Prairieghcsts - All The Mermaids Had Sharp Teeth

✎ㅤ. . .ㅤ𝑩𝑳𝑶𝑶𝑫 𝑨𝑵𝑫 𝑫𝑨𝑹𝑲𝑵𝑬𝑺𝑺.

₊˚⊹ ㅤa collection of loose quotes taken from various characters from hades (supergiant games). these quotes are from the first game of the series. writing/roleplaying prompts. from fluff to angst! feel free to edit as you see fit, especially since some are gendered.

❝ i’m leaving. try and stop me. ❞ ❝ that could have gone better. ❞ ❝ why can’t you just stay? ❞ ❝ i wish you could come with me. ❞ ❝ you’re coming with me. ❞ ❝ i have to take you back. ❞ ❝ but for you, i will be making an exception. ❞ ❝ whew… they’re gone. ❞ ❝ now, come on, we got places to be! ❞ ❝ may the fates favour your journey. ❞ ❝ oh you know, i’d rather have my eyes put out, but thanks for offering! ❞ ❝ if only… ❞ ❝ you should be ashamed of yourself, and learn your place. ❞ ❝ ahh, so you are taking pity on me, then? ❞ ❝ i’m sorry that it has to be this way. ❞ ❝ you’re late. ❞ ❝ will i see you soon? ❞ ❝ did you miss me? ❞ ❝ i’m home. ❞ ❝ we’re heading home. ❞ ❝ you… came back? ❞ ❝ i hope i didn’t keep you waiting very long, did i? ❞ ❝ is something wrong? ❞ ❝ i can’t believe this. ❞ ❝ i’m in your debt. ❞ ❝ there’s going to be payback, you know. ❞ ❝ … damn you. ❞ ❝ this is for you. ❞ ❝ do you remember me? my name is—ah, nevermind. ❞ ❝ i’m not who you think i am. ❞ ❝ keep following that heart of yours. ❞ ❝ to hell with this place! ❞ ❝ fear is for the weak. ❞ ❝ oh, look at you, you poor, poor thing, you’re hurt! ❞ ❝ you’re such a sweetheart. ❞ ❝ you brought this on yourself. ❞ ❝ no need to thank me, mate. ❞ ❝ please, i don’t want to do this… ❞ ❝ you don’t have to do this… ❞ ❝ only the best for you. ❞ ❝ i hope you’re right. ❞ ❝ gods grant me strength… ❞ ❝ that is the worst idea i think i’ve ever heard. ❞ ❝ do you understand how little sense that makes? ❞ ❝ look what i found! ❞ ❝ something’s changed about the beating of your heart. ❞ ❝ no wonder they don’t like you. ❞ ❝ wish i could be there to see your face. ❞ ❝ i’ll earn your favour yet. ❞ ❝ how bad could it be? ❞ ❝ hello there, handsome. ❞ ❝ … this is the cheesiest thing i’ve heard from you. ❞ ❝ what has gotten into you? ❞ ❝ blood and darkness! ❞ ❝ lucky for you, i’ve no pride like many others here. ❞ ❝ it’s over. i’m sorry. ❞ ❝ go. away. i won’t repeat myself. ❞ ❝ i knew your heart was true. ❞ ❝ let’s kiss and make up! ❞ ❝ mischief, me? oh please! ❞ ❝ i don’t know how you can stand this kind of thing… ❞ ❝ you tried. that’s what matters. ❞ ❝ a man after my own heart… ❞ ❝ why won’t you give up? ❞ ❝ ever so stubborn, aren’t you? ❞ ❝ life and death, one and the same. ❞ ❝ you’re running from yourself. again. ❞ ❝ what do you want from me? leave me alone. we’ve nothing to discuss anymore. ❞ ❝ i cannot bring myself to stay upset with you forever. ❞ ❝ the truth is i’m a lover, not a fighter. ❞ ❝ i have to see her! ❞ ❝ so how goes wilful disobedience of late? ❞ ❝ you think all these gifts will make things go back to the way they were? ❞ ❝ we’re older now—i’d hope we’re wiser, too. ❞ ❝ i have to go. ❞ ❝ we were having such a good time! ❞ ❝ time is up. ❞ ❝ you’re so reckless. ❞ ❝ thank you for always keeping me on my toes. ❞ ❝ your luck’s run out. ❞ ❝ i don’t know why i bother with you, honestly. ❞ ❝ may i call you my friend? ❞ ❝ i’d like to make a toast, to you! ❞ ❝ no need for special thanks. ❞ ❝ i’ve some memories i’m not quite ready to give up on yet. ❞ ❝ i’ll break your heart. ❞

