Prairieghcsts - All The Mermaids Had Sharp Teeth

Natalie Dormer as Vanda Jordan in Venus in Fur production stills! [more]

they come to drink they come to dance to sacrifice a HUMAN HEART

RULES | MUSES | STARTERS

KNOCK - KNOCK PROMPTS.

listen i recently became obsessed with the amount of television shows that have a mystery person knocking on the protagonist's door as a major finale cliffhanger, and it got me thinking, and now we have this list that a few immensely talented people helped me with! that said, we know the drill by now. DO NOT ADD TO THIS LIST OR CLAIM IT AS YOUR OWN! IF YOU HAVE IDEAS FOR MORE PROMPTS SEND THEM TO ME AND I WILL ADD THEM!

[ KISS ]: sender shows up at the receiver's door and impulsively pulls them in for a passionate kiss that punctuates a lengthy slow-burn between the two.

[ WOUNDED ]: sender arrives at the receiver's door with considerable injuries, in dire need of help and emergency care that only the receiver is either trusted enough or convenient enough to provide.

[ TEARS ]: sender shows up at the receiver's door in tears and in need of comfort after a long day (or week, or month…)

[ DEFEATED ]: sender arrives at the receiver's door after having lost a considerably important battle (metaphorical or literal) and needing a place to recuperate from the loss.

[ FUGITIVE ]: sender, having just become a fugitive from the law, runs to the receiver's home in the hopes of finding shelter and safety with them.

[ GIFTS ]: sender arrives at the receiver's house with gifts for the homeowner themselves.

[ APOLOGY ]: sender goes to the receiver's house to apologize to them for a past wrong-doing (specify if you wish!)

[ DATE ]: sender arrives at the receiver's house to take them on a romantic date.

[ HANG OUT ]: sender arrives at the receiver's house to hang out with them for the day.

[ GO OUT ]: sender heads to the receiver's house to take them out for a day of fun/relaxation.

[ COLLECT ]: sender shows up at the receiver's house to collect something that the receiver has either purchased for them or borrowed from them.

[ DELIVER ]: sender shows up at the receiver's house to deliver something to them that either the sender borrowed or the receiver requested from them.

[ CONFRONT ]: sender goes to the receiver's house to confront them about an on-going problem between the two of them.

[ FAVOR ]: sender goes to the receiver's house to ask them for a favour.

[ RECRUIT ]: sender goes to the receiver's house to recruit them for an upcoming task that the sender is unable to do alone.

[ ROOMIE ]: sender goes to the receiver's house to move in with them.

[ COMFORT ]: sender goes to the receiver's house to comfort them after the receiver has a difficult time or experiences a significantly difficult event.

[ HELP ]: sender goes to the receiver's house to help them with something that the receiver is either procrastinating or unable to accomplish on their own.

[ LEISURE ]: sender goes to the receiver's house for a movie night or a game night.

[ WARN ]: sender goes to the receiver's house to warn them against doing something that they suspect the receiver is preparing to do.

[ THREATEN ]: sender goes to the receiver's house in order to threaten them.

[ REUNITE ]: sender returns to the receiver's house after having been away for a while, intending to reunite with them.

[ GOODBYE ]: sender goes to the receiver's house to say a final farewell after learning they're due to leave town, possibly for good.

[ SECRET ]: sender sneaks out to the receiver's house to meet with them in secret.

[ BAD NEWS ]: sender arrives at the receiver's doorstep to deliver some bad news to them (SPECIFY THE NEWS).

[ PARTY ]: sender arrives at the receiver's house to attend a party that the receiver is hosting.

[ NEIGHBOUR ]: sender, having just moved in next door, arrives at the receiver's house to introduce themselves.

[ ENGINE ]: sender's car breaks down in the same street that the receiver lives on, leading the sender to knock on their door to ask for help.

[ PRETEND ]: sender knocks on the receiver's door to ask them to pretend to know them for the sake of a cover story.

[ VISIT ]: sender goes to the receiver's house for a casual visit.

*slaps roof of car* so this bad baby’s got a hybrid, a vampire with an entire vampire army at her side, an ancient vampire with the ability to make or break the vampire royalty of the world, a 1930s lesbian still in love with her best friend from her human life, the prettiest bad bitch you will ever meet and an ancient vampire who just woke up after being betrayed by her brother, the vampire king, 3000 years ago. and we can throw in a sweet extra deal: they’re all vampires and almost all of them have daddy issues

Vera not even realising she'd taken the fall for Rosalie being convicted of Royce's murder. It isn't something Rosalie can help either, because the deaths may have had no suspect had Vera not been running her mouth around town calling Royce a murderer and then breaking into manic laughter when she hears about his death. My girl kinda did that to herself but that's what a lesbian situationship will do to you 😭

ANYA TAYLOR-JOY ▸ 2022 Filmography: ▸Peaky Blinders ▸The Menu ▸Amsterdam ▸The Northman

"CAN WE TALK ABOUT WHAT HAPPENED?" PROMPTS *  assorted dialogue, adjust as necessary

so how long are you going to avoid me?

we should really talk about it.

can we just clear the air?

sit down for a second and talk to me.

i wish you would just look at me for two seconds.

explain to me how that happened.

you handled that a lot better than i expected.

when were you going to tell me the truth about that?

i think it's time we started being honest with one another.

it doesn't do us any good to stay quiet.

you told me you'd tell me the truth. i'm still waiting.

i was hoping for some answers.

what more do you need to hear?

i saw what you did.

when did this start happening?

start from the beginning.

that was a little abrupt.

when did you learn how to do that?

so... that's new.

they called you [title]. why did they call you that?

is there something you're not telling me?

i'd like to discuss what happened between us.

this is going to be really awkward, i'm sure.

when did they start taking orders from you?

who died and made you king?

i missed the part where that was my problem.

you could have given me a heads up.

so... we're just not going to address that?

i saw what happened.

that could have been worse.

you made a mockery of them.

i appreciate what you did for me back there.

you didn't have to stand up for me, and yet you did.

how long have you been planning that?

i think it's about time i was included in these discussions.

you know i could have helped with that.

you got a little scary back there.

i was so certain they were going to kill us.

where'd you learn to pull a stunt like that?

did that really just happen?

i owe you my life.

give me a heads up next time.

you have more power than i thought.

so... is someone going to fill me in?

Regardless of my faith, I am not a Catholic queen, I am not a Protestant queen, I am not a French queen, I am your queen.

Adelaide Kane as Mary Stuart in REIGN (2013 - 2017)

not to complain about being an australian mun again but sometimes with timezones it really starts to feel like I’m just kicking rocks and my muse’s are being like that “c’mon, do something” meme constantly 😭 basically a roundabout way of saying if you see this pls like this if I can come into your DM’s and plot or it’s okay to send you memes because my girls are getting antsy for me to write things. I am open to lots, despite my girls being “twilight based” they are extremely canon divergent even down to the vampire lore which I have frankensteined together from various vampire media and it is nothing like smeyer’s sparkly mormon freaks, so very open to interacting with other media’s vampries and plotting out verses or situations for them