“There is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one’s idea for thirty-five years; there’s something left which cannot be induced to emerge from your brain, and remains with you forever…”
— Fyodor Dostoyevsky, The Idiot
अनन्त का छंद – 6 प्रसन्न कुमार चौधरी ग. ज्ञान 75. इस पूरे प्रकरण में ‘नॉलेज़’ शब्द के लिए ‘जानकारी’ की जगह आम तौर पर प्रचलित ‘ज्ञान’ शब्द का इस्तेमाल किया गया है । वैसे भारतीय चिन्तन परम्परा में ज्ञान का प्रयोग सार्विक भाव के उदय के लिए किया जाता रहा है । यह ज्ञान पूंजी कदापि नहीं हो सकती । इसे हासिल करने की कोई वैज्ञानिक-तार्किक विधि नहीं । इसी तरह जानकार और ज्ञानी में भी फ़र्क किया जाता है…
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The Brazilian government has strongly rejected suggestions by two U.S. anthropologists that the only way to protect the country’s isolated tribes would be to establish contact with them.
Haile Gerima: I’m not sure I deserve such an honor because of the few films I have done in the world. I didn’t have the resources to have done more. Sankofa (1993), I should have done at least ten sequels because I have fifteen scripts. And so, in a world where one is denied the tools and resources, in that kind of dire state of struggle to gain my right to tell a story, to think of such very insightful emotional dynamics in my work is really a blessing. Now for me, I am a human being who’s been lied to. So when I shoot, it’s, for me, a rifle, it’s a gun, it’s an explosion. Every film is a staircase to respond to my interest to cleanse my own state of occupation. It’s kind of a decolonizing journey, and no one is going to finance me, no one is going to say, “Here’s money to tell another story.” Unless she drives Miss Daisy I have no chance of being financed by the present arrangement.
Read: Love Visual: A Conversation with Haile Gerima on Aperture Magazine’s website.
“Incantation. A prayer for apps and the latest whatever, sung by “the witch”. New things to try, a desperation, an automation to it. A heaviness, as if being joined by a yoke to our technology, it’s dragging us, making us pay per download. We’re it’s slave.”
Leah Kardos’s album “Machines”, a song cycle based on themes of technology, loneliness and the human condition, with lyrics derived from spam emails. (via Tom A.)
Photographer Michael Gaffney followed Muhammad Ali’s storied career and documented many of his finest moments. He also captured a collection of pictures that show the more unseen side of Ali outside of the ring – from time on the road with his family, to impromptu greetings with fans and moments Ali took alone, away from his exuberant fame.
The Opposition Path and China’s Future.
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"In India all religions hold in common the idea of two indivisible elements, a male and female principle, Purusha and Prakrti, or Shiva and Shakti. The two elements originate in a single primordial being which manifests a 'desire to create'. From a unitary state of repose this emergent, but creative, tension gives birth to the universe and the multiplicity of beings and things of this world in a state of unceasing instability and flux, of time and constant change, of birth, reproduction, decay, death and rebirth. Out of a permanent coition of opposites the many are born, and with them confusion, antagonism, separateness. But the universe longs to regain its primordial state of oneness, and seeks to reverse the fragmentation. The return path, or restoration of lost unity, is the business of religion, yoga, ritualized sex, and its opposite : rigorous asceticism. These comprise a tool-kit of diverse, and divergent, religious techniques."
Richard Lannoy and Harry Baines, 'The Eye of Love', Grove Press, Inc., New York, 1976.
'Naitaavad enaa, paro anyad asti' (There is not merely this, but a transcendent other). Rgveda. X, 31.8.
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