“because of her vital role, chelsea is the vampire aro is most dependent on and most vulnerable to. knowing this, aro has a special relationship with chelsea that is unlike any other among the guard. chelsea wears the pure black robe of the coven leaders, and she always gets what she wants.” // chelsea; the volturi coven

Adelaide Kane as MARY STUART REIGN (2013 — 2017)

PROMPTS FOR TOUCH-STARVED MUSES *  adjust as necessary, send 'reverse' for the reversal of action prompts

DIALOGUE PROMPTS

could you... do that again?

please come back.

hold me again.

i need to feel you close.

we could share the same bed.

could we try holding hands?

right there. just like that.

i want to know how it feels.

i like it when you're nearby.

if you could just... stay here for a while.

lean into me. it's okay.

i like your hugs.

i want you here.

please touch me.

your arms feel so safe.

stay close to me.

the bed feels so cold.

come into my arms.

let me hold you.

cling to me.

you can keep doing that.

you don't have to let go.

i feel safe when you're near me.

that feels so good.

that was... really nice.

i like it when you play with my fingers.

could you come a little closer?

you can play with my hair if you want.

you don't have to sit so far away.

would you sleep here with me?

you feel like home to me.

if you keep doing that, i can't promise i'll behave.

can i lay on you?

would you touch me again?

don't let go of me.

stay like this.

don't go.

ACTION PROMPTS

[ reach ] sender hesitantly reaches for receiver's hand, unsure if the action will be reciprocated

[ instinct ] sender takes receiver's hand on instinct in reaction to a startling sight or event, not even realizing they did it

[ cling ] sender wraps both of their arms around one of receiver's arms and clings

[ rest ] sender sits next to receiver and rests their head on receiver's shoulder

[ doze ] sender falls asleep with their head on receiver's shoulder

[ play ] sender clings to receiver's hand and begins absentmindedly playing with their fingers

[ reassure ] sender reassures receiver by rubbing their arm up and down, hoping to ease their stress

[ heart ] sender guides receiver's hand to their heart

[ quiver ] sender and receiver's hands brush with slight contact, causing receiver to shiver on instinct

[ come back ] receiver took their hand away, so sender reaches for it a second time, taking it back and refusing to let go

[ first hug ] sender pulls receiver into their first hug

[ lasting ] sender and receiver's innocent hug lasts a little longer than they both expected

[ trace ] sender lightly traces the shape of sender's face, exploring every part of their complexion with tender fingertips

[ comb ] sender takes their time brushing receiver's hair

[ refuse ] when receiver insists they break their hug, sender refuses and only tightens their grip around them

[ cuddle ] sender moves closer to receiver as they sleep and snuggles down beside them, finding comfort in their presence

[ pull back ] sender pulls receiver back into bed with them

[ nuzzle ] sender nuzzles into receiver's cheek with their nose

[ cheek ] sender caresses receiver's cheek

[ nose ] sender lightly taps the tip of receiver's nose

[ lips ] sender caresses receiver's lips with their fingertip

[ chest ] sender smooths a hand over receiver's chest

[ legs ] sender starts to drag a hand back and forth over receiver's legs

[ inner thigh ] as sender caresses receiver's thigh, they gently slip their hand between receiver's legs

[ distance ] unable to touch or embrace receiver, sender self-soothes by wrapping their arms around themselves

[ pinky ] sender and receiver hold hands by their pinky fingers

[ smooth ] sender takes their time caressing over every part of receiver's body

[ blanket ] sender wraps a blanket around their body and receiver's body, hudding close together

Rosalie's guard almost softens at the other woman's acceptance. It seemed to be the effect she had on people. Though still wary, she acknowledges Esme's intentions seem pure. That the unspoken understanding between women still translated to vampirism. A gentle nod is all she seems to be able to offer in thanks for now.

