the bible of dreams” // sue zhao // virginia woolf from a letter to katherine mansfield // trista mateer


Tags
1 year ago

“In the evening my griefs come to me one by one. They tell me what I had hoped to forget. They perch on my shoulders like mourning doves. They are the color of light fading.”

— Linda Pastan, from “Old Woman,” The Five Stages of Grief ( W. W. Norton & Company, 1978)


Tags
1 year ago

“I buried the girl I had been because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. She is still small and scared and ashamed, and perhaps I am writing my way back to her, trying to tell her everything she needs to hear.”

— Hunger: A Memoir of (My) Body, by Roxane Gay


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collection of web weavings and quotes for inspo

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