"I need to do this." She had never felt so sure of anything in her life than she was about the decision to kill Royce. She'd woken up screaming in this life, her heightened senses seeming to heighten the mental anguish of her final moments along with them. Physically, she was healed from the wounds inflicted by Royce and his brutes. But the fear and powerlessness she had felt still permeated her mind. She didn't want to feel that anymore, she couldn't carry it with her forever. But she would carry it as long as Royce still lived, growing old with no consequence - how many more women could he do that to? How many had he already? She would carry out his sentence for them all. And it would be as long and painful as her death had felt. "There will be no justice otherwise. I want him to feel everything I felt. I....I want him to be begging me for his life before I take it and I will enjoy every moment."

Deciding she can trust the other vampire with her plan - it would be nice to have someone know where she was were anything to go wrong ( she still wasn't entirely sure what could and couldn't kill vampires ) - Rosalie crosses the room to the wardrobe that had been pre-filled for her with clothes the Cullens had figured a girl of her age wore, pulling the other items back to reveal her own addition. A beautiful, showy white wedding dress, veil and all. She'd intended to wear it to marry Royce. Now she intended to wear it to sign his marriage with DEATH. "What do you think? Too theatrical?"

As much as those of this coven might find her maternal instincts suffocating, Esme (at times) does too. She often wonders what would have happened if she didn't do what she did while hormones ranged both unbalanced and raw. If she had grieved and tried to heal before Carlisle changed her; often she can't tell if this is truthfully her nature of a consequence of Carlisle changing her when he did. Or are thoughts just remnants of Charles ready to criticise once more?

Esme somewhat winces with the passing thought, her brow furrowing slightly. Still, her lips twitch with the recognition of a joke and Esme shrugs slender shoulders. "Nearly twelve years."

It was ironic that she had previously fled her old life only to wake up to her new one contained in a house with two other men. The first few months of this life were beyond hard for such reasons; ones she knows are familiar to Rosalie, now.

It's why Esme is beyond furious with Carlisle. If he had just stopped to think—to ask—instead of acting 'compassionately', perhaps he would have been able to understand the implications of his actions.

Esme's eyes follow Rosalie across the room, settling on her face as she herself settles on the arm of a chair. Apart from slight widening of eyes, Esme responds as nonchalantly as Rosalie. "As much Carlisle has his ways, Rosalie, the only rules we really follow are those bestowed upon us by the Volturi." Esme busies herself by smoothing out the creases of her trousers. "And you will be welcome back. I will make sure of it."

bella swan in new moon vs louis de pointe du lac in season 2 did u mean two dumb bitches hallucinating their toxic exes and telling each other exactlyyy

Including me.

The Haunting of Bly Manor episode 1: The Great Good Place

“because of her vital role, chelsea is the vampire aro is most dependent on and most vulnerable to. knowing this, aro has a special relationship with chelsea that is unlike any other among the guard. chelsea wears the pure black robe of the coven leaders, and she always gets what she wants.” // chelsea; the volturi coven

I can't remember if I wrote Serena's bio before or after I saw this but basically that photo of Anya Taylor-Joy's wedding cake being a lifelike looking model of a heart...yeah so I have a part in her bio where her father trapped her first ever human lover in his lab with her and injected them both with a virus. Serena's hybrid biology quickly fought it off but her human lover grew more delirious and sickly with the days and he had also grown scared of her because, y'know, finding out her and her father were not exactly human. He started accusing her of all sorts of stuff and said he never loved her, that he had only been under her spell. Broke Serena's heart and in her blind rage and heartbreak she killed him by ripping out his heart. And then she ate